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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42AA9 it is the complementary color #2BD556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42AA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42AA9 shade: #D92AA4, #EA3CB7, #FB4ECA, #FF60DD and #FF72F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42AA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42AA9 shade: #D42AA9, #C31896, #B20683, #A10070 and #90005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42AA9 shade: #D42AA9, #D42A7B, #D42A4D and #D42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42AA9 shade: #D42AA9, #D22AD4, #A42AD4, #752AD4 and #472AD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42AA9 shade matches the following richer shades: #D42AA9, #E915B3 and #FE00BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42AA9 shade: #D42AA9, #C03E9F, #AB5395, #97678B and #827C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42AA9 shade: #A42AD4, #D22AD4, #D42AAA, #D42A7C and #D42A4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42AA9 shade: #901C72, #B2238E, #D42AA9, #DB4CB7 and #E26EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42AA9 shade: #D42AA9, #D4762A and #2AD4BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42AA9 shade: #D42AA9, #AAD42A and #2AAAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42AA9 shade: #D42AA9, #D4762A, #2AD454 and #2A88D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42AA9 shade: #D42AA9, #D4AA2A, #2AD454 and #2A54D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

Complementary color

CMYK 80 / 0 / 60 / 16

HEX #2BD556

RGB 43 213 86

HSL 135.18, 0.67%, 0.5%

LAB 75.31, -67.06, 50.11

 

CMYK 0 / 81 / 24 / 15

HEX #D92AA4

RGB 217 42 164

HSL 318.17, 0.7%, 0.51%

LAB 50.79, 74.36, -24.29

 

CMYK 0 / 74 / 22 / 8

HEX #EA3CB7

RGB 234 60 183

HSL 317.59, 0.81%, 0.58%

LAB 56.23, 75.73, -26.76

 

CMYK 0 / 69 / 20 / 2

HEX #FB4ECA

RGB 251 78 202

HSL 316.99, 0.96%, 0.65%

LAB 61.85, 76.44, -28.75

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DD

RGB 255 96 221

HSL 312.83, 1%, 0.69%

LAB 65.63, 73.4, -33.54

 

CMYK 0 / 55 / 6 / 0

HEX #FF72F0

RGB 255 114 240

HSL 306.38, 1%, 0.72%

LAB 69.17, 68.79, -38.57

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 88 / 23 / 24

HEX #C31896

RGB 195 24 150

HSL 315.79, 0.78%, 0.43%

LAB 44.88, 71.6, -25.39

 

CMYK 0 / 97 / 26 / 30

HEX #B20683

RGB 178 6 131

HSL 316.4, 0.93%, 0.36%

LAB 39.97, 68.15, -21.66

 

CMYK 0 / 100 / 30 / 37

HEX #A10070

RGB 161 0 112

HSL 318.26, 1%, 0.32%

LAB 35.49, 63.16, -16.95

 

CMYK 0 / 100 / 35 / 44

HEX #90005D

RGB 144 0 93

HSL 321.25, 1%, 0.28%

LAB 31.16, 57.46, -11.68

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 80 / 42 / 17

HEX #D42A7B

RGB 212 42 123

HSL 331.41, 0.67%, 0.5%

LAB 48.36, 68.78, -3.42

 

CMYK 0 / 80 / 64 / 17

HEX #D42A4D

RGB 212 42 77

HSL 347.65, 0.67%, 0.5%

LAB 47.22, 65.33, 23.19

 

CMYK 0 / 80 / 80 / 17

HEX #D42A2A

RGB 212 42 42

HSL 0, 0.67%, 0.5%

LAB 46.74, 63.84, 43.11

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 1 / 80 / 0 / 17

HEX #D22AD4

RGB 210 42 212

HSL 299.29, 0.67%, 0.5%

LAB 51.96, 79.52, -50.44

 

CMYK 23 / 80 / 0 / 17

HEX #A42AD4

RGB 164 42 212

HSL 283.06, 0.67%, 0.5%

LAB 44.66, 71.3, -62.57

 

CMYK 45 / 80 / 0 / 17

HEX #752AD4

RGB 117 42 212

HSL 266.47, 0.67%, 0.5%

LAB 38.18, 64.08, -73.41

 

CMYK 67 / 80 / 0 / 17

HEX #472AD4

RGB 71 42 212

HSL 250.24, 0.67%, 0.5%

LAB 33.45, 58.88, -81.37

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 91 / 23 / 9

HEX #E915B3

RGB 233 21 179

HSL 315.28, 0.83%, 0.5%

LAB 53.07, 83.13, -29.34

 

CMYK 0 / 100 / 25 / 0

HEX #FE00BE

RGB 254 0 190

HSL 315.12, 1%, 0.5%

LAB 56.87, 89.99, -29.54

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 68 / 17 / 25

HEX #C03E9F

RGB 192 62 159

HSL 315.23, 0.51%, 0.5%

LAB 48.45, 61.54, -25.28

 

CMYK 0 / 51 / 13 / 33

HEX #AB5395

RGB 171 83 149

HSL 315, 0.35%, 0.5%

LAB 48.28, 44.63, -19.87

 

CMYK 0 / 32 / 8 / 41

HEX #97678B

RGB 151 103 139

HSL 315, 0.19%, 0.5%

LAB 49.67, 25.2, -12.04

 

CMYK 0 / 5 / 2 / 49

HEX #827C80

RGB 130 124 128

HSL 320, 0.02%, 0.5%

LAB 52.64, 3.06, -1.37

 

CMYK 23 / 80 / 0 / 17

HEX #A42AD4

RGB 164 42 212

HSL 283.06, 0.67%, 0.5%

LAB 44.66, 71.3, -62.57

 

CMYK 1 / 80 / 0 / 17

HEX #D22AD4

RGB 210 42 212

HSL 299.29, 0.67%, 0.5%

LAB 51.96, 79.52, -50.44

 

CMYK 0 / 80 / 20 / 17

HEX #D42AAA

RGB 212 42 170

HSL 314.82, 0.67%, 0.5%

LAB 50.16, 74, -28.87

 

CMYK 0 / 80 / 42 / 17

HEX #D42A7C

RGB 212 42 124

HSL 331.06, 0.67%, 0.5%

LAB 48.4, 68.87, -3.98

 

CMYK 0 / 80 / 63 / 17

HEX #D42A4F

RGB 212 42 79

HSL 346.94, 0.67%, 0.5%

LAB 47.26, 65.45, 22.02

 

CMYK 0 / 81 / 21 / 44

HEX #901C72

RGB 144 28 114

HSL 315.52, 0.67%, 0.34%

LAB 33.93, 54.71, -20.91

 

CMYK 0 / 80 / 20 / 30

HEX #B2238E

RGB 178 35 142

HSL 315.1, 0.67%, 0.42%

LAB 42.19, 64.54, -24.97

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 65 / 16 / 14

HEX #DB4CB7

RGB 219 76 183

HSL 315.1, 0.67%, 0.58%

LAB 55.73, 66.57, -27.73

 

CMYK 0 / 51 / 13 / 11

HEX #E26EC5

RGB 226 110 197

HSL 315, 0.67%, 0.66%

LAB 62.8, 55.77, -24.75

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 44 / 80 / 17

HEX #D4762A

RGB 212 118 42

HSL 26.82, 0.67%, 0.5%

LAB 59.09, 31.45, 54.95

 

CMYK 80 / 0 / 12 / 17

HEX #2AD4BB

RGB 42 212 187

HSL 171.18, 0.67%, 0.5%

LAB 76.78, -46.84, 0.56

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 20 / 0 / 80 / 17

HEX #AAD42A

RGB 170 212 42

HSL 74.82, 0.67%, 0.5%

LAB 79.5, -35.27, 72.01

 

CMYK 80 / 20 / 0 / 17

HEX #2AAAD4

RGB 42 170 212

HSL 194.82, 0.67%, 0.5%

LAB 64.96, -19.41, -30.88

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 44 / 80 / 17

HEX #D4762A

RGB 212 118 42

HSL 26.82, 0.67%, 0.5%

LAB 59.09, 31.45, 54.95

 

CMYK 80 / 0 / 60 / 17

HEX #2AD454

RGB 42 212 84

HSL 134.82, 0.67%, 0.5%

LAB 74.96, -67.1, 50.6

 

CMYK 80 / 36 / 0 / 17

HEX #2A88D4

RGB 42 136 212

HSL 206.82, 0.67%, 0.5%

LAB 54.92, -0.37, -46.6

 

CMYK 0 / 80 / 20 / 17

HEX #D42AA9

RGB 212 42 169

HSL 315.18, 0.67%, 0.5%

LAB 50.12, 73.87, -28.35

 

CMYK 0 / 20 / 80 / 17

HEX #D4AA2A

RGB 212 170 42

HSL 45.18, 0.67%, 0.5%

LAB 71.5, 3.53, 66.18

 

CMYK 80 / 0 / 60 / 17

HEX #2AD454

RGB 42 212 84

HSL 134.82, 0.67%, 0.5%

LAB 74.96, -67.1, 50.6

 

CMYK 80 / 60 / 0 / 17

HEX #2A54D4

RGB 42 84 212

HSL 225.18, 0.67%, 0.5%

LAB 40.55, 32.37, -69.75

 

Description

Color code: HEX #D42AA9 | qconv.com Color code: HEX #D42AA9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 42 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 42 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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