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Color name
HEX #D42A10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42A10 it is the complementary color #2BD5EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42A10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42A10 shade: #D92A0B, #EA3C1E, #FB4E31, #FF6044 and #FF7257

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42A10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42A10 shade: #D42A10, #C31800, #B20600, #A10000 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42A10 shade: #D52A10 and #D51010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42A10 shade: #D52A10, #D55F10, #D59410, #D5C910 and #ABD510

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42A10 shade matches the following richer shades: #D52A10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42A10 shade: #D52A10, #C23722, #B04535, #9D5347 and #8B605A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42A10 shade: #D51062, #D5102D, #D52710, #D55B10 and #D59010

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42A10 shade: #881B0A, #AF220D, #D52A10, #EE3B20 and #F15D46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42A10 shade: #D42A10, #96D510 and #1047D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42A10 shade: #D42A10, #10D527 and #2710D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42A10 shade: #D42A10, #96D510, #10BED5 and #4E10D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42A10 shade: #D42A10, #5BD510, #10BED5 and #8910D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

Complementary color

CMYK 82 / 11 / 0 / 6

HEX #2BD5EF

RGB 43 213 239

HSL 187.96, 0.86%, 0.55%

LAB 78.66, -32.15, -24.51

 

CMYK 0 / 81 / 95 / 15

HEX #D92A0B

RGB 217 42 11

HSL 9.03, 0.9%, 0.45%

LAB 47.54, 64.68, 57.37

 

CMYK 0 / 74 / 87 / 8

HEX #EA3C1E

RGB 234 60 30

HSL 8.82, 0.83%, 0.52%

LAB 52.75, 64.7, 55.8

 

CMYK 0 / 69 / 80 / 2

HEX #FB4E31

RGB 251 78 49

HSL 8.61, 0.96%, 0.59%

LAB 58.21, 64.16, 53.17

 

CMYK 0 / 62 / 73 / 0

HEX #FF6044

RGB 255 96 68

HSL 8.98, 1%, 0.63%

LAB 61.69, 59.01, 47.42

 

CMYK 0 / 55 / 66 / 0

HEX #FF7257

RGB 255 114 87

HSL 9.64, 1%, 0.67%

LAB 64.95, 51.94, 41.1

 

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

CMYK 0 / 88 / 100 / 24

HEX #C31800

RGB 195 24 0

HSL 7.38, 1%, 0.38%

LAB 41.62, 62.46, 55.31

 

CMYK 0 / 97 / 100 / 30

HEX #B20600

RGB 178 6 0

HSL 2.02, 1%, 0.35%

LAB 37.11, 60.47, 51.38

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 80 / 92 / 16

HEX #D52A10

RGB 213 42 16

HSL 7.92, 0.86%, 0.45%

LAB 46.76, 63.59, 54.98

 

CMYK 0 / 92 / 92 / 16

HEX #D51010

RGB 213 16 16

HSL 0, 0.86%, 0.45%

LAB 45.02, 68.57, 53.89

 

CMYK 0 / 80 / 92 / 16

HEX #D52A10

RGB 213 42 16

HSL 7.92, 0.86%, 0.45%

LAB 46.76, 63.59, 54.98

 

CMYK 0 / 55 / 92 / 16

HEX #D55F10

RGB 213 95 16

HSL 24.06, 0.86%, 0.45%

LAB 54.42, 42.96, 60.07

 

CMYK 0 / 31 / 92 / 16

HEX #D59410

RGB 213 148 16

HSL 40.2, 0.86%, 0.45%

LAB 66.03, 15.16, 68.38

 

CMYK 0 / 6 / 92 / 16

HEX #D5C910

RGB 213 201 16

HSL 56.35, 0.86%, 0.45%

LAB 79.59, -12.69, 78.54

 

CMYK 20 / 0 / 92 / 16

HEX #ABD510

RGB 171 213 16

HSL 72.79, 0.86%, 0.45%

LAB 79.78, -36.01, 77.34

 

CMYK 0 / 80 / 92 / 16

HEX #D52A10

RGB 213 42 16

HSL 7.92, 0.86%, 0.45%

LAB 46.76, 63.59, 54.98

 

CMYK 0 / 80 / 92 / 16

HEX #D52A10

RGB 213 42 16

HSL 7.92, 0.86%, 0.45%

LAB 46.76, 63.59, 54.98

 

CMYK 0 / 72 / 82 / 24

HEX #C23722

RGB 194 55 34

HSL 7.88, 0.7%, 0.45%

LAB 44.68, 54.03, 44.11

 

CMYK 0 / 61 / 70 / 31

HEX #B04535

RGB 176 69 53

HSL 7.8, 0.54%, 0.45%

LAB 43.86, 42.68, 31.92

 

CMYK 0 / 47 / 55 / 38

HEX #9D5347

RGB 157 83 71

HSL 8.37, 0.38%, 0.45%

LAB 43.96, 29.41, 20.77

 

CMYK 0 / 31 / 35 / 45

HEX #8B605A

RGB 139 96 90

HSL 7.35, 0.21%, 0.45%

LAB 45.07, 16.67, 10.45

 

CMYK 0 / 92 / 54 / 16

HEX #D51062

RGB 213 16 98

HSL 335.03, 0.86%, 0.45%

LAB 46.18, 71.79, 8.83

 

CMYK 0 / 92 / 79 / 16

HEX #D5102D

RGB 213 16 45

HSL 351.17, 0.86%, 0.45%

LAB 45.23, 69.17, 39.98

 

CMYK 0 / 82 / 92 / 16

HEX #D52710

RGB 213 39 16

HSL 7.01, 0.86%, 0.45%

LAB 46.49, 64.36, 54.81

 

CMYK 0 / 57 / 92 / 16

HEX #D55B10

RGB 213 91 16

HSL 22.84, 0.86%, 0.45%

LAB 53.67, 44.89, 59.56

 

CMYK 0 / 32 / 92 / 16

HEX #D59010

RGB 213 144 16

HSL 38.98, 0.86%, 0.45%

LAB 65.07, 17.32, 67.67

 

CMYK 0 / 80 / 93 / 47

HEX #881B0A

RGB 136 27 10

HSL 8.1, 0.86%, 0.29%

LAB 29.51, 44.49, 38.09

 

CMYK 0 / 81 / 93 / 31

HEX #AF220D

RGB 175 34 13

HSL 7.78, 0.86%, 0.37%

LAB 38.35, 54.56, 46.85

 

CMYK 0 / 80 / 92 / 16

HEX #D52A10

RGB 213 42 16

HSL 7.92, 0.86%, 0.45%

LAB 46.76, 63.59, 54.98

 

CMYK 0 / 75 / 87 / 7

HEX #EE3B20

RGB 238 59 32

HSL 7.86, 0.86%, 0.53%

LAB 53.39, 66.25, 55.79

 

CMYK 0 / 61 / 71 / 5

HEX #F15D46

RGB 241 93 70

HSL 8.07, 0.86%, 0.61%

LAB 58.95, 55.64, 42.67

 

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

CMYK 30 / 0 / 92 / 16

HEX #96D510

RGB 150 213 16

HSL 79.19, 0.86%, 0.45%

LAB 78.53, -44.12, 75.81

 

CMYK 92 / 67 / 0 / 16

HEX #1047D5

RGB 16 71 213

HSL 223.25, 0.86%, 0.45%

LAB 36.78, 39.52, -76.54

 

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

CMYK 92 / 0 / 82 / 16

HEX #10D527

RGB 16 213 39

HSL 127.01, 0.86%, 0.45%

LAB 74.73, -73.4, 66.58

 

CMYK 82 / 92 / 0 / 16

HEX #2710D5

RGB 39 16 213

HSL 247.01, 0.86%, 0.45%

LAB 28.4, 66.47, -90.42

 

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

CMYK 30 / 0 / 92 / 16

HEX #96D510

RGB 150 213 16

HSL 79.19, 0.86%, 0.45%

LAB 78.53, -44.12, 75.81

 

CMYK 92 / 11 / 0 / 16

HEX #10BED5

RGB 16 190 213

HSL 187.01, 0.86%, 0.45%

LAB 70.69, -30.85, -22.64

 

CMYK 63 / 92 / 0 / 16

HEX #4E10D5

RGB 78 16 213

HSL 258.88, 0.86%, 0.45%

LAB 31.33, 68.19, -85.45

 

CMYK 0 / 80 / 92 / 17

HEX #D42A10

RGB 212 42 16

HSL 7.96, 0.86%, 0.45%

LAB 46.57, 63.3, 54.76

 

CMYK 57 / 0 / 92 / 16

HEX #5BD510

RGB 91 213 16

HSL 97.16, 0.86%, 0.45%

LAB 75.98, -62.96, 72.68

 

CMYK 92 / 11 / 0 / 16

HEX #10BED5

RGB 16 190 213

HSL 187.01, 0.86%, 0.45%

LAB 70.69, -30.85, -22.64

 

CMYK 36 / 92 / 0 / 16

HEX #8910D5

RGB 137 16 213

HSL 276.85, 0.86%, 0.45%

LAB 38.71, 73.53, -73.02

 

Description

Color code: HEX #D42A10 | qconv.com Color code: HEX #D42A10 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 42 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 42 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 92 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 92% 17% C M Y K

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Provide designers and agencies with accurate color values.

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