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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4BA18 it is the complementary color #2B45E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4BA18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4BA18 shade: #D9BA13, #EACC26, #FBDE39, #FFF04C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4BA18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4BA18 shade: #D4BA18, #C3A805, #B29600, #A18400 and #907200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4BA18 shade: #D3B917, #D38617, #D35317, #D32117 and #D31717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4BA18 shade: #D3B917, #BAD317, #87D317, #55D317 and #22D317

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4BA18 shade matches the following richer shades: #D3B917 and #E6C604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4BA18 shade: #D3B917, #C0AB2A, #AD9D3D, #9A8F50 and #878263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4BA18 shade: #D35217, #D38417, #D3B617, #BDD317 and #8BD317

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4BA18 shade: #88780F, #AE9813, #D3B917, #E7CD2C and #EBD651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4BA18 shade: #D4BA18, #17D320 and #6B17D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4BA18 shade: #D4BA18, #17D3B6 and #B617D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4BA18 shade: #D4BA18, #17D320, #1733D3 and #D317C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4BA18 shade: #D4BA18, #17D359, #1733D3 and #D31791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

Complementary color

CMYK 81 / 70 / 0 / 9

HEX #2B45E7

RGB 43 69 231

HSL 231.7, 0.8%, 0.54%

LAB 38.79, 48.53, -83.49

 

CMYK 0 / 14 / 91 / 15

HEX #D9BA13

RGB 217 186 19

HSL 50.61, 0.84%, 0.46%

LAB 76.02, -3.24, 75.55

 

CMYK 0 / 13 / 84 / 8

HEX #EACC26

RGB 234 204 38

HSL 50.82, 0.82%, 0.53%

LAB 82.28, -4.77, 77.36

 

CMYK 0 / 12 / 77 / 2

HEX #FBDE39

RGB 251 222 57

HSL 51.03, 0.96%, 0.6%

LAB 88.47, -6.1, 78.09

 

CMYK 0 / 6 / 70 / 0

HEX #FFF04C

RGB 255 240 76

HSL 54.97, 1%, 0.65%

LAB 93.49, -12.6, 76.66

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

CMYK 0 / 14 / 97 / 24

HEX #C3A805

RGB 195 168 5

HSL 51.47, 0.95%, 0.39%

LAB 69.2, -3.68, 71.36

 

CMYK 0 / 16 / 100 / 30

HEX #B29600

RGB 178 150 0

HSL 50.56, 1%, 0.35%

LAB 62.74, -1.77, 66.64

 

CMYK 0 / 18 / 100 / 37

HEX #A18400

RGB 161 132 0

HSL 49.19, 1%, 0.32%

LAB 56.17, 0.28, 61.21

 

CMYK 0 / 21 / 100 / 44

HEX #907200

RGB 144 114 0

HSL 47.5, 1%, 0.28%

LAB 49.45, 2.43, 55.67

 

CMYK 0 / 12 / 89 / 17

HEX #D3B917

RGB 211 185 23

HSL 51.7, 0.8%, 0.46%

LAB 75.21, -5.27, 74

 

CMYK 0 / 36 / 89 / 17

HEX #D38617

RGB 211 134 23

HSL 35.43, 0.8%, 0.46%

LAB 62.47, 21.98, 64.1

 

CMYK 0 / 61 / 89 / 17

HEX #D35317

RGB 211 83 23

HSL 19.15, 0.8%, 0.46%

LAB 51.95, 47.98, 56.06

 

CMYK 0 / 84 / 89 / 17

HEX #D32117

RGB 211 33 23

HSL 3.19, 0.8%, 0.46%

LAB 45.63, 65.3, 51.36

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 0 / 12 / 89 / 17

HEX #D3B917

RGB 211 185 23

HSL 51.7, 0.8%, 0.46%

LAB 75.21, -5.27, 74

 

CMYK 12 / 0 / 89 / 17

HEX #BAD317

RGB 186 211 23

HSL 67.98, 0.8%, 0.46%

LAB 80.23, -28.88, 77.12

 

CMYK 36 / 0 / 89 / 17

HEX #87D317

RGB 135 211 23

HSL 84.26, 0.8%, 0.46%

LAB 77.16, -48.58, 73.35

 

CMYK 60 / 0 / 89 / 17

HEX #55D317

RGB 85 211 23

HSL 100.21, 0.8%, 0.46%

LAB 75.19, -63.59, 70.9

 

CMYK 84 / 0 / 89 / 17

HEX #22D317

RGB 34 211 23

HSL 116.49, 0.8%, 0.46%

LAB 74.18, -72.22, 69.64

 

CMYK 0 / 12 / 89 / 17

HEX #D3B917

RGB 211 185 23

HSL 51.7, 0.8%, 0.46%

LAB 75.21, -5.27, 74

 

CMYK 0 / 14 / 98 / 10

HEX #E6C604

RGB 230 198 4

HSL 51.5, 0.97%, 0.46%

LAB 80.3, -3.95, 80.99

 

CMYK 0 / 12 / 89 / 17

HEX #D3B917

RGB 211 185 23

HSL 51.7, 0.8%, 0.46%

LAB 75.21, -5.27, 74

 

CMYK 0 / 11 / 78 / 25

HEX #C0AB2A

RGB 192 171 42

HSL 51.6, 0.64%, 0.46%

LAB 69.82, -5.77, 63.95

 

CMYK 0 / 9 / 65 / 32

HEX #AD9D3D

RGB 173 157 61

HSL 51.43, 0.48%, 0.46%

LAB 64.43, -5.75, 50.72

 

CMYK 0 / 7 / 48 / 40

HEX #9A8F50

RGB 154 143 80

HSL 51.08, 0.32%, 0.46%

LAB 59.06, -4.91, 34.82

 

CMYK 0 / 4 / 27 / 47

HEX #878263

RGB 135 130 99

HSL 51.67, 0.15%, 0.46%

LAB 54.05, -3.41, 17.5

 

CMYK 0 / 61 / 89 / 17

HEX #D35217

RGB 211 82 23

HSL 18.83, 0.8%, 0.46%

LAB 51.78, 48.43, 55.93

 

CMYK 0 / 37 / 89 / 17

HEX #D38417

RGB 211 132 23

HSL 34.79, 0.8%, 0.46%

LAB 62.01, 23.05, 63.74

 

CMYK 0 / 14 / 89 / 17

HEX #D3B617

RGB 211 182 23

HSL 50.74, 0.8%, 0.46%

LAB 74.42, -3.71, 73.38

 

CMYK 10 / 0 / 89 / 17

HEX #BDD317

RGB 189 211 23

HSL 67.02, 0.8%, 0.46%

LAB 80.44, -27.64, 77.38

 

CMYK 34 / 0 / 89 / 17

HEX #8BD317

RGB 139 211 23

HSL 82.98, 0.8%, 0.46%

LAB 77.36, -47.16, 73.6

 

CMYK 0 / 12 / 89 / 47

HEX #88780F

RGB 136 120 15

HSL 52.07, 0.8%, 0.3%

LAB 50.34, -4.46, 52.86

 

CMYK 0 / 13 / 89 / 32

HEX #AE9813

RGB 174 152 19

HSL 51.48, 0.8%, 0.38%

LAB 62.93, -4.38, 63.62

 

CMYK 0 / 12 / 89 / 17

HEX #D3B917

RGB 211 185 23

HSL 51.7, 0.8%, 0.46%

LAB 75.21, -5.27, 74

 

CMYK 0 / 11 / 81 / 9

HEX #E7CD2C

RGB 231 205 44

HSL 51.66, 0.8%, 0.54%

LAB 82.29, -6.4, 75.72

 

CMYK 0 / 9 / 66 / 8

HEX #EBD651

RGB 235 214 81

HSL 51.82, 0.79%, 0.62%

LAB 85.17, -7.67, 65.82

 

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

CMYK 89 / 0 / 85 / 17

HEX #17D320

RGB 23 211 32

HSL 122.87, 0.8%, 0.46%

LAB 74.11, -72.78, 67.75

 

CMYK 49 / 89 / 0 / 17

HEX #6B17D3

RGB 107 23 211

HSL 266.81, 0.8%, 0.46%

LAB 34.89, 68.47, -78.3

 

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

CMYK 89 / 0 / 14 / 17

HEX #17D3B6

RGB 23 211 182

HSL 170.74, 0.8%, 0.46%

LAB 76.16, -49.08, 2.32

 

CMYK 14 / 89 / 0 / 17

HEX #B617D3

RGB 182 23 211

HSL 290.74, 0.8%, 0.46%

LAB 45.99, 78.29, -59.71

 

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

CMYK 89 / 0 / 85 / 17

HEX #17D320

RGB 23 211 32

HSL 122.87, 0.8%, 0.46%

LAB 74.11, -72.78, 67.75

 

CMYK 89 / 76 / 0 / 17

HEX #1733D3

RGB 23 51 211

HSL 231.06, 0.8%, 0.46%

LAB 32.38, 51.03, -82.65

 

CMYK 0 / 89 / 5 / 17

HEX #D317C9

RGB 211 23 201

HSL 303.19, 0.8%, 0.46%

LAB 50.31, 81.6, -46.75

 

CMYK 0 / 12 / 89 / 17

HEX #D4BA18

RGB 212 186 24

HSL 51.7, 0.8%, 0.46%

LAB 75.56, -5.33, 74.13

 

CMYK 89 / 0 / 58 / 17

HEX #17D359

RGB 23 211 89

HSL 141.06, 0.8%, 0.46%

LAB 74.5, -67.83, 47.76

 

CMYK 89 / 76 / 0 / 17

HEX #1733D3

RGB 23 51 211

HSL 231.06, 0.8%, 0.46%

LAB 32.38, 51.03, -82.65

 

CMYK 0 / 89 / 31 / 17

HEX #D31791

RGB 211 23 145

HSL 321.06, 0.8%, 0.46%

LAB 47.63, 74.58, -17.89

 

Description

Color code: HEX #D4BA18 | qconv.com Color code: HEX #D4BA18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 186 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 186 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 89 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 89% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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