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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D406C8 it is the complementary color #2BF937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D406C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D406C8 shade: #D906C3, #EA18D6, #FB2AE9, #FF3CFC and #FF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D406C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D406C8 shade: #D406C8, #C300B5, #B200A2, #A1008F and #90007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D406C8 shade: #D406C8, #D40691, #D40659, #D40621 and #D40606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D406C8 shade: #D406C8, #A906D4, #7106D4, #3906D4 and #0606D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D406C8 shade matches the following richer shades: #D406C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D406C8 shade: #D406C8, #C218B9, #B12AA9, #9F3B99 and #8D4D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D406C8 shade: #7106D4, #A806D4, #D406CA, #D40693 and #D4065C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D406C8 shade: #84047D, #AC05A2, #D406C8, #F70DE9 and #F835ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D406C8 shade: #D406C8, #D43A06 and #06D48C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D406C8 shade: #D406C8, #CAD406 and #06CAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D406C8 shade: #D406C8, #D43A06, #06D410 and #06A1D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D406C8 shade: #D406C8, #D47706, #06D410 and #0663D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

Complementary color

CMYK 83 / 0 / 78 / 2

HEX #2BF937

RGB 43 249 55

HSL 123.5, 0.94%, 0.57%

LAB 86.28, -80.56, 73.11

 

CMYK 0 / 97 / 10 / 15

HEX #D906C3

RGB 217 6 195

HSL 306.26, 0.95%, 0.44%

LAB 50.48, 83.5, -42.94

 

CMYK 0 / 90 / 9 / 8

HEX #EA18D6

RGB 234 24 214

HSL 305.71, 0.83%, 0.51%

LAB 55.07, 87.34, -46.39

 

CMYK 0 / 83 / 7 / 2

HEX #FB2AE9

RGB 251 42 233

HSL 305.17, 0.96%, 0.57%

LAB 59.93, 90.17, -49.24

 

CMYK 0 / 76 / 1 / 0

HEX #FF3CFC

RGB 255 60 252

HSL 300.92, 1%, 0.62%

LAB 62.94, 89.66, -55

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 100 / 7 / 24

HEX #C300B5

RGB 195 0 181

HSL 304.31, 1%, 0.38%

LAB 45.55, 78.3, -42.83

 

CMYK 0 / 100 / 9 / 30

HEX #B200A2

RGB 178 0 162

HSL 305.39, 1%, 0.35%

LAB 41.33, 72.73, -38.42

 

CMYK 0 / 100 / 11 / 37

HEX #A1008F

RGB 161 0 143

HSL 306.71, 1%, 0.32%

LAB 37.04, 67.05, -33.88

 

CMYK 0 / 100 / 14 / 44

HEX #90007C

RGB 144 0 124

HSL 308.33, 1%, 0.28%

LAB 32.67, 61.27, -29.2

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 97 / 32 / 17

HEX #D40691

RGB 212 6 145

HSL 319.51, 0.94%, 0.43%

LAB 47.2, 76.61, -18.53

 

CMYK 0 / 97 / 58 / 17

HEX #D40659

RGB 212 6 89

HSL 335.83, 0.94%, 0.43%

LAB 45.43, 71.92, 13.36

 

CMYK 0 / 97 / 84 / 17

HEX #D40621

RGB 212 6 33

HSL 352.14, 0.94%, 0.43%

LAB 44.57, 69.58, 45.84

 

CMYK 0 / 97 / 97 / 17

HEX #D40606

RGB 212 6 6

HSL 0, 0.94%, 0.43%

LAB 44.43, 69.2, 56.62

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 20 / 97 / 0 / 17

HEX #A906D4

RGB 169 6 212

HSL 287.48, 0.94%, 0.43%

LAB 43.24, 78.58, -64.84

 

CMYK 47 / 97 / 0 / 17

HEX #7106D4

RGB 113 6 212

HSL 271.17, 0.94%, 0.43%

LAB 34.79, 72.18, -79.01

 

CMYK 73 / 97 / 0 / 17

HEX #3906D4

RGB 57 6 212

HSL 254.85, 0.94%, 0.43%

LAB 28.78, 68.72, -89.16

 

CMYK 97 / 97 / 0 / 17

HEX #0606D4

RGB 6 6 212

HSL 240, 0.94%, 0.43%

LAB 26.51, 67.76, -93.01

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 88 / 5 / 24

HEX #C218B9

RGB 194 24 185

HSL 303.18, 0.78%, 0.43%

LAB 46.48, 76.09, -43.71

 

CMYK 0 / 76 / 5 / 31

HEX #B12AA9

RGB 177 42 169

HSL 303.56, 0.62%, 0.43%

LAB 44.04, 66.27, -38.32

 

CMYK 0 / 63 / 4 / 38

HEX #9F3B99

RGB 159 59 153

HSL 303.6, 0.46%, 0.43%

LAB 42.46, 53.2, -31.44

 

CMYK 0 / 45 / 2 / 45

HEX #8D4D8A

RGB 141 77 138

HSL 302.81, 0.29%, 0.43%

LAB 42.47, 36.31, -22.56

 

CMYK 47 / 97 / 0 / 17

HEX #7106D4

RGB 113 6 212

HSL 271.17, 0.94%, 0.43%

LAB 34.79, 72.18, -79.01

 

CMYK 21 / 97 / 0 / 17

HEX #A806D4

RGB 168 6 212

HSL 287.18, 0.94%, 0.43%

LAB 43.08, 78.44, -65.12

 

CMYK 0 / 97 / 5 / 17

HEX #D406CA

RGB 212 6 202

HSL 302.91, 0.94%, 0.43%

LAB 49.97, 83.6, -47.86

 

CMYK 0 / 97 / 31 / 17

HEX #D40693

RGB 212 6 147

HSL 318.93, 0.94%, 0.43%

LAB 47.28, 76.82, -19.61

 

CMYK 0 / 97 / 57 / 17

HEX #D4065C

RGB 212 6 92

HSL 334.95, 0.94%, 0.43%

LAB 45.5, 72.11, 11.59

 

CMYK 0 / 97 / 5 / 48

HEX #84047D

RGB 132 4 125

HSL 303.28, 0.94%, 0.27%

LAB 30.58, 58.57, -33.3

 

CMYK 0 / 97 / 6 / 33

HEX #AC05A2

RGB 172 5 162

HSL 303.59, 0.94%, 0.35%

LAB 40.39, 71.15, -39.98

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 95 / 6 / 3

HEX #F70DE9

RGB 247 13 233

HSL 303.59, 0.94%, 0.51%

LAB 57.98, 93.18, -52.38

 

CMYK 0 / 79 / 4 / 3

HEX #F835ED

RGB 248 53 237

HSL 303.38, 0.93%, 0.59%

LAB 60.44, 87.85, -50.7

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 73 / 97 / 17

HEX #D43A06

RGB 212 58 6

HSL 15.15, 0.94%, 0.43%

LAB 48.31, 58.25, 58.56

 

CMYK 97 / 0 / 34 / 17

HEX #06D48C

RGB 6 212 140

HSL 159.03, 0.94%, 0.43%

LAB 75.46, -60.16, 23.65

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 5 / 0 / 97 / 17

HEX #CAD406

RGB 202 212 6

HSL 62.91, 0.94%, 0.43%

LAB 81.65, -22.92, 80.73

 

CMYK 97 / 5 / 0 / 17

HEX #06CAD4

RGB 6 202 212

HSL 182.91, 0.94%, 0.43%

LAB 74.21, -37.14, -16.77

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 73 / 97 / 17

HEX #D43A06

RGB 212 58 6

HSL 15.15, 0.94%, 0.43%

LAB 48.31, 58.25, 58.56

 

CMYK 97 / 0 / 92 / 17

HEX #06D410

RGB 6 212 16

HSL 122.91, 0.94%, 0.43%

LAB 74.29, -74.44, 70.73

 

CMYK 97 / 24 / 0 / 17

HEX #06A1D4

RGB 6 161 212

HSL 194.85, 0.94%, 0.43%

LAB 61.9, -16.67, -35.66

 

CMYK 0 / 97 / 6 / 17

HEX #D406C8

RGB 212 6 200

HSL 303.5, 0.94%, 0.43%

LAB 49.85, 83.32, -46.88

 

CMYK 0 / 44 / 97 / 17

HEX #D47706

RGB 212 119 6

HSL 32.91, 0.94%, 0.43%

LAB 59.16, 30.2, 65.15

 

CMYK 97 / 0 / 92 / 17

HEX #06D410

RGB 6 212 16

HSL 122.91, 0.94%, 0.43%

LAB 74.29, -74.44, 70.73

 

CMYK 97 / 53 / 0 / 17

HEX #0663D4

RGB 6 99 212

HSL 212.91, 0.94%, 0.43%

LAB 43.82, 20.62, -64.45

 

Description

Color code: HEX #D406C8 | qconv.com Color code: HEX #D406C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 6 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 6 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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