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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D41BA3 it is the complementary color #2BE45C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D41BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D41BA3 shade: #D91B9E, #EA2DB1, #FB3FC4, #FF51D7 and #FF63EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D41BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D41BA3 shade: #D41BA3, #C30990, #B2007D, #A1006A and #900057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D41BA3 shade: #D41BA3, #D41B71, #D41B3F and #D41B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D41BA3 shade: #D41BA3, #D31BD4, #A11BD4, #6F1BD4 and #3D1BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D41BA3 shade matches the following richer shades: #D41BA3 and #E708AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D41BA3 shade: #D41BA3, #C02E9A, #AD4291, #995587 and #86697E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D41BA3 shade: #9F1BD4, #D11BD4, #D41BA5, #D41B74 and #D41B43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D41BA3 shade: #8B126B, #AF1687, #D41BA3, #E434B5 and #E958C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D41BA3 shade: #D41BA3, #D46E1B and #1BD4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D41BA3 shade: #D41BA3, #A5D41B and #1BA5D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D41BA3 shade: #D41BA3, #D46E1B, #1BD449 and #1B81D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D41BA3 shade: #D41BA3, #D4A51B, #1BD449 and #1B49D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

Complementary color

CMYK 81 / 0 / 60 / 11

HEX #2BE45C

RGB 43 228 92

HSL 135.89, 0.77%, 0.53%

LAB 80.05, -71.06, 52.94

 

CMYK 0 / 88 / 27 / 15

HEX #D91B9E

RGB 217 27 158

HSL 318.63, 0.78%, 0.48%

LAB 49.5, 76.66, -22.71

 

CMYK 0 / 81 / 24 / 8

HEX #EA2DB1

RGB 234 45 177

HSL 318.1, 0.82%, 0.55%

LAB 54.6, 78.95, -25.79

 

CMYK 0 / 75 / 22 / 2

HEX #FB3FC4

RGB 251 63 196

HSL 317.55, 0.96%, 0.62%

LAB 59.93, 80.39, -28.29

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D7

RGB 255 81 215

HSL 313.79, 1%, 0.66%

LAB 63.39, 78.1, -33.66

 

CMYK 0 / 61 / 8 / 0

HEX #FF63EA

RGB 255 99 234

HSL 308.08, 1%, 0.69%

LAB 66.61, 74.13, -39.24

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 95 / 26 / 24

HEX #C30990

RGB 195 9 144

HSL 316.45, 0.91%, 0.4%

LAB 43.96, 72.8, -23.19

 

CMYK 0 / 100 / 30 / 30

HEX #B2007D

RGB 178 0 125

HSL 317.87, 1%, 0.35%

LAB 39.49, 68.11, -18.68

 

CMYK 0 / 100 / 34 / 37

HEX #A1006A

RGB 161 0 106

HSL 320.5, 1%, 0.32%

LAB 35.24, 62.51, -13.53

 

CMYK 0 / 100 / 40 / 44

HEX #900057

RGB 144 0 87

HSL 323.75, 1%, 0.28%

LAB 30.92, 56.83, -8.11

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 87 / 47 / 17

HEX #D41B71

RGB 212 27 113

HSL 332.11, 0.77%, 0.47%

LAB 46.94, 71.11, 0.62

 

CMYK 0 / 87 / 70 / 17

HEX #D41B3F

RGB 212 27 63

HSL 348.32, 0.77%, 0.47%

LAB 45.83, 67.94, 29.96

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 87 / 0 / 17

HEX #D31BD4

RGB 211 27 212

HSL 299.68, 0.77%, 0.47%

LAB 51.14, 82.61, -51.75

 

CMYK 24 / 87 / 0 / 17

HEX #A11BD4

RGB 161 27 212

HSL 283.46, 0.77%, 0.47%

LAB 42.94, 74.55, -65.39

 

CMYK 48 / 87 / 0 / 17

HEX #6F1BD4

RGB 111 27 212

HSL 267.24, 0.77%, 0.47%

LAB 35.82, 68.11, -77.32

 

CMYK 71 / 87 / 0 / 17

HEX #3D1BD4

RGB 61 27 212

HSL 251.03, 0.77%, 0.47%

LAB 30.71, 63.97, -85.94

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 97 / 26 / 9

HEX #E708AC

RGB 231 8 172

HSL 315.87, 0.93%, 0.47%

LAB 52, 83.12, -26.93

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 76 / 20 / 25

HEX #C02E9A

RGB 192 46 154

HSL 315.62, 0.61%, 0.47%

LAB 46.3, 66.3, -25.63

 

CMYK 0 / 62 / 16 / 32

HEX #AD4291

RGB 173 66 145

HSL 315.7, 0.45%, 0.47%

LAB 45.39, 52.68, -21.89

 

CMYK 0 / 44 / 12 / 40

HEX #995587

RGB 153 85 135

HSL 315.88, 0.29%, 0.47%

LAB 45.66, 35.33, -15.71

 

CMYK 0 / 22 / 6 / 47

HEX #86697E

RGB 134 105 126

HSL 316.55, 0.12%, 0.47%

LAB 47.85, 15.32, -7.23

 

CMYK 25 / 87 / 0 / 17

HEX #9F1BD4

RGB 159 27 212

HSL 282.81, 0.77%, 0.47%

LAB 42.62, 74.25, -65.91

 

CMYK 1 / 87 / 0 / 17

HEX #D11BD4

RGB 209 27 212

HSL 299.03, 0.77%, 0.47%

LAB 50.8, 82.26, -52.32

 

CMYK 0 / 87 / 22 / 17

HEX #D41BA5

RGB 212 27 165

HSL 315.24, 0.77%, 0.47%

LAB 48.88, 76.44, -27.91

 

CMYK 0 / 87 / 45 / 17

HEX #D41B74

RGB 212 27 116

HSL 331.14, 0.77%, 0.47%

LAB 47.03, 71.37, -1.1

 

CMYK 0 / 87 / 68 / 17

HEX #D41B43

RGB 212 27 67

HSL 347.03, 0.77%, 0.47%

LAB 45.89, 68.12, 27.6

 

CMYK 0 / 87 / 23 / 45

HEX #8B126B

RGB 139 18 107

HSL 315.87, 0.77%, 0.31%

LAB 31.77, 55.09, -19.88

 

CMYK 0 / 87 / 23 / 31

HEX #AF1687

RGB 175 22 135

HSL 315.69, 0.78%, 0.39%

LAB 40.31, 65.86, -23.65

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 77 / 21 / 11

HEX #E434B5

RGB 228 52 181

HSL 316.02, 0.77%, 0.55%

LAB 54.33, 76.37, -28.62

 

CMYK 0 / 62 / 16 / 9

HEX #E958C3

RGB 233 88 195

HSL 315.72, 0.77%, 0.63%

LAB 60.11, 67.18, -27.68

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 48 / 87 / 17

HEX #D46E1B

RGB 212 110 27

HSL 26.92, 0.77%, 0.47%

LAB 57.3, 35.22, 58.95

 

CMYK 87 / 0 / 13 / 17

HEX #1BD4B8

RGB 27 212 184

HSL 170.92, 0.77%, 0.47%

LAB 76.55, -48.74, 1.81

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 22 / 0 / 87 / 17

HEX #A5D41B

RGB 165 212 27

HSL 75.24, 0.77%, 0.47%

LAB 79.14, -37.71, 74.96

 

CMYK 87 / 22 / 0 / 17

HEX #1BA5D4

RGB 27 165 212

HSL 195.24, 0.77%, 0.47%

LAB 63.26, -17.92, -33.53

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 48 / 87 / 17

HEX #D46E1B

RGB 212 110 27

HSL 26.92, 0.77%, 0.47%

LAB 57.3, 35.22, 58.95

 

CMYK 87 / 0 / 66 / 17

HEX #1BD449

RGB 27 212 73

HSL 134.92, 0.77%, 0.47%

LAB 74.7, -69.74, 54.95

 

CMYK 87 / 39 / 0 / 17

HEX #1B81D4

RGB 27 129 212

HSL 206.92, 0.77%, 0.47%

LAB 52.61, 2.6, -50.3

 

CMYK 0 / 87 / 23 / 17

HEX #D41BA3

RGB 212 27 163

HSL 315.89, 0.77%, 0.47%

LAB 48.79, 76.2, -26.86

 

CMYK 0 / 22 / 87 / 17

HEX #D4A51B

RGB 212 165 27

HSL 44.76, 0.77%, 0.47%

LAB 70.17, 5.78, 69.22

 

CMYK 87 / 0 / 66 / 17

HEX #1BD449

RGB 27 212 73

HSL 134.92, 0.77%, 0.47%

LAB 74.7, -69.74, 54.95

 

CMYK 87 / 66 / 0 / 17

HEX #1B49D4

RGB 27 73 212

HSL 225.08, 0.77%, 0.47%

LAB 37.39, 38.36, -74.95

 

Description

Color code: HEX #D41BA3 | qconv.com Color code: HEX #D41BA3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 27 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 27 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 23 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 23% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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