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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4B190 it is the complementary color #2B4E6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4B190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4B190 shade: #D9B18B, #EAC39E, #FBD5B1, #FFE7C4 and #FFF9D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4B190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4B190 shade: #D4B190, #C39F7D, #B28D6A, #A17B57 and #906944

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4B190 shade: #D4B190, #D49F90 and #D49090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4B190 shade: #D4B190, #D4C390, #D2D490, #C0D490 and #AED490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4B190 shade matches the following richer shades: #D4B190, #E0B184, #ECB078 and #F9B06B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4B190 shade: #D4B190, #C7B19D, #BBB2A9, #AFB2B5 and #A2B2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4B190 shade: #D49094, #D49F90, #D4B190, #D4C390 and #D3D490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4B190 shade: #BD8755, #C89C73, #D4B190, #DFC6AE and #EBDBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4B190 shade: #D4B190, #A6D490 and #9690D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4B190 shade: #D4B190, #90D4B1 and #B190D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4B190 shade: #D4B190, #A6D490, #90B3D4 and #BE90D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4B190 shade: #D4B190, #91D490, #90B3D4 and #D390D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

Complementary color

CMYK 61 / 30 / 0 / 56

HEX #2B4E6F

RGB 43 78 111

HSL 209.12, 0.44%, 0.3%

LAB 32.06, -1.73, -22.82

 

CMYK 0 / 18 / 36 / 15

HEX #D9B18B

RGB 217 177 139

HSL 29.23, 0.51%, 0.7%

LAB 74.86, 9.26, 24.92

 

CMYK 0 / 17 / 32 / 8

HEX #EAC39E

RGB 234 195 158

HSL 29.21, 0.64%, 0.77%

LAB 81.29, 8.67, 23.79

 

CMYK 0 / 15 / 29 / 2

HEX #FBD5B1

RGB 251 213 177

HSL 29.19, 0.9%, 0.84%

LAB 87.62, 8.14, 22.74

 

CMYK 0 / 9 / 23 / 0

HEX #FFE7C4

RGB 255 231 196

HSL 35.59, 1%, 0.88%

LAB 92.75, 2.9, 20.03

 

CMYK 0 / 2 / 16 / 0

HEX #FFF9D7

RGB 255 249 215

HSL 51, 1%, 0.92%

LAB 97.6, -3.47, 17.05

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 18 / 36 / 24

HEX #C39F7D

RGB 195 159 125

HSL 29.14, 0.37%, 0.63%

LAB 67.93, 8.52, 22.77

 

CMYK 0 / 21 / 40 / 30

HEX #B28D6A

RGB 178 141 106

HSL 29.17, 0.32%, 0.56%

LAB 61.27, 9.21, 24

 

CMYK 0 / 24 / 46 / 37

HEX #A17B57

RGB 161 123 87

HSL 29.19, 0.3%, 0.49%

LAB 54.48, 10.03, 25.34

 

CMYK 0 / 27 / 53 / 44

HEX #906944

RGB 144 105 68

HSL 29.21, 0.36%, 0.42%

LAB 47.56, 11.01, 26.82

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 25 / 32 / 17

HEX #D49F90

RGB 212 159 144

HSL 13.24, 0.44%, 0.7%

LAB 70.04, 17.63, 15.5

 

CMYK 0 / 32 / 32 / 17

HEX #D49090

RGB 212 144 144

HSL 0, 0.44%, 0.7%

LAB 66.49, 25.77, 10.5

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 8 / 32 / 17

HEX #D4C390

RGB 212 195 144

HSL 45, 0.44%, 0.7%

LAB 79.06, -1.61, 27.84

 

CMYK 1 / 0 / 32 / 17

HEX #D2D490

RGB 210 212 144

HSL 61.76, 0.44%, 0.7%

LAB 83.34, -11.13, 33.49

 

CMYK 9 / 0 / 32 / 17

HEX #C0D490

RGB 192 212 144

HSL 77.65, 0.44%, 0.7%

LAB 82, -17.96, 31.48

 

CMYK 18 / 0 / 32 / 17

HEX #AED490

RGB 174 212 144

HSL 93.53, 0.44%, 0.7%

LAB 80.79, -24.56, 29.66

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 21 / 41 / 12

HEX #E0B184

RGB 224 177 132

HSL 29.35, 0.6%, 0.7%

LAB 75.42, 11.24, 29.53

 

CMYK 0 / 25 / 49 / 7

HEX #ECB078

RGB 236 176 120

HSL 28.97, 0.75%, 0.7%

LAB 76.22, 15.37, 37.11

 

CMYK 0 / 29 / 57 / 2

HEX #F9B06B

RGB 249 176 107

HSL 29.15, 0.92%, 0.7%

LAB 77.43, 19.53, 45.57

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 11 / 21 / 22

HEX #C7B19D

RGB 199 177 157

HSL 28.57, 0.27%, 0.7%

LAB 73.56, 4.71, 13.12

 

CMYK 0 / 5 / 10 / 27

HEX #BBB2A9

RGB 187 178 169

HSL 30, 0.12%, 0.7%

LAB 73.07, 1.62, 5.73

 

CMYK 3 / 2 / 0 / 29

HEX #AFB2B5

RGB 175 178 181

HSL 210, 0.04%, 0.7%

LAB 72.42, -0.47, -1.9

 

CMYK 16 / 8 / 0 / 24

HEX #A2B2C2

RGB 162 178 194

HSL 210, 0.21%, 0.7%

LAB 71.84, -2.18, -10.01

 

CMYK 0 / 32 / 30 / 17

HEX #D49094

RGB 212 144 148

HSL 356.47, 0.44%, 0.7%

LAB 66.58, 26.29, 8.39

 

CMYK 0 / 25 / 32 / 17

HEX #D49F90

RGB 212 159 144

HSL 13.24, 0.44%, 0.7%

LAB 70.04, 17.63, 15.5

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 8 / 32 / 17

HEX #D4C390

RGB 212 195 144

HSL 45, 0.44%, 0.7%

LAB 79.06, -1.61, 27.84

 

CMYK 0 / 0 / 32 / 17

HEX #D3D490

RGB 211 212 144

HSL 60.88, 0.44%, 0.7%

LAB 83.42, -10.75, 33.61

 

CMYK 0 / 29 / 55 / 26

HEX #BD8755

RGB 189 135 85

HSL 28.85, 0.44%, 0.54%

LAB 60.61, 15.04, 34.87

 

CMYK 0 / 22 / 43 / 22

HEX #C89C73

RGB 200 156 115

HSL 28.94, 0.44%, 0.62%

LAB 67.5, 11.02, 27.73

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 0 / 11 / 22 / 13

HEX #DFC6AE

RGB 223 198 174

HSL 29.39, 0.43%, 0.78%

LAB 81.36, 5.07, 15.25

 

CMYK 0 / 7 / 13 / 8

HEX #EBDBCC

RGB 235 219 204

HSL 29.03, 0.44%, 0.86%

LAB 88.3, 3.03, 9.34

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 22 / 0 / 32 / 17

HEX #A6D490

RGB 166 212 144

HSL 100.59, 0.44%, 0.7%

LAB 80.3, -27.39, 28.9

 

CMYK 29 / 32 / 0 / 17

HEX #9690D4

RGB 150 144 212

HSL 245.29, 0.44%, 0.7%

LAB 62.66, 17.38, -34.06

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 32 / 0 / 17 / 17

HEX #90D4B1

RGB 144 212 177

HSL 149.12, 0.44%, 0.7%

LAB 79.72, -28.82, 10.56

 

CMYK 17 / 32 / 0 / 17

HEX #B190D4

RGB 177 144 212

HSL 269.12, 0.44%, 0.7%

LAB 65, 25.52, -30.25

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 22 / 0 / 32 / 17

HEX #A6D490

RGB 166 212 144

HSL 100.59, 0.44%, 0.7%

LAB 80.3, -27.39, 28.9

 

CMYK 32 / 16 / 0 / 17

HEX #90B3D4

RGB 144 179 212

HSL 209.12, 0.44%, 0.7%

LAB 71.5, -4.02, -20.5

 

CMYK 10 / 32 / 0 / 17

HEX #BE90D4

RGB 190 144 212

HSL 280.59, 0.44%, 0.7%

LAB 66.25, 29.59, -28.22

 

CMYK 0 / 17 / 32 / 17

HEX #D4B190

RGB 212 177 144

HSL 29.12, 0.44%, 0.7%

LAB 74.48, 7.92, 21.63

 

CMYK 32 / 0 / 32 / 17

HEX #91D490

RGB 145 212 144

HSL 119.12, 0.44%, 0.7%

LAB 79.11, -34.47, 27.11

 

CMYK 32 / 16 / 0 / 17

HEX #90B3D4

RGB 144 179 212

HSL 209.12, 0.44%, 0.7%

LAB 71.5, -4.02, -20.5

 

CMYK 0 / 32 / 0 / 17

HEX #D390D4

RGB 211 144 212

HSL 299.12, 0.44%, 0.7%

LAB 68.42, 36.26, -24.69

 

Description

Color code: HEX #D4B190 | qconv.com Color code: HEX #D4B190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 177 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 177 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 32 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 32% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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