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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D444F3 it is the complementary color #2BBB0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D444F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D444F3 shade: #D944EE, #EA56FF, #FB68FF, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D444F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D444F3 shade: #D444F3, #C332E0, #B220CD, #A10EBA and #9000A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D444F3 shade: #D444F3, #F344E2, #F344B3, #F34484 and #F34455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D444F3 shade: #D444F3, #A444F3, #7544F3, #4644F3 and #4444F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D444F3 shade matches the following richer shades: #D444F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D444F3 shade: #D444F3, #C954E2, #BF64D2, #B474C2 and #AA84B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D444F3 shade: #7544F3, #A444F3, #D244F3, #F344E4 and #F344B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D444F3 shade: #B30DD6, #CB1DF0, #D444F3, #DC6AF5 and #E591F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D444F3 shade: #D444F3, #F34644 and #44F38C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D444F3 shade: #D444F3, #F3D244 and #44F3D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D444F3 shade: #D444F3, #F34644, #64F344 and #44F0F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D444F3 shade: #D444F3, #F37B44, #64F344 and #44BBF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

Complementary color

CMYK 77 / 0 / 94 / 27

HEX #2BBB0C

RGB 43 187 12

HSL 109.37, 0.88%, 0.39%

LAB 66.58, -64.46, 64.95

 

CMYK 9 / 71 / 0 / 7

HEX #D944EE

RGB 217 68 238

HSL 292.59, 0.83%, 0.6%

LAB 57.13, 77.66, -56.82

 

CMYK 8 / 66 / 0 / 0

HEX #EA56FF

RGB 234 86 255

HSL 292.54, 1%, 0.67%

LAB 62.82, 77.71, -57.04

 

CMYK 2 / 59 / 0 / 0

HEX #FB68FF

RGB 251 104 255

HSL 298.41, 1%, 0.7%

LAB 67.75, 74.47, -49.08

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 13 / 78 / 0 / 12

HEX #C332E0

RGB 195 50 224

HSL 290, 0.74%, 0.54%

LAB 51, 76.64, -58.96

 

CMYK 13 / 84 / 0 / 20

HEX #B220CD

RGB 178 32 205

HSL 290.64, 0.73%, 0.46%

LAB 45.5, 74.93, -57.06

 

CMYK 13 / 92 / 0 / 27

HEX #A10EBA

RGB 161 14 186

HSL 291.28, 0.86%, 0.39%

LAB 40.31, 72.09, -54.51

 

CMYK 14 / 100 / 0 / 35

HEX #9000A7

RGB 144 0 167

HSL 291.74, 1%, 0.33%

LAB 35.44, 67.93, -51.22

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 0 / 72 / 7 / 5

HEX #F344E2

RGB 243 68 226

HSL 305.83, 0.88%, 0.61%

LAB 60.5, 81.18, -44.51

 

CMYK 0 / 72 / 26 / 5

HEX #F344B3

RGB 243 68 179

HSL 321.94, 0.88%, 0.61%

LAB 58.46, 74.92, -20.9

 

CMYK 0 / 72 / 46 / 5

HEX #F34484

RGB 243 68 132

HSL 338.06, 0.88%, 0.61%

LAB 56.93, 70.04, 4.35

 

CMYK 0 / 72 / 65 / 5

HEX #F34455

RGB 243 68 85

HSL 354.17, 0.88%, 0.61%

LAB 55.93, 66.72, 30.72

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 33 / 72 / 0 / 5

HEX #A444F3

RGB 164 68 243

HSL 272.91, 0.88%, 0.61%

LAB 50.09, 68.49, -71.34

 

CMYK 52 / 72 / 0 / 5

HEX #7544F3

RGB 117 68 243

HSL 256.8, 0.88%, 0.61%

LAB 44.78, 60.82, -80.23

 

CMYK 71 / 72 / 0 / 5

HEX #4644F3

RGB 70 68 243

HSL 240.69, 0.88%, 0.61%

LAB 41.07, 55.18, -86.48

 

CMYK 72 / 72 / 0 / 5

HEX #4444F3

RGB 68 68 243

HSL 240, 0.88%, 0.61%

LAB 40.95, 55, -86.68

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 11 / 63 / 0 / 11

HEX #C954E2

RGB 201 84 226

HSL 289.44, 0.71%, 0.61%

LAB 56.34, 65.95, -51.5

 

CMYK 9 / 52 / 0 / 18

HEX #BF64D2

RGB 191 100 210

HSL 289.64, 0.55%, 0.61%

LAB 56.92, 52.97, -41.61

 

CMYK 7 / 40 / 0 / 24

HEX #B474C2

RGB 180 116 194

HSL 289.23, 0.39%, 0.61%

LAB 58.12, 38.23, -30.75

 

CMYK 4 / 26 / 0 / 30

HEX #AA84B2

RGB 170 132 178

HSL 289.57, 0.23%, 0.61%

LAB 60.13, 22.81, -18.65

 

CMYK 52 / 72 / 0 / 5

HEX #7544F3

RGB 117 68 243

HSL 256.8, 0.88%, 0.61%

LAB 44.78, 60.82, -80.23

 

CMYK 33 / 72 / 0 / 5

HEX #A444F3

RGB 164 68 243

HSL 272.91, 0.88%, 0.61%

LAB 50.09, 68.49, -71.34

 

CMYK 14 / 72 / 0 / 5

HEX #D244F3

RGB 210 68 243

HSL 288.69, 0.88%, 0.61%

LAB 56.39, 77.14, -60.86

 

CMYK 0 / 72 / 6 / 5

HEX #F344E4

RGB 243 68 228

HSL 305.14, 0.88%, 0.61%

LAB 60.6, 81.47, -45.47

 

CMYK 0 / 72 / 26 / 5

HEX #F344B5

RGB 243 68 181

HSL 321.26, 0.88%, 0.61%

LAB 58.53, 75.16, -21.93

 

CMYK 16 / 94 / 0 / 16

HEX #B30DD6

RGB 179 13 214

HSL 289.55, 0.89%, 0.45%

LAB 45.26, 79.66, -62.64

 

CMYK 15 / 88 / 0 / 6

HEX #CB1DF0

RGB 203 29 240

HSL 289.48, 0.88%, 0.53%

LAB 51.69, 85.41, -66.82

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 10 / 57 / 0 / 4

HEX #DC6AF5

RGB 220 106 245

HSL 289.21, 0.87%, 0.69%

LAB 63.44, 64.29, -50.66

 

CMYK 8 / 42 / 0 / 3

HEX #E591F8

RGB 229 145 248

HSL 288.93, 0.88%, 0.77%

LAB 72.02, 48.05, -38.76

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 0 / 71 / 72 / 5

HEX #F34644

RGB 243 70 68

HSL 0.69, 0.88%, 0.61%

LAB 55.94, 65.22, 40.43

 

CMYK 72 / 0 / 42 / 5

HEX #44F38C

RGB 68 243 140

HSL 144.69, 0.88%, 0.61%

LAB 85.62, -65.92, 37.26

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 0 / 14 / 72 / 5

HEX #F3D244

RGB 243 210 68

HSL 48.69, 0.88%, 0.61%

LAB 84.77, -2.96, 70.67

 

CMYK 72 / 0 / 14 / 5

HEX #44F3D2

RGB 68 243 210

HSL 168.69, 0.88%, 0.61%

LAB 86.99, -51.16, 3.28

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 0 / 71 / 72 / 5

HEX #F34644

RGB 243 70 68

HSL 0.69, 0.88%, 0.61%

LAB 55.94, 65.22, 40.43

 

CMYK 59 / 0 / 72 / 5

HEX #64F344

RGB 100 243 68

HSL 109.03, 0.88%, 0.61%

LAB 85.62, -68.54, 68.74

 

CMYK 72 / 1 / 0 / 5

HEX #44F0F3

RGB 68 240 243

HSL 181.03, 0.88%, 0.61%

LAB 87.01, -41.12, -13.97

 

CMYK 13 / 72 / 0 / 5

HEX #D444F3

RGB 212 68 243

HSL 289.37, 0.88%, 0.61%

LAB 56.69, 77.54, -60.37

 

CMYK 0 / 49 / 72 / 5

HEX #F37B44

RGB 243 123 68

HSL 18.86, 0.88%, 0.61%

LAB 64.67, 42.22, 50.12

 

CMYK 59 / 0 / 72 / 5

HEX #64F344

RGB 100 243 68

HSL 109.03, 0.88%, 0.61%

LAB 85.62, -68.54, 68.74

 

CMYK 72 / 23 / 0 / 5

HEX #44BBF3

RGB 68 187 243

HSL 199.2, 0.88%, 0.61%

LAB 71.72, -15.22, -37.31

 

Description

Color code: HEX #D444F3 | qconv.com Color code: HEX #D444F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 68 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 68 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 72 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 72% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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