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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45801 it is the complementary color #2BA7FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45801. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45801 shade: #D95800, #EA6A0F, #FB7C22, #FF8E35 and #FFA048

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45801. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45801 shade: #D45801, #C34600, #B23400, #A12200 and #901000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45801 shade: #D55801, #D51F01 and #D50101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45801 shade: #D55801, #D59101, #D5CA01, #A6D501 and #6DD501

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45801 shade matches the following richer shades: #D55801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45801 shade: #D55801, #C35B12, #B25E23, #A16135 and #8F6446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45801 shade: #D5011D, #D51D01, #D55501, #D58E01 and #D5C601

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45801 shade: #833600, #AC4700, #D55801, #FD6901 and #FD812A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45801 shade: #D45801, #55D501 and #0101D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45801 shade: #D45801, #01D555 and #5501D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45801 shade: #D45801, #55D501, #0180D5 and #8001D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45801 shade: #D45801, #16D501, #0180D5 and #BF01D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

Complementary color

CMYK 83 / 34 / 0 / 0

HEX #2BA7FE

RGB 43 167 254

HSL 204.74, 0.99%, 0.58%

LAB 65.99, -3.02, -52.31

 

CMYK 0 / 59 / 100 / 15

HEX #D95800

RGB 217 88 0

HSL 24.33, 1%, 0.43%

LAB 53.74, 47.61, 63.38

 

CMYK 0 / 55 / 94 / 8

HEX #EA6A0F

RGB 234 106 15

HSL 24.93, 0.88%, 0.49%

LAB 59.74, 45.63, 65.46

 

CMYK 0 / 51 / 86 / 2

HEX #FB7C22

RGB 251 124 34

HSL 24.88, 0.96%, 0.56%

LAB 65.78, 43.67, 65.81

 

CMYK 0 / 44 / 79 / 0

HEX #FF8E35

RGB 255 142 53

HSL 26.44, 1%, 0.6%

LAB 70.08, 36.74, 62.81

 

CMYK 0 / 37 / 72 / 0

HEX #FFA048

RGB 255 160 72

HSL 28.85, 1%, 0.64%

LAB 74.11, 28.22, 58.73

 

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

CMYK 0 / 64 / 100 / 24

HEX #C34600

RGB 195 70 0

HSL 21.54, 1%, 0.38%

LAB 46.95, 47.71, 57.75

 

CMYK 0 / 71 / 100 / 30

HEX #B23400

RGB 178 52 0

HSL 17.53, 1%, 0.35%

LAB 41.09, 49.26, 53.09

 

CMYK 0 / 79 / 100 / 37

HEX #A12200

RGB 161 34 0

HSL 12.67, 1%, 0.32%

LAB 35.44, 50.08, 48.54

 

CMYK 0 / 89 / 100 / 44

HEX #901000

RGB 144 16 0

HSL 6.67, 1%, 0.28%

LAB 30.16, 49.68, 43.41

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 85 / 100 / 16

HEX #D51F01

RGB 213 31 1

HSL 8.49, 0.99%, 0.42%

LAB 45.81, 66.02, 58.88

 

CMYK 0 / 100 / 100 / 16

HEX #D50101

RGB 213 1 1

HSL 0, 0.99%, 0.42%

LAB 44.48, 69.86, 58.36

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 32 / 100 / 16

HEX #D59101

RGB 213 145 1

HSL 40.75, 0.99%, 0.42%

LAB 65.28, 16.62, 70.04

 

CMYK 0 / 5 / 100 / 16

HEX #D5CA01

RGB 213 202 1

HSL 56.89, 0.99%, 0.42%

LAB 79.83, -13.35, 80.25

 

CMYK 22 / 0 / 100 / 16

HEX #A6D501

RGB 166 213 1

HSL 73.3, 0.99%, 0.42%

LAB 79.44, -38.18, 78.42

 

CMYK 49 / 0 / 100 / 16

HEX #6DD501

RGB 109 213 1

HSL 89.43, 0.99%, 0.42%

LAB 76.58, -58.23, 74.98

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 53 / 91 / 24

HEX #C35B12

RGB 195 91 18

HSL 24.75, 0.83%, 0.42%

LAB 50.84, 37.96, 55.68

 

CMYK 0 / 47 / 80 / 30

HEX #B25E23

RGB 178 94 35

HSL 24.76, 0.67%, 0.42%

LAB 49, 29.9, 46.76

 

CMYK 0 / 40 / 67 / 37

HEX #A16135

RGB 161 97 53

HSL 24.44, 0.5%, 0.42%

LAB 47.47, 21.88, 35.52

 

CMYK 0 / 30 / 51 / 44

HEX #8F6446

RGB 143 100 70

HSL 24.66, 0.34%, 0.42%

LAB 46.17, 13.68, 23.88

 

CMYK 0 / 100 / 86 / 16

HEX #D5011D

RGB 213 1 29

HSL 352.08, 0.99%, 0.42%

LAB 44.6, 70.19, 47.97

 

CMYK 0 / 86 / 100 / 16

HEX #D51D01

RGB 213 29 1

HSL 7.92, 0.99%, 0.42%

LAB 45.67, 66.41, 58.82

 

CMYK 0 / 60 / 100 / 16

HEX #D55501

RGB 213 85 1

HSL 23.77, 0.99%, 0.42%

LAB 52.56, 47.53, 62.16

 

CMYK 0 / 33 / 100 / 16

HEX #D58E01

RGB 213 142 1

HSL 39.91, 0.99%, 0.42%

LAB 64.56, 18.24, 69.56

 

CMYK 0 / 7 / 100 / 16

HEX #D5C601

RGB 213 198 1

HSL 55.75, 0.99%, 0.42%

LAB 78.77, -11.33, 79.48

 

CMYK 0 / 59 / 100 / 49

HEX #833600

RGB 131 54 0

HSL 24.73, 1%, 0.26%

LAB 32.84, 30.75, 44.07

 

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 58 / 100 / 1

HEX #FD6901

RGB 253 105 1

HSL 24.76, 0.99%, 0.5%

LAB 62.5, 52.97, 71.1

 

CMYK 0 / 49 / 83 / 1

HEX #FD812A

RGB 253 129 42

HSL 24.74, 0.98%, 0.58%

LAB 67.09, 42.16, 64.25

 

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

CMYK 60 / 0 / 100 / 16

HEX #55D501

RGB 85 213 1

HSL 96.23, 0.99%, 0.42%

LAB 75.77, -64.7, 73.99

 

CMYK 100 / 100 / 0 / 16

HEX #0101D5

RGB 1 1 213

HSL 240, 0.99%, 0.42%

LAB 26.25, 68.95, -94.03

 

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

CMYK 100 / 0 / 60 / 16

HEX #01D555

RGB 1 213 85

HSL 143.77, 0.99%, 0.42%

LAB 74.98, -69.91, 50.1

 

CMYK 60 / 100 / 0 / 16

HEX #5501D5

RGB 85 1 213

HSL 263.77, 0.99%, 0.42%

LAB 31.25, 71.08, -85.57

 

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

CMYK 60 / 0 / 100 / 16

HEX #55D501

RGB 85 213 1

HSL 96.23, 0.99%, 0.42%

LAB 75.77, -64.7, 73.99

 

CMYK 100 / 40 / 0 / 16

HEX #0180D5

RGB 1 128 213

HSL 204.06, 0.99%, 0.42%

LAB 52.12, 2.5, -51.66

 

CMYK 40 / 100 / 0 / 16

HEX #8001D5

RGB 128 1 213

HSL 275.94, 0.99%, 0.42%

LAB 36.77, 74.44, -76.26

 

CMYK 0 / 58 / 100 / 17

HEX #D45801

RGB 212 88 1

HSL 24.74, 0.99%, 0.42%

LAB 52.93, 45.77, 62.28

 

CMYK 90 / 0 / 100 / 16

HEX #16D501

RGB 22 213 1

HSL 114.06, 0.99%, 0.42%

LAB 74.67, -74.23, 72.65

 

CMYK 100 / 40 / 0 / 16

HEX #0180D5

RGB 1 128 213

HSL 204.06, 0.99%, 0.42%

LAB 52.12, 2.5, -51.66

 

CMYK 10 / 100 / 0 / 16

HEX #BF01D5

RGB 191 1 213

HSL 293.77, 0.99%, 0.42%

LAB 46.85, 82.32, -59.4

 

Description

Color code: HEX #D45801 | qconv.com Color code: HEX #D45801 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 88 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 88 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 100 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 100% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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