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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45888 it is the complementary color #2BA777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45888 shade: #D95883, #EA6A96, #FB7CA9, #FF8EBC and #FFA0CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45888 shade: #D45888, #C34675, #B23462, #A1224F and #90103C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45888 shade: #D45888, #D45867 and #D45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45888 shade: #D45888, #D458A9, #D458CB, #BB58D4 and #9A58D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45888 shade matches the following richer shades: #D45888, #E54784 and #F53680

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45888 shade: #D45888, #C3698C, #B27A90, #A18B93 and #909C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45888 shade: #D458CB, #D458AB, #D4588A, #D45869 and #D46958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45888 shade: #AD2C5E, #CB3771, #D45888, #DC799F and #E59AB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45888 shade: #D45888, #D4BB58 and #58BBD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45888 shade: #D45888, #8AD458 and #588AD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45888 shade: #D45888, #D4BB58, #58D4A2 and #5871D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45888 shade: #D45888, #C7D458, #58D4A2 and #6558D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

Complementary color

CMYK 74 / 0 / 29 / 35

HEX #2BA777

RGB 43 167 119

HSL 156.77, 0.59%, 0.41%

LAB 61.21, -44.88, 15.42

 

CMYK 0 / 59 / 40 / 15

HEX #D95883

RGB 217 88 131

HSL 340, 0.63%, 0.6%

LAB 55.45, 54.46, 2.25

 

CMYK 0 / 55 / 36 / 8

HEX #EA6A96

RGB 234 106 150

HSL 339.38, 0.75%, 0.67%

LAB 61.66, 53.79, 0.51

 

CMYK 0 / 51 / 33 / 2

HEX #FB7CA9

RGB 251 124 169

HSL 338.74, 0.94%, 0.74%

LAB 67.86, 53.02, -0.97

 

CMYK 0 / 44 / 26 / 0

HEX #FF8EBC

RGB 255 142 188

HSL 335.58, 1%, 0.78%

LAB 72.39, 47.92, -4.89

 

CMYK 0 / 37 / 19 / 0

HEX #FFA0CF

RGB 255 160 207

HSL 330.32, 1%, 0.81%

LAB 76.62, 41.45, -9.08

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 64 / 40 / 24

HEX #C34675

RGB 195 70 117

HSL 337.44, 0.51%, 0.52%

LAB 48.59, 53.9, 0.22

 

CMYK 0 / 71 / 45 / 30

HEX #B23462

RGB 178 52 98

HSL 338.1, 0.55%, 0.45%

LAB 42.46, 54.03, 2.63

 

CMYK 0 / 79 / 51 / 37

HEX #A1224F

RGB 161 34 79

HSL 338.74, 0.65%, 0.38%

LAB 36.53, 53.53, 5.73

 

CMYK 0 / 89 / 58 / 44

HEX #90103C

RGB 144 16 60

HSL 339.38, 0.8%, 0.31%

LAB 30.94, 51.96, 9.82

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 58 / 51 / 17

HEX #D45867

RGB 212 88 103

HSL 352.74, 0.59%, 0.59%

LAB 53.98, 50.1, 16.62

 

CMYK 0 / 58 / 58 / 17

HEX #D45858

RGB 212 88 88

HSL 0, 0.59%, 0.59%

LAB 53.69, 48.91, 25.04

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 58 / 20 / 17

HEX #D458A9

RGB 212 88 169

HSL 320.81, 0.59%, 0.59%

LAB 55.93, 57.67, -19.4

 

CMYK 0 / 58 / 4 / 17

HEX #D458CB

RGB 212 88 203

HSL 304.35, 0.59%, 0.59%

LAB 57.36, 62.89, -36.76

 

CMYK 12 / 58 / 0 / 17

HEX #BB58D4

RGB 187 88 212

HSL 287.9, 0.59%, 0.59%

LAB 54.34, 58.12, -46.87

 

CMYK 27 / 58 / 0 / 17

HEX #9A58D4

RGB 154 88 212

HSL 271.94, 0.59%, 0.59%

LAB 50.22, 50.01, -53.68

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 69 / 42 / 10

HEX #E54784

RGB 229 71 132

HSL 336.84, 0.75%, 0.59%

LAB 54.9, 65.1, 1.1

 

CMYK 0 / 78 / 48 / 4

HEX #F53680

RGB 245 54 128

HSL 336.75, 0.91%, 0.59%

LAB 55.69, 74.43, 4.99

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 46 / 28 / 24

HEX #C3698C

RGB 195 105 140

HSL 336.67, 0.43%, 0.59%

LAB 55.68, 39.9, -3.08

 

CMYK 0 / 31 / 19 / 30

HEX #B27A90

RGB 178 122 144

HSL 336.43, 0.27%, 0.59%

LAB 57.46, 25.12, -3.03

 

CMYK 0 / 14 / 9 / 37

HEX #A18B93

RGB 161 139 147

HSL 338.18, 0.1%, 0.59%

LAB 60.02, 9.68, -1.2

 

CMYK 8 / 0 / 3 / 39

HEX #909C97

RGB 144 156 151

HSL 155, 0.06%, 0.59%

LAB 63.29, -5.27, 1.14

 

CMYK 0 / 58 / 4 / 17

HEX #D458CB

RGB 212 88 203

HSL 304.35, 0.59%, 0.59%

LAB 57.36, 62.89, -36.76

 

CMYK 0 / 58 / 19 / 17

HEX #D458AB

RGB 212 88 171

HSL 319.84, 0.59%, 0.59%

LAB 56, 57.95, -20.44

 

CMYK 0 / 58 / 35 / 17

HEX #D4588A

RGB 212 88 138

HSL 335.81, 0.59%, 0.59%

LAB 54.88, 53.65, -2.81

 

CMYK 0 / 58 / 50 / 17

HEX #D45869

RGB 212 88 105

HSL 351.77, 0.59%, 0.59%

LAB 54.02, 50.27, 15.5

 

CMYK 0 / 50 / 58 / 17

HEX #D46958

RGB 212 105 88

HSL 8.23, 0.59%, 0.59%

LAB 56.88, 40.65, 29.16

 

CMYK 0 / 75 / 46 / 32

HEX #AD2C5E

RGB 173 44 94

HSL 336.74, 0.59%, 0.43%

LAB 40.4, 55.06, 2.03

 

CMYK 0 / 73 / 44 / 20

HEX #CB3771

RGB 203 55 113

HSL 336.49, 0.59%, 0.51%

LAB 47.78, 61.6, 1.63

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 45 / 28 / 14

HEX #DC799F

RGB 220 121 159

HSL 336.97, 0.59%, 0.67%

LAB 62.84, 42.85, -3.15

 

CMYK 0 / 33 / 20 / 10

HEX #E59AB7

RGB 229 154 183

HSL 336.8, 0.59%, 0.75%

LAB 71.68, 32.08, -3.51

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 12 / 58 / 17

HEX #D4BB58

RGB 212 187 88

HSL 47.9, 0.59%, 0.59%

LAB 76.22, -2.99, 52.43

 

CMYK 58 / 12 / 0 / 17

HEX #58BBD4

RGB 88 187 212

HSL 192.1, 0.59%, 0.59%

LAB 71.12, -21.72, -21.32

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 35 / 0 / 58 / 17

HEX #8AD458

RGB 138 212 88

HSL 95.81, 0.59%, 0.59%

LAB 77.99, -44.08, 53.08

 

CMYK 58 / 35 / 0 / 17

HEX #588AD4

RGB 88 138 212

HSL 215.81, 0.59%, 0.59%

LAB 57.08, 5.34, -43.09

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 0 / 12 / 58 / 17

HEX #D4BB58

RGB 212 187 88

HSL 47.9, 0.59%, 0.59%

LAB 76.22, -2.99, 52.43

 

CMYK 58 / 0 / 24 / 17

HEX #58D4A2

RGB 88 212 162

HSL 155.81, 0.59%, 0.59%

LAB 77.14, -46.23, 14.57

 

CMYK 58 / 47 / 0 / 17

HEX #5871D4

RGB 88 113 212

HSL 227.9, 0.59%, 0.59%

LAB 50.26, 20.51, -53.93

 

CMYK 0 / 58 / 36 / 17

HEX #D45888

RGB 212 88 136

HSL 336.77, 0.59%, 0.59%

LAB 54.82, 53.42, -1.72

 

CMYK 6 / 0 / 58 / 17

HEX #C7D458

RGB 199 212 88

HSL 66.29, 0.59%, 0.59%

LAB 81.8, -21.03, 58.4

 

CMYK 58 / 0 / 24 / 17

HEX #58D4A2

RGB 88 212 162

HSL 155.81, 0.59%, 0.59%

LAB 77.14, -46.23, 14.57

 

CMYK 52 / 58 / 0 / 17

HEX #6558D4

RGB 101 88 212

HSL 246.29, 0.59%, 0.59%

LAB 44.94, 38.34, -62.46

 

Description

Color code: HEX #D45888 | qconv.com Color code: HEX #D45888 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 88 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 88 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 36 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 36% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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