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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D49CD5 it is the complementary color #2B632A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D49CD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D49CD5 shade: #D99CD0, #EAAEE3, #FBC0F6, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D49CD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D49CD5 shade: #D49CD5, #C38AC2, #B278AF, #A1669C and #905489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D49CD5 shade: #D39BD4, #D49BC5, #D49BB6, #D49BA6 and #D49B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D49CD5 shade: #D39BD4, #C39BD4, #B49BD4, #A49BD4 and #9B9BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D49CD5 shade matches the following richer shades: #D39BD4, #DE8FDF, #E983EB and #F478F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D49CD5 shade: #D39BD4, #C8A6C8, #BCB2BD, #B1BDB1 and #A6C9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D49CD5 shade: #B39BD4, #C39BD4, #D29BD4, #D49BC6 and #D49BB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D49CD5 shade: #B961BB, #C67EC7, #D39BD4, #DFB7E0 and #ECD4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D49CD5 shade: #D49CD5, #D4A49B and #9BD4BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D49CD5 shade: #D49CD5, #D4D29B and #9BD4D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D49CD5 shade: #D49CD5, #D4A49B, #9CD49B and #9BCAD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D49CD5 shade: #D49CD5, #D4B59B, #9CD49B and #9BB9D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

Complementary color

CMYK 57 / 0 / 58 / 61

HEX #2B632A

RGB 43 99 42

HSL 118.95, 0.4%, 0.28%

LAB 37.12, -31.27, 26.61

 

CMYK 0 / 28 / 4 / 15

HEX #D99CD0

RGB 217 156 208

HSL 308.85, 0.45%, 0.73%

LAB 71.61, 31.01, -17.57

 

CMYK 0 / 26 / 3 / 8

HEX #EAAEE3

RGB 234 174 227

HSL 307, 0.59%, 0.8%

LAB 78.06, 30.37, -18.04

 

CMYK 0 / 24 / 2 / 2

HEX #FBC0F6

RGB 251 192 246

HSL 305.08, 0.88%, 0.87%

LAB 84.41, 29.77, -18.48

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

CMYK 0 / 29 / 1 / 24

HEX #C38AC2

RGB 195 138 194

HSL 301.05, 0.32%, 0.65%

LAB 64.7, 30.95, -20.48

 

CMYK 0 / 33 / 2 / 30

HEX #B278AF

RGB 178 120 175

HSL 303.1, 0.27%, 0.58%

LAB 58.03, 31.66, -20.05

 

CMYK 0 / 37 / 3 / 37

HEX #A1669C

RGB 161 102 156

HSL 305.08, 0.24%, 0.52%

LAB 51.24, 32.42, -19.58

 

CMYK 0 / 42 / 5 / 44

HEX #905489

RGB 144 84 137

HSL 307, 0.26%, 0.45%

LAB 44.34, 33.22, -19.04

 

CMYK 0 / 27 / 0 / 17

HEX #D39BD4

RGB 211 155 212

HSL 298.95, 0.4%, 0.72%

LAB 70.9, 30.31, -20.91

 

CMYK 0 / 27 / 7 / 17

HEX #D49BC5

RGB 212 155 197

HSL 315.79, 0.4%, 0.72%

LAB 70.5, 27.92, -13.21

 

CMYK 0 / 27 / 14 / 17

HEX #D49BB6

RGB 212 155 182

HSL 331.58, 0.4%, 0.72%

LAB 70.05, 25.38, -5.57

 

CMYK 0 / 27 / 22 / 17

HEX #D49BA6

RGB 212 155 166

HSL 348.42, 0.4%, 0.72%

LAB 69.61, 22.87, 2.68

 

CMYK 0 / 27 / 27 / 17

HEX #D49B9B

RGB 212 155 155

HSL 0, 0.4%, 0.72%

LAB 69.33, 21.28, 8.4

 

CMYK 0 / 27 / 0 / 17

HEX #D39BD4

RGB 211 155 212

HSL 298.95, 0.4%, 0.72%

LAB 70.9, 30.31, -20.91

 

CMYK 8 / 27 / 0 / 17

HEX #C39BD4

RGB 195 155 212

HSL 282.11, 0.4%, 0.72%

LAB 69.33, 25.1, -23.45

 

CMYK 15 / 27 / 0 / 17

HEX #B49BD4

RGB 180 155 212

HSL 266.32, 0.4%, 0.72%

LAB 67.95, 20.29, -25.69

 

CMYK 23 / 27 / 0 / 17

HEX #A49BD4

RGB 164 155 212

HSL 249.47, 0.4%, 0.72%

LAB 66.59, 15.29, -27.89

 

CMYK 27 / 27 / 0 / 17

HEX #9B9BD4

RGB 155 155 212

HSL 240, 0.4%, 0.72%

LAB 65.88, 12.57, -29.05

 

CMYK 0 / 27 / 0 / 17

HEX #D39BD4

RGB 211 155 212

HSL 298.95, 0.4%, 0.72%

LAB 70.9, 30.31, -20.91

 

CMYK 0 / 36 / 0 / 13

HEX #DE8FDF

RGB 222 143 223

HSL 299.25, 0.56%, 0.72%

LAB 69.83, 42.29, -28.51

 

CMYK 1 / 44 / 0 / 8

HEX #E983EB

RGB 233 131 235

HSL 298.85, 0.72%, 0.72%

LAB 69.15, 53.92, -36.06

 

CMYK 1 / 51 / 0 / 4

HEX #F478F6

RGB 244 120 246

HSL 299.05, 0.88%, 0.72%

LAB 68.98, 64.18, -42.27

 

CMYK 0 / 27 / 0 / 17

HEX #D39BD4

RGB 211 155 212

HSL 298.95, 0.4%, 0.72%

LAB 70.9, 30.31, -20.91

 

CMYK 0 / 17 / 0 / 22

HEX #C8A6C8

RGB 200 166 200

HSL 300, 0.24%, 0.72%

LAB 72.04, 18.35, -12.68

 

CMYK 1 / 6 / 0 / 26

HEX #BCB2BD

RGB 188 178 189

HSL 294.55, 0.08%, 0.72%

LAB 73.68, 5.57, -4.32

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 17 / 0 / 18 / 21

HEX #A6C9A5

RGB 166 201 165

HSL 118.33, 0.25%, 0.72%

LAB 77.64, -18.57, 14.18

 

CMYK 16 / 27 / 0 / 17

HEX #B39BD4

RGB 179 155 212

HSL 265.26, 0.4%, 0.72%

LAB 67.86, 19.97, -25.83

 

CMYK 8 / 27 / 0 / 17

HEX #C39BD4

RGB 195 155 212

HSL 282.11, 0.4%, 0.72%

LAB 69.33, 25.1, -23.45

 

CMYK 1 / 27 / 0 / 17

HEX #D29BD4

RGB 210 155 212

HSL 297.89, 0.4%, 0.72%

LAB 70.8, 29.98, -21.07

 

CMYK 0 / 27 / 7 / 17

HEX #D49BC6

RGB 212 155 198

HSL 314.74, 0.4%, 0.72%

LAB 70.54, 28.1, -13.72

 

CMYK 0 / 27 / 14 / 17

HEX #D49BB7

RGB 212 155 183

HSL 330.53, 0.4%, 0.72%

LAB 70.08, 25.54, -6.08

 

CMYK 1 / 48 / 0 / 27

HEX #B961BB

RGB 185 97 187

HSL 298.67, 0.4%, 0.56%

LAB 54.5, 48.42, -32.33

 

CMYK 1 / 37 / 0 / 22

HEX #C67EC7

RGB 198 126 199

HSL 299.18, 0.39%, 0.64%

LAB 62.55, 39.39, -26.57

 

CMYK 0 / 27 / 0 / 17

HEX #D39BD4

RGB 211 155 212

HSL 298.95, 0.4%, 0.72%

LAB 70.9, 30.31, -20.91

 

CMYK 0 / 18 / 0 / 12

HEX #DFB7E0

RGB 223 183 224

HSL 298.54, 0.4%, 0.8%

LAB 79, 21.36, -15.09

 

CMYK 0 / 10 / 0 / 7

HEX #ECD4EC

RGB 236 212 236

HSL 300, 0.39%, 0.88%

LAB 87.47, 12.46, -8.73

 

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

CMYK 0 / 23 / 27 / 17

HEX #D4A49B

RGB 212 164 155

HSL 9.47, 0.4%, 0.72%

LAB 71.5, 16.4, 11.48

 

CMYK 27 / 0 / 12 / 17

HEX #9BD4BB

RGB 155 212 187

HSL 153.68, 0.4%, 0.72%

LAB 80.54, -23.47, 6.48

 

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

CMYK 0 / 1 / 27 / 17

HEX #D4D29B

RGB 212 210 155

HSL 57.89, 0.4%, 0.72%

LAB 83.16, -7.94, 27.59

 

CMYK 27 / 0 / 1 / 17

HEX #9BD4D2

RGB 155 212 210

HSL 177.89, 0.4%, 0.72%

LAB 81.13, -18.59, -4.93

 

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

CMYK 0 / 23 / 27 / 17

HEX #D4A49B

RGB 212 164 155

HSL 9.47, 0.4%, 0.72%

LAB 71.5, 16.4, 11.48

 

CMYK 26 / 0 / 27 / 17

HEX #9CD49B

RGB 156 212 155

HSL 118.95, 0.4%, 0.72%

LAB 79.91, -29.06, 22.55

 

CMYK 27 / 5 / 0 / 17

HEX #9BCAD4

RGB 155 202 212

HSL 190.53, 0.4%, 0.72%

LAB 78.44, -13.03, -9.99

 

CMYK 0 / 27 / 0 / 16

HEX #D49CD5

RGB 212 156 213

HSL 298.95, 0.4%, 0.72%

LAB 71.27, 30.28, -20.89

 

CMYK 0 / 15 / 27 / 17

HEX #D4B59B

RGB 212 181 155

HSL 27.37, 0.4%, 0.72%

LAB 75.71, 7.24, 17.38

 

CMYK 26 / 0 / 27 / 17

HEX #9CD49B

RGB 156 212 155

HSL 118.95, 0.4%, 0.72%

LAB 79.91, -29.06, 22.55

 

CMYK 27 / 13 / 0 / 17

HEX #9BB9D4

RGB 155 185 212

HSL 208.42, 0.4%, 0.72%

LAB 73.82, -4.05, -16.93

 

Description

Color code: HEX #D49CD5 | qconv.com Color code: HEX #D49CD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 156 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 156 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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