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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7F460 it is the complementary color #280B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7F460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7F460 shade: #DCF45B, #EDFF6E, #FEFF81, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7F460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7F460 shade: #D7F460, #C6E24D, #B5D03A, #A4BE27 and #93AC14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7F460 shade: #D7F461, #F4E961, #F4C161, #F49A61 and #F47261

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7F460 shade: #D7F461, #AFF461, #88F461, #61F462 and #61F489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7F460 shade matches the following richer shades: #D7F461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7F460 shade: #D7F461, #CFE66F, #C6D87C, #BECB8A and #B6BD98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7F460 shade: #F4C061, #F4E761, #D9F461, #B2F461 and #8BF461

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7F460 shade: #C3EE14, #CDF13B, #D7F461, #E1F688 and #EAF9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7F460 shade: #D7F460, #61F499 and #D461F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7F460 shade: #D7F460, #61D9F4 and #F461D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7F460 shade: #D7F460, #61F499, #7C61F4 and #F461BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7F460 shade: #D7F460, #61F4C5, #7C61F4 and #F46190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

Complementary color

CMYK 75 / 93 / 0 / 38

HEX #280B9F

RGB 40 11 159

HSL 251.76, 0.87%, 0.33%

LAB 20.8, 53.44, -70.94

 

CMYK 10 / 0 / 63 / 4

HEX #DCF45B

RGB 220 244 91

HSL 69.41, 0.87%, 0.66%

LAB 91.99, -27.77, 68.63

 

CMYK 7 / 0 / 57 / 0

HEX #EDFF6E

RGB 237 255 110

HSL 67.45, 1%, 0.72%

LAB 96.27, -24.97, 65.81

 

CMYK 0 / 0 / 49 / 0

HEX #FEFF81

RGB 254 255 129

HSL 60.48, 1%, 0.75%

LAB 97.7, -16.84, 59.43

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

CMYK 12 / 0 / 66 / 11

HEX #C6E24D

RGB 198 226 77

HSL 71.28, 0.72%, 0.59%

LAB 85.47, -28.9, 66.81

 

CMYK 13 / 0 / 72 / 18

HEX #B5D03A

RGB 181 208 58

HSL 70.8, 0.61%, 0.52%

LAB 79.18, -28.29, 67.08

 

CMYK 14 / 0 / 79 / 25

HEX #A4BE27

RGB 164 190 39

HSL 70.33, 0.66%, 0.45%

LAB 72.8, -27.53, 66.7

 

CMYK 15 / 0 / 88 / 33

HEX #93AC14

RGB 147 172 20

HSL 69.87, 0.79%, 0.38%

LAB 66.34, -26.57, 65.24

 

CMYK 12 / 0 / 60 / 4

HEX #D7F461

RGB 215 244 97

HSL 71.84, 0.87%, 0.67%

LAB 91.69, -29.31, 65.78

 

CMYK 0 / 5 / 60 / 4

HEX #F4E961

RGB 244 233 97

HSL 55.51, 0.87%, 0.67%

LAB 90.95, -12.48, 65.6

 

CMYK 0 / 21 / 60 / 4

HEX #F4C161

RGB 244 193 97

HSL 39.18, 0.87%, 0.67%

LAB 80.87, 7.86, 54.35

 

CMYK 0 / 37 / 60 / 4

HEX #F49A61

RGB 244 154 97

HSL 23.27, 0.87%, 0.67%

LAB 71.7, 28.36, 43.59

 

CMYK 0 / 53 / 60 / 4

HEX #F47261

RGB 244 114 97

HSL 6.94, 0.87%, 0.67%

LAB 63.45, 48.63, 33.43

 

CMYK 12 / 0 / 60 / 4

HEX #D7F461

RGB 215 244 97

HSL 71.84, 0.87%, 0.67%

LAB 91.69, -29.31, 65.78

 

CMYK 28 / 0 / 60 / 4

HEX #AFF461

RGB 175 244 97

HSL 88.16, 0.87%, 0.67%

LAB 89.24, -44.2, 62.39

 

CMYK 44 / 0 / 60 / 4

HEX #88F461

RGB 136 244 97

HSL 104.08, 0.87%, 0.67%

LAB 87.39, -56.92, 59.8

 

CMYK 60 / 0 / 60 / 4

HEX #61F462

RGB 97 244 98

HSL 120.41, 0.87%, 0.67%

LAB 86.07, -66.87, 57.52

 

CMYK 60 / 0 / 44 / 4

HEX #61F489

RGB 97 244 137

HSL 136.33, 0.87%, 0.67%

LAB 86.53, -61.71, 40.04

 

CMYK 12 / 0 / 60 / 4

HEX #D7F461

RGB 215 244 97

HSL 71.84, 0.87%, 0.67%

LAB 91.69, -29.31, 65.78

 

CMYK 12 / 0 / 60 / 4

HEX #D7F461

RGB 215 244 97

HSL 71.84, 0.87%, 0.67%

LAB 91.69, -29.31, 65.78

 

CMYK 10 / 0 / 52 / 10

HEX #CFE66F

RGB 207 230 111

HSL 71.6, 0.7%, 0.67%

LAB 87.49, -24.67, 54.75

 

CMYK 8 / 0 / 43 / 15

HEX #C6D87C

RGB 198 216 124

HSL 71.74, 0.54%, 0.67%

LAB 83.22, -20.08, 43.23

 

CMYK 6 / 0 / 32 / 20

HEX #BECB8A

RGB 190 203 138

HSL 72, 0.38%, 0.67%

LAB 79.32, -15, 31.01

 

CMYK 4 / 0 / 20 / 26

HEX #B6BD98

RGB 182 189 152

HSL 71.35, 0.22%, 0.67%

LAB 75.21, -8.83, 17.92

 

CMYK 0 / 21 / 60 / 4

HEX #F4C061

RGB 244 192 97

HSL 38.78, 0.87%, 0.67%

LAB 80.62, 8.38, 54.07

 

CMYK 0 / 5 / 60 / 4

HEX #F4E761

RGB 244 231 97

HSL 54.69, 0.87%, 0.67%

LAB 90.44, -11.49, 65.03

 

CMYK 11 / 0 / 60 / 4

HEX #D9F461

RGB 217 244 97

HSL 71.02, 0.87%, 0.67%

LAB 91.83, -28.53, 65.97

 

CMYK 27 / 0 / 60 / 4

HEX #B2F461

RGB 178 244 97

HSL 86.94, 0.87%, 0.67%

LAB 89.41, -43.14, 62.62

 

CMYK 43 / 0 / 60 / 4

HEX #8BF461

RGB 139 244 97

HSL 102.86, 0.87%, 0.67%

LAB 87.51, -56.02, 59.97

 

CMYK 18 / 0 / 92 / 7

HEX #C3EE14

RGB 195 238 20

HSL 71.83, 0.87%, 0.51%

LAB 88.35, -37.72, 84.27

 

CMYK 15 / 0 / 76 / 5

HEX #CDF13B

RGB 205 241 59

HSL 71.87, 0.87%, 0.59%

LAB 89.95, -34.02, 77.54

 

CMYK 12 / 0 / 60 / 4

HEX #D7F461

RGB 215 244 97

HSL 71.84, 0.87%, 0.67%

LAB 91.69, -29.31, 65.78

 

CMYK 9 / 0 / 45 / 4

HEX #E1F688

RGB 225 246 136

HSL 71.45, 0.86%, 0.75%

LAB 93.32, -23.02, 50.39

 

CMYK 6 / 0 / 30 / 2

HEX #EAF9AE

RGB 234 249 174

HSL 72, 0.86%, 0.83%

LAB 95.29, -16.73, 34.44

 

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

CMYK 60 / 0 / 37 / 4

HEX #61F499

RGB 97 244 153

HSL 142.86, 0.87%, 0.67%

LAB 86.77, -59.06, 32.43

 

CMYK 13 / 60 / 0 / 4

HEX #D461F4

RGB 212 97 244

HSL 286.94, 0.87%, 0.67%

LAB 60.85, 66.24, -54.28

 

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

CMYK 60 / 11 / 0 / 4

HEX #61D9F4

RGB 97 217 244

HSL 191.02, 0.87%, 0.67%

LAB 81.13, -25.88, -23.31

 

CMYK 0 / 60 / 11 / 4

HEX #F461D9

RGB 244 97 217

HSL 311.02, 0.87%, 0.67%

LAB 63.99, 69.6, -33.97

 

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

CMYK 60 / 0 / 37 / 4

HEX #61F499

RGB 97 244 153

HSL 142.86, 0.87%, 0.67%

LAB 86.77, -59.06, 32.43

 

CMYK 49 / 60 / 0 / 4

HEX #7C61F4

RGB 124 97 244

HSL 251.02, 0.87%, 0.67%

LAB 51.11, 47, -70.44

 

CMYK 0 / 60 / 23 / 4

HEX #F461BB

RGB 244 97 187

HSL 323.27, 0.87%, 0.67%

LAB 62.82, 65.37, -18.82

 

CMYK 12 / 0 / 61 / 4

HEX #D7F460

RGB 215 244 96

HSL 71.76, 0.87%, 0.67%

LAB 91.68, -29.38, 66.18

 

CMYK 60 / 0 / 19 / 4

HEX #61F4C5

RGB 97 244 197

HSL 160.82, 0.87%, 0.67%

LAB 87.62, -50.24, 11.04

 

CMYK 49 / 60 / 0 / 4

HEX #7C61F4

RGB 124 97 244

HSL 251.02, 0.87%, 0.67%

LAB 51.11, 47, -70.44

 

CMYK 0 / 60 / 41 / 4

HEX #F46190

RGB 244 97 144

HSL 340.82, 0.87%, 0.67%

LAB 61.48, 60.35, 3.91

 

Description

Color code: HEX #D7F460 | qconv.com Color code: HEX #D7F460 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 244 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 244 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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