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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4AC82 it is the complementary color #2B537D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4AC82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4AC82 shade: #D9AC7D, #EABE90, #FBD0A3, #FFE2B6 and #FFF4C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4AC82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4AC82 shade: #D4AC82, #C39A6F, #B2885C, #A17649 and #906436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4AC82 shade: #D4AB81, #D49581 and #D48181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4AC82 shade: #D4AB81, #D4C281, #CFD481, #B9D481 and #A3D481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4AC82 shade matches the following richer shades: #D4AB81, #E1AC74, #EFAC66 and #FCAC58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4AC82 shade: #D4AB81, #C6AB8F, #B8AB9C, #ABAAAA and #9DAAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4AC82 shade: #D48184, #D49481, #D4AA81, #D4C081 and #D1D481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4AC82 shade: #BF8344, #C99762, #D4AB81, #DEC0A0 and #E9D4BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4AC82 shade: #D4AC82, #9AD481 and #8981D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4AC82 shade: #D4AC82, #81D4AA and #AA81D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4AC82 shade: #D4AC82, #9AD481, #81AAD4 and #BB81D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4AC82 shade: #D4AC82, #81D481, #81AAD4 and #D481D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

Complementary color

CMYK 66 / 34 / 0 / 51

HEX #2B537D

RGB 43 83 125

HSL 210.73, 0.49%, 0.33%

LAB 34.36, 0.15, -27.94

 

CMYK 0 / 21 / 42 / 15

HEX #D9AC7D

RGB 217 172 125

HSL 30.65, 0.55%, 0.67%

LAB 73.37, 10.35, 30.41

 

CMYK 0 / 19 / 38 / 8

HEX #EABE90

RGB 234 190 144

HSL 30.67, 0.68%, 0.74%

LAB 79.8, 9.64, 29.18

 

CMYK 0 / 17 / 35 / 2

HEX #FBD0A3

RGB 251 208 163

HSL 30.68, 0.92%, 0.81%

LAB 86.14, 9.01, 28.02

 

CMYK 0 / 11 / 29 / 0

HEX #FFE2B6

RGB 255 226 182

HSL 36.16, 1%, 0.86%

LAB 91.25, 3.59, 25.19

 

CMYK 0 / 4 / 21 / 0

HEX #FFF4C9

RGB 255 244 201

HSL 47.78, 1%, 0.89%

LAB 96.07, -2.98, 22.08

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 0 / 21 / 43 / 24

HEX #C39A6F

RGB 195 154 111

HSL 30.71, 0.41%, 0.6%

LAB 66.41, 9.62, 28.38

 

CMYK 0 / 24 / 48 / 30

HEX #B2885C

RGB 178 136 92

HSL 30.7, 0.36%, 0.53%

LAB 59.75, 10.47, 29.74

 

CMYK 0 / 27 / 55 / 37

HEX #A17649

RGB 161 118 73

HSL 30.68, 0.38%, 0.46%

LAB 52.97, 11.48, 31.21

 

CMYK 0 / 31 / 63 / 44

HEX #906436

RGB 144 100 54

HSL 30.67, 0.45%, 0.39%

LAB 46.06, 12.7, 32.78

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB81

RGB 212 171 129

HSL 30.36, 0.49%, 0.67%

LAB 72.7, 9.32, 27.29

 

CMYK 0 / 30 / 39 / 17

HEX #D49581

RGB 212 149 129

HSL 14.46, 0.49%, 0.67%

LAB 67.33, 21.22, 20.05

 

CMYK 0 / 39 / 39 / 17

HEX #D48181

RGB 212 129 129

HSL 0, 0.49%, 0.67%

LAB 62.75, 32.01, 13.7

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB81

RGB 212 171 129

HSL 30.36, 0.49%, 0.67%

LAB 72.7, 9.32, 27.29

 

CMYK 0 / 8 / 39 / 17

HEX #D4C281

RGB 212 194 129

HSL 46.99, 0.49%, 0.67%

LAB 78.56, -2.86, 35

 

CMYK 2 / 0 / 39 / 17

HEX #CFD481

RGB 207 212 129

HSL 63.61, 0.49%, 0.67%

LAB 82.88, -14.05, 40.46

 

CMYK 13 / 0 / 39 / 17

HEX #B9D481

RGB 185 212 129

HSL 79.52, 0.49%, 0.67%

LAB 81.28, -22.51, 38.1

 

CMYK 23 / 0 / 39 / 17

HEX #A3D481

RGB 163 212 129

HSL 95.42, 0.49%, 0.67%

LAB 79.87, -30.58, 36

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB81

RGB 212 171 129

HSL 30.36, 0.49%, 0.67%

LAB 72.7, 9.32, 27.29

 

CMYK 0 / 24 / 48 / 12

HEX #E1AC74

RGB 225 172 116

HSL 30.83, 0.64%, 0.67%

LAB 74.04, 12.68, 36.19

 

CMYK 0 / 28 / 57 / 6

HEX #EFAC66

RGB 239 172 102

HSL 30.66, 0.81%, 0.67%

LAB 75.34, 17.2, 45.3

 

CMYK 0 / 32 / 65 / 1

HEX #FCAC58

RGB 252 172 88

HSL 30.73, 0.96%, 0.67%

LAB 76.62, 21.57, 53.99

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB81

RGB 212 171 129

HSL 30.36, 0.49%, 0.67%

LAB 72.7, 9.32, 27.29

 

CMYK 0 / 14 / 28 / 22

HEX #C6AB8F

RGB 198 171 143

HSL 30.55, 0.33%, 0.67%

LAB 71.63, 5.54, 18.05

 

CMYK 0 / 7 / 15 / 28

HEX #B8AB9C

RGB 184 171 156

HSL 32.14, 0.16%, 0.67%

LAB 70.67, 2.13, 9.4

 

CMYK 0 / 1 / 1 / 33

HEX #ABAAAA

RGB 171 170 170

HSL 0, 0.01%, 0.67%

LAB 69.69, 0.36, 0.12

 

CMYK 15 / 8 / 0 / 28

HEX #9DAAB8

RGB 157 170 184

HSL 211.11, 0.16%, 0.67%

LAB 69.02, -1.63, -8.73

 

CMYK 0 / 39 / 38 / 17

HEX #D48184

RGB 212 129 132

HSL 357.83, 0.49%, 0.67%

LAB 62.81, 32.36, 12.09

 

CMYK 0 / 30 / 39 / 17

HEX #D49481

RGB 212 148 129

HSL 13.73, 0.49%, 0.67%

LAB 67.1, 21.76, 19.73

 

CMYK 0 / 20 / 39 / 17

HEX #D4AA81

RGB 212 170 129

HSL 29.64, 0.49%, 0.67%

LAB 72.45, 9.86, 26.96

 

CMYK 0 / 9 / 39 / 17

HEX #D4C081

RGB 212 192 129

HSL 45.54, 0.49%, 0.67%

LAB 78.04, -1.82, 34.32

 

CMYK 1 / 0 / 39 / 17

HEX #D1D481

RGB 209 212 129

HSL 62.17, 0.49%, 0.67%

LAB 83.03, -13.27, 40.69

 

CMYK 0 / 31 / 64 / 25

HEX #BF8344

RGB 191 131 68

HSL 30.73, 0.49%, 0.51%

LAB 59.64, 16.82, 42.64

 

CMYK 0 / 25 / 51 / 21

HEX #C99762

RGB 201 151 98

HSL 30.87, 0.49%, 0.59%

LAB 66.08, 12.45, 35.06

 

CMYK 0 / 19 / 39 / 17

HEX #D4AB81

RGB 212 171 129

HSL 30.36, 0.49%, 0.67%

LAB 72.7, 9.32, 27.29

 

CMYK 0 / 14 / 28 / 13

HEX #DEC0A0

RGB 222 192 160

HSL 30.97, 0.48%, 0.75%

LAB 79.48, 5.9, 20.07

 

CMYK 0 / 9 / 18 / 9

HEX #E9D4BF

RGB 233 212 191

HSL 30, 0.49%, 0.83%

LAB 86.09, 3.94, 13.02

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 27 / 0 / 39 / 17

HEX #9AD481

RGB 154 212 129

HSL 101.93, 0.49%, 0.67%

LAB 79.35, -33.73, 35.22

 

CMYK 35 / 39 / 0 / 17

HEX #8981D4

RGB 137 129 212

HSL 245.78, 0.49%, 0.67%

LAB 57.82, 22.43, -41.71

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 39 / 0 / 20 / 17

HEX #81D4AA

RGB 129 212 170

HSL 149.64, 0.49%, 0.67%

LAB 78.84, -34.57, 12.93

 

CMYK 20 / 39 / 0 / 17

HEX #AA81D4

RGB 170 129 212

HSL 269.64, 0.49%, 0.67%

LAB 60.78, 31.85, -36.85

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 27 / 0 / 39 / 17

HEX #9AD481

RGB 154 212 129

HSL 101.93, 0.49%, 0.67%

LAB 79.35, -33.73, 35.22

 

CMYK 39 / 20 / 0 / 17

HEX #81AAD4

RGB 129 170 212

HSL 210.36, 0.49%, 0.67%

LAB 68.15, -3.25, -25.7

 

CMYK 12 / 39 / 0 / 17

HEX #BB81D4

RGB 187 129 212

HSL 281.93, 0.49%, 0.67%

LAB 62.52, 36.94, -34.01

 

CMYK 0 / 19 / 39 / 17

HEX #D4AC82

RGB 212 172 130

HSL 30.73, 0.49%, 0.67%

LAB 72.97, 8.9, 27.11

 

CMYK 39 / 0 / 39 / 17

HEX #81D481

RGB 129 212 129

HSL 120, 0.49%, 0.67%

LAB 78.07, -41.87, 33.32

 

CMYK 39 / 20 / 0 / 17

HEX #81AAD4

RGB 129 170 212

HSL 210.36, 0.49%, 0.67%

LAB 68.15, -3.25, -25.7

 

CMYK 0 / 39 / 0 / 17

HEX #D481D4

RGB 212 129 212

HSL 300, 0.49%, 0.67%

LAB 65.32, 44.55, -29.45

 

Description

Color code: HEX #D4AC82 | qconv.com Color code: HEX #D4AC82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 172 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 172 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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