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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D47D57 it is the complementary color #2B82A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D47D57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D47D57 shade: #D97D52, #EA8F65, #FBA178, #FFB38B and #FFC59E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D47D57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D47D57 shade: #D47D57, #C36B44, #B25931, #A1471E and #90350B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D47D57 shade: #D47E58, #D45D58 and #D45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D47D57 shade: #D47E58, #D49F58, #D4C058, #C6D458 and #A4D458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D47D57 shade matches the following richer shades: #D47E58, #E57747 and #F57136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D47D57 shade: #D47E58, #C38469, #B28B7A, #A1928B and #90989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D47D57 shade: #D45875, #D45C58, #D47D58, #D49E58 and #D4BF58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D47D57 shade: #AD532C, #CB6437, #D47E58, #DC9779 and #E5B19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D47D57 shade: #D47D57, #96D458 and #5865D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D47D57 shade: #D47D57, #58D47D and #7D58D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D47D57 shade: #D47D57, #96D458, #58AFD4 and #9658D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D47D57 shade: #D47D57, #71D458, #58AFD4 and #BB58D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

Complementary color

CMYK 74 / 23 / 0 / 34

HEX #2B82A8

RGB 43 130 168

HSL 198.24, 0.59%, 0.41%

LAB 51.04, -12.63, -27.56

 

CMYK 0 / 42 / 62 / 15

HEX #D97D52

RGB 217 125 82

HSL 19.11, 0.64%, 0.59%

LAB 61.68, 31.81, 38.56

 

CMYK 0 / 39 / 57 / 8

HEX #EA8F65

RGB 234 143 101

HSL 18.95, 0.76%, 0.66%

LAB 68.08, 30.45, 36.78

 

CMYK 0 / 36 / 52 / 2

HEX #FBA178

RGB 251 161 120

HSL 18.78, 0.94%, 0.73%

LAB 74.42, 29.24, 35.14

 

CMYK 0 / 30 / 45 / 0

HEX #FFB38B

RGB 255 179 139

HSL 20.69, 1%, 0.77%

LAB 79.25, 23.12, 31.47

 

CMYK 0 / 23 / 38 / 0

HEX #FFC59E

RGB 255 197 158

HSL 24.12, 1%, 0.81%

LAB 83.79, 15.7, 27.53

 

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

CMYK 0 / 45 / 65 / 24

HEX #C36B44

RGB 195 107 68

HSL 18.43, 0.51%, 0.52%

LAB 54.59, 31.59, 36.9

 

CMYK 0 / 50 / 72 / 30

HEX #B25931

RGB 178 89 49

HSL 18.6, 0.57%, 0.45%

LAB 48.05, 33.18, 38.95

 

CMYK 0 / 56 / 81 / 37

HEX #A1471E

RGB 161 71 30

HSL 18.78, 0.69%, 0.37%

LAB 41.5, 34.9, 41.01

 

CMYK 0 / 63 / 92 / 44

HEX #90350B

RGB 144 53 11

HSL 18.95, 0.86%, 0.3%

LAB 35, 36.68, 42.45

 

CMYK 0 / 41 / 58 / 17

HEX #D47E58

RGB 212 126 88

HSL 18.39, 0.59%, 0.59%

LAB 61.33, 29.7, 34.76

 

CMYK 0 / 56 / 58 / 17

HEX #D45D58

RGB 212 93 88

HSL 2.42, 0.59%, 0.59%

LAB 54.59, 46.56, 26.21

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 41 / 58 / 17

HEX #D47E58

RGB 212 126 88

HSL 18.39, 0.59%, 0.59%

LAB 61.33, 29.7, 34.76

 

CMYK 0 / 25 / 58 / 17

HEX #D49F58

RGB 212 159 88

HSL 34.35, 0.59%, 0.59%

LAB 69.11, 11.89, 44.19

 

CMYK 0 / 9 / 58 / 17

HEX #D4C058

RGB 212 192 88

HSL 50.32, 0.59%, 0.59%

LAB 77.52, -5.59, 53.91

 

CMYK 7 / 0 / 58 / 17

HEX #C6D458

RGB 198 212 88

HSL 66.77, 0.59%, 0.59%

LAB 81.73, -21.43, 58.3

 

CMYK 23 / 0 / 58 / 17

HEX #A4D458

RGB 164 212 88

HSL 83.23, 0.59%, 0.59%

LAB 79.43, -34.75, 55.1

 

CMYK 0 / 41 / 58 / 17

HEX #D47E58

RGB 212 126 88

HSL 18.39, 0.59%, 0.59%

LAB 61.33, 29.7, 34.76

 

CMYK 0 / 48 / 69 / 10

HEX #E57747

RGB 229 119 71

HSL 18.23, 0.75%, 0.59%

LAB 61.92, 38.99, 45.02

 

CMYK 0 / 54 / 78 / 4

HEX #F57136

RGB 245 113 54

HSL 18.53, 0.91%, 0.59%

LAB 62.92, 47.29, 55.05

 

CMYK 0 / 41 / 58 / 17

HEX #D47E58

RGB 212 126 88

HSL 18.39, 0.59%, 0.59%

LAB 61.33, 29.7, 34.76

 

CMYK 0 / 32 / 46 / 24

HEX #C38469

RGB 195 132 105

HSL 18, 0.43%, 0.59%

LAB 60.89, 21.08, 24.39

 

CMYK 0 / 22 / 31 / 30

HEX #B28B7A

RGB 178 139 122

HSL 18.21, 0.27%, 0.59%

LAB 61.08, 12.34, 14.76

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 8 / 3 / 0 / 39

HEX #90989C

RGB 144 152 156

HSL 200, 0.06%, 0.59%

LAB 62.33, -2.05, -3.1

 

CMYK 0 / 58 / 45 / 17

HEX #D45875

RGB 212 88 117

HSL 345.97, 0.59%, 0.59%

LAB 54.3, 51.39, 8.78

 

CMYK 0 / 57 / 58 / 17

HEX #D45C58

RGB 212 92 88

HSL 1.94, 0.59%, 0.59%

LAB 54.4, 47.04, 25.97

 

CMYK 0 / 41 / 58 / 17

HEX #D47D58

RGB 212 125 88

HSL 17.9, 0.59%, 0.59%

LAB 61.11, 30.23, 34.48

 

CMYK 0 / 25 / 58 / 17

HEX #D49E58

RGB 212 158 88

HSL 33.87, 0.59%, 0.59%

LAB 68.86, 12.43, 43.9

 

CMYK 0 / 10 / 58 / 17

HEX #D4BF58

RGB 212 191 88

HSL 49.84, 0.59%, 0.59%

LAB 77.26, -5.07, 53.61

 

CMYK 0 / 52 / 75 / 32

HEX #AD532C

RGB 173 83 44

HSL 18.14, 0.59%, 0.43%

LAB 45.98, 34.07, 39.11

 

CMYK 0 / 51 / 73 / 20

HEX #CB6437

RGB 203 100 55

HSL 18.24, 0.59%, 0.51%

LAB 54.12, 37.72, 43.53

 

CMYK 0 / 41 / 58 / 17

HEX #D47E58

RGB 212 126 88

HSL 18.39, 0.59%, 0.59%

LAB 61.33, 29.7, 34.76

 

CMYK 0 / 31 / 45 / 14

HEX #DC9779

RGB 220 151 121

HSL 18.18, 0.59%, 0.67%

LAB 68.55, 22.43, 26.25

 

CMYK 0 / 23 / 33 / 10

HEX #E5B19A

RGB 229 177 154

HSL 18.4, 0.59%, 0.75%

LAB 76.34, 15.78, 19.05

 

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

CMYK 29 / 0 / 58 / 17

HEX #96D458

RGB 150 212 88

HSL 90, 0.59%, 0.59%

LAB 78.62, -39.89, 53.96

 

CMYK 58 / 52 / 0 / 17

HEX #5865D4

RGB 88 101 212

HSL 233.71, 0.59%, 0.59%

LAB 47.15, 27.95, -58.93

 

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

CMYK 58 / 0 / 41 / 17

HEX #58D47D

RGB 88 212 125

HSL 137.9, 0.59%, 0.59%

LAB 76.46, -53.37, 32.95

 

CMYK 41 / 58 / 0 / 17

HEX #7D58D4

RGB 125 88 212

HSL 257.9, 0.59%, 0.59%

LAB 47.1, 43.32, -58.87

 

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

CMYK 29 / 0 / 58 / 17

HEX #96D458

RGB 150 212 88

HSL 90, 0.59%, 0.59%

LAB 78.62, -39.89, 53.96

 

CMYK 58 / 17 / 0 / 17

HEX #58AFD4

RGB 88 175 212

HSL 197.9, 0.59%, 0.59%

LAB 67.64, -15.47, -26.64

 

CMYK 29 / 58 / 0 / 17

HEX #9658D4

RGB 150 88 212

HSL 270, 0.59%, 0.59%

LAB 49.76, 49.06, -54.45

 

CMYK 0 / 41 / 59 / 17

HEX #D47D57

RGB 212 125 87

HSL 18.24, 0.59%, 0.59%

LAB 61.09, 30.16, 35.01

 

CMYK 47 / 0 / 58 / 17

HEX #71D458

RGB 113 212 88

HSL 107.9, 0.59%, 0.59%

LAB 76.86, -52.01, 51.49

 

CMYK 58 / 17 / 0 / 17

HEX #58AFD4

RGB 88 175 212

HSL 197.9, 0.59%, 0.59%

LAB 67.64, -15.47, -26.64

 

CMYK 12 / 58 / 0 / 17

HEX #BB58D4

RGB 187 88 212

HSL 287.9, 0.59%, 0.59%

LAB 54.34, 58.12, -46.87

 

Description

Color code: HEX #D47D57 | qconv.com Color code: HEX #D47D57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 125 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 125 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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