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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D46139 it is the complementary color #2B9EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D46139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D46139 shade: #D96134, #EA7347, #FB855A, #FF976D and #FFA980

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D46139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D46139 shade: #D46139, #C34F26, #B23D13, #A12B00 and #901900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D46139 shade: #D3623A and #D33A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D46139 shade: #D3623A, #D38B3A, #D3B43A, #C9D33A and #A0D33A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D46139 shade matches the following richer shades: #D3623A, #E75827 and #FA4F13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D46139 shade: #D3623A, #C06B4D, #AD7461, #997E74 and #868788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D46139 shade: #D33A65, #D33A3D, #D3603A, #D3893A and #D3B23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D46139 shade: #994021, #BB4F29, #D3623A, #DB7D5C and #E2987E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D46139 shade: #D46139, #8ED33A and #3A51D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D46139 shade: #D46139, #3AD360 and #603AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D46139 shade: #D46139, #8ED33A, #3AADD3 and #7F3AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D46139 shade: #D46139, #60D33A, #3AADD3 and #AD3AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

Complementary color

CMYK 78 / 20 / 0 / 22

HEX #2B9EC6

RGB 43 158 198

HSL 195.48, 0.64%, 0.47%

LAB 60.82, -17.68, -29.49

 

CMYK 0 / 55 / 76 / 15

HEX #D96134

RGB 217 97 52

HSL 16.36, 0.68%, 0.53%

LAB 55.63, 44.46, 47.28

 

CMYK 0 / 51 / 70 / 8

HEX #EA7347

RGB 234 115 71

HSL 16.2, 0.8%, 0.6%

LAB 61.83, 42.91, 45.12

 

CMYK 0 / 47 / 64 / 2

HEX #FB855A

RGB 251 133 90

HSL 16.02, 0.95%, 0.67%

LAB 68.04, 41.44, 43.05

 

CMYK 0 / 41 / 57 / 0

HEX #FF976D

RGB 255 151 109

HSL 17.26, 1%, 0.71%

LAB 72.56, 35.1, 38.71

 

CMYK 0 / 34 / 50 / 0

HEX #FFA980

RGB 255 169 128

HSL 19.37, 1%, 0.75%

LAB 76.8, 27.32, 34.07

 

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

CMYK 0 / 59 / 81 / 24

HEX #C34F26

RGB 195 79 38

HSL 15.67, 0.67%, 0.46%

LAB 48.68, 44.33, 46

 

CMYK 0 / 66 / 89 / 30

HEX #B23D13

RGB 178 61 19

HSL 15.85, 0.81%, 0.39%

LAB 42.54, 45.81, 47.85

 

CMYK 0 / 73 / 100 / 37

HEX #A12B00

RGB 161 43 0

HSL 16.02, 1%, 0.32%

LAB 36.56, 46.96, 49.09

 

CMYK 0 / 83 / 100 / 44

HEX #901900

RGB 144 25 0

HSL 10.42, 1%, 0.28%

LAB 30.94, 47.47, 43.98

 

CMYK 0 / 54 / 73 / 17

HEX #D3623A

RGB 211 98 58

HSL 15.69, 0.63%, 0.53%

LAB 54.96, 41.96, 43.25

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 0 / 54 / 73 / 17

HEX #D3623A

RGB 211 98 58

HSL 15.69, 0.63%, 0.53%

LAB 54.96, 41.96, 43.25

 

CMYK 0 / 34 / 73 / 17

HEX #D38B3A

RGB 211 139 58

HSL 31.76, 0.63%, 0.53%

LAB 63.85, 20.43, 52.68

 

CMYK 0 / 15 / 73 / 17

HEX #D3B43A

RGB 211 180 58

HSL 47.84, 0.63%, 0.53%

LAB 74.06, -1.55, 62.93

 

CMYK 5 / 0 / 73 / 17

HEX #C9D33A

RGB 201 211 58

HSL 63.92, 0.63%, 0.53%

LAB 81.46, -21.52, 69.77

 

CMYK 24 / 0 / 73 / 17

HEX #A0D33A

RGB 160 211 58

HSL 80, 0.63%, 0.53%

LAB 78.68, -37.96, 66.12

 

CMYK 0 / 54 / 73 / 17

HEX #D3623A

RGB 211 98 58

HSL 15.69, 0.63%, 0.53%

LAB 54.96, 41.96, 43.25

 

CMYK 0 / 62 / 83 / 9

HEX #E75827

RGB 231 88 39

HSL 15.31, 0.8%, 0.53%

LAB 56.2, 53.24, 54.66

 

CMYK 0 / 68 / 92 / 2

HEX #FA4F13

RGB 250 79 19

HSL 15.58, 0.96%, 0.53%

LAB 58, 62.88, 64.63

 

CMYK 0 / 54 / 73 / 17

HEX #D3623A

RGB 211 98 58

HSL 15.69, 0.63%, 0.53%

LAB 54.96, 41.96, 43.25

 

CMYK 0 / 44 / 60 / 25

HEX #C06B4D

RGB 192 107 77

HSL 15.65, 0.48%, 0.53%

LAB 54.3, 31, 31.5

 

CMYK 0 / 33 / 44 / 32

HEX #AD7461

RGB 173 116 97

HSL 15, 0.32%, 0.53%

LAB 54.28, 20.13, 19.63

 

CMYK 0 / 18 / 24 / 40

HEX #997E74

RGB 153 126 116

HSL 16.22, 0.15%, 0.53%

LAB 55.03, 8.78, 9.34

 

CMYK 1 / 1 / 0 / 47

HEX #868788

RGB 134 135 136

HSL 210, 0.01%, 0.53%

LAB 56.26, -0.17, -0.67

 

CMYK 0 / 73 / 52 / 17

HEX #D33A65

RGB 211 58 101

HSL 343.14, 0.63%, 0.53%

LAB 49.27, 61.82, 11.28

 

CMYK 0 / 73 / 71 / 17

HEX #D33A3D

RGB 211 58 61

HSL 358.82, 0.63%, 0.53%

LAB 48.53, 59.32, 34.32

 

CMYK 0 / 55 / 73 / 17

HEX #D3603A

RGB 211 96 58

HSL 14.9, 0.63%, 0.53%

LAB 54.57, 42.95, 42.83

 

CMYK 0 / 35 / 73 / 17

HEX #D3893A

RGB 211 137 58

HSL 30.98, 0.63%, 0.53%

LAB 63.38, 21.52, 52.2

 

CMYK 0 / 16 / 73 / 17

HEX #D3B23A

RGB 211 178 58

HSL 47.06, 0.63%, 0.53%

LAB 73.54, -0.5, 62.42

 

CMYK 0 / 58 / 78 / 40

HEX #994021

RGB 153 64 33

HSL 15.5, 0.65%, 0.36%

LAB 38.81, 35.41, 36.38

 

CMYK 0 / 58 / 78 / 27

HEX #BB4F29

RGB 187 79 41

HSL 15.62, 0.64%, 0.45%

LAB 47.39, 41.44, 42.81

 

CMYK 0 / 54 / 73 / 17

HEX #D3623A

RGB 211 98 58

HSL 15.69, 0.63%, 0.53%

LAB 54.96, 41.96, 43.25

 

CMYK 0 / 43 / 58 / 14

HEX #DB7D5C

RGB 219 125 92

HSL 15.59, 0.64%, 0.61%

LAB 62.08, 33.32, 33.72

 

CMYK 0 / 33 / 44 / 11

HEX #E2987E

RGB 226 152 126

HSL 15.6, 0.63%, 0.69%

LAB 69.56, 24.77, 24.99

 

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

CMYK 33 / 0 / 73 / 17

HEX #8ED33A

RGB 142 211 58

HSL 87.06, 0.63%, 0.53%

LAB 77.66, -44.62, 64.79

 

CMYK 73 / 62 / 0 / 17

HEX #3A51D3

RGB 58 81 211

HSL 230.98, 0.63%, 0.53%

LAB 40.39, 35.56, -69.41

 

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

CMYK 73 / 0 / 55 / 17

HEX #3AD360

RGB 58 211 96

HSL 134.9, 0.63%, 0.53%

LAB 75.03, -63.1, 45.26

 

CMYK 55 / 73 / 0 / 17

HEX #603AD3

RGB 96 58 211

HSL 254.9, 0.63%, 0.53%

LAB 38.23, 53.9, -72.85

 

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

CMYK 33 / 0 / 73 / 17

HEX #8ED33A

RGB 142 211 58

HSL 87.06, 0.63%, 0.53%

LAB 77.66, -44.62, 64.79

 

CMYK 73 / 18 / 0 / 17

HEX #3AADD3

RGB 58 173 211

HSL 194.9, 0.63%, 0.53%

LAB 66.13, -19.55, -28.49

 

CMYK 40 / 73 / 0 / 17

HEX #7F3AD3

RGB 127 58 211

HSL 267.06, 0.63%, 0.53%

LAB 41.6, 58.84, -67.2

 

CMYK 0 / 54 / 73 / 17

HEX #D46139

RGB 212 97 57

HSL 15.48, 0.64%, 0.53%

LAB 54.91, 42.79, 43.75

 

CMYK 55 / 0 / 73 / 17

HEX #60D33A

RGB 96 211 58

HSL 105.1, 0.63%, 0.53%

LAB 75.69, -59.06, 62.16

 

CMYK 73 / 18 / 0 / 17

HEX #3AADD3

RGB 58 173 211

HSL 194.9, 0.63%, 0.53%

LAB 66.13, -19.55, -28.49

 

CMYK 18 / 73 / 0 / 17

HEX #AD3AD3

RGB 173 58 211

HSL 285.1, 0.63%, 0.53%

LAB 47.77, 67.46, -56.91

 

Description

Color code: HEX #D46139 | qconv.com Color code: HEX #D46139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 97 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 97 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 73 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 73% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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