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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7C670 it is the complementary color #28398F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7C670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7C670 shade: #DCC66B, #EDD87E, #FEEA91, #FFFCA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7C670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7C670 shade: #D7C670, #C6B45D, #B5A24A, #A49037 and #937E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7C670 shade: #D6C56F, #D6A96F, #D68E6F, #D6726F and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7C670 shade: #D6C56F, #CBD66F, #B0D66F, #94D66F and #78D66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7C670 shade matches the following richer shades: #D6C56F, #E5CF60 and #F4D952

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7C670 shade: #D6C56F, #C7BB7E, #B8B18D, #AAA79C and #9B9DAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7C670 shade: #D68E6F, #D6AA6F, #D6C56F, #CCD66F and #B0D66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7C670 shade: #BEA735, #CDB84F, #D6C56F, #DFD28F and #E8DFB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7C670 shade: #D7C670, #6FD673 and #9C6FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7C670 shade: #D7C670, #6FD6C5 and #C56FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7C670 shade: #D7C670, #6FD673, #6F80D6 and #D66FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7C670 shade: #D7C670, #6FD692, #6F80D6 and #D66FB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

Complementary color

CMYK 72 / 60 / 0 / 44

HEX #28398F

RGB 40 57 143

HSL 230.1, 0.56%, 0.36%

LAB 27.74, 23.97, -49.67

 

CMYK 0 / 10 / 51 / 14

HEX #DCC66B

RGB 220 198 107

HSL 48.32, 0.62%, 0.64%

LAB 79.99, -3.87, 47.99

 

CMYK 0 / 9 / 47 / 7

HEX #EDD87E

RGB 237 216 126

HSL 48.65, 0.76%, 0.71%

LAB 86.32, -4.5, 46.77

 

CMYK 0 / 8 / 43 / 0

HEX #FEEA91

RGB 254 234 145

HSL 48.99, 0.98%, 0.78%

LAB 92.56, -5.05, 45.58

 

CMYK 0 / 1 / 36 / 0

HEX #FFFCA4

RGB 255 252 164

HSL 58.02, 1%, 0.82%

LAB 97.45, -11.59, 42.54

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

CMYK 0 / 9 / 53 / 22

HEX #C6B45D

RGB 198 180 93

HSL 49.71, 0.48%, 0.57%

LAB 73.18, -4.81, 46.2

 

CMYK 0 / 10 / 59 / 29

HEX #B5A24A

RGB 181 162 74

HSL 49.35, 0.42%, 0.5%

LAB 66.64, -4.04, 47.38

 

CMYK 0 / 12 / 66 / 36

HEX #A49037

RGB 164 144 55

HSL 48.99, 0.5%, 0.43%

LAB 59.99, -3.09, 48.41

 

CMYK 0 / 14 / 76 / 42

HEX #937E24

RGB 147 126 36

HSL 48.65, 0.61%, 0.36%

LAB 53.22, -1.92, 49.06

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 0 / 21 / 48 / 16

HEX #D6A96F

RGB 214 169 111

HSL 33.79, 0.56%, 0.64%

LAB 72.11, 9.31, 36.11

 

CMYK 0 / 34 / 48 / 16

HEX #D68E6F

RGB 214 142 111

HSL 18.06, 0.56%, 0.64%

LAB 65.58, 23.89, 27.68

 

CMYK 0 / 47 / 48 / 16

HEX #D6726F

RGB 214 114 111

HSL 1.75, 0.56%, 0.64%

LAB 59.41, 38.76, 19.43

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 5 / 0 / 48 / 16

HEX #CBD66F

RGB 203 214 111

HSL 66.41, 0.56%, 0.64%

LAB 82.88, -18.47, 49.21

 

CMYK 18 / 0 / 48 / 16

HEX #B0D66F

RGB 176 214 111

HSL 82.14, 0.56%, 0.64%

LAB 81, -28.92, 46.49

 

CMYK 31 / 0 / 48 / 16

HEX #94D66F

RGB 148 214 111

HSL 98.45, 0.56%, 0.64%

LAB 79.35, -39.04, 44.09

 

CMYK 44 / 0 / 48 / 16

HEX #78D66F

RGB 120 214 111

HSL 114.76, 0.56%, 0.64%

LAB 78.01, -48, 42.14

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 0 / 10 / 58 / 10

HEX #E5CF60

RGB 229 207 96

HSL 50.08, 0.72%, 0.64%

LAB 82.98, -5.65, 56.84

 

CMYK 0 / 11 / 66 / 4

HEX #F4D952

RGB 244 217 82

HSL 50, 0.88%, 0.64%

LAB 86.74, -5.39, 67.29

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 0 / 6 / 37 / 22

HEX #C7BB7E

RGB 199 187 126

HSL 50.14, 0.39%, 0.64%

LAB 75.57, -4.74, 32.45

 

CMYK 0 / 4 / 23 / 28

HEX #B8B18D

RGB 184 177 141

HSL 50.23, 0.23%, 0.64%

LAB 71.93, -3.4, 19.35

 

CMYK 0 / 2 / 8 / 33

HEX #AAA79C

RGB 170 167 156

HSL 47.14, 0.08%, 0.64%

LAB 68.45, -0.91, 6.06

 

CMYK 9 / 8 / 0 / 33

HEX #9B9DAB

RGB 155 157 171

HSL 232.5, 0.09%, 0.64%

LAB 64.98, 2.1, -7.52

 

CMYK 0 / 34 / 48 / 16

HEX #D68E6F

RGB 214 142 111

HSL 18.06, 0.56%, 0.64%

LAB 65.58, 23.89, 27.68

 

CMYK 0 / 21 / 48 / 16

HEX #D6AA6F

RGB 214 170 111

HSL 34.37, 0.56%, 0.64%

LAB 72.36, 8.78, 36.42

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 5 / 0 / 48 / 16

HEX #CCD66F

RGB 204 214 111

HSL 65.83, 0.56%, 0.64%

LAB 82.95, -18.07, 49.31

 

CMYK 18 / 0 / 48 / 16

HEX #B0D66F

RGB 176 214 111

HSL 82.14, 0.56%, 0.64%

LAB 81, -28.92, 46.49

 

CMYK 0 / 12 / 72 / 25

HEX #BEA735

RGB 190 167 53

HSL 49.93, 0.56%, 0.48%

LAB 68.64, -4.07, 58.86

 

CMYK 0 / 10 / 61 / 20

HEX #CDB84F

RGB 205 184 79

HSL 50, 0.56%, 0.56%

LAB 74.71, -5.02, 54.69

 

CMYK 0 / 8 / 48 / 16

HEX #D6C56F

RGB 214 197 111

HSL 50.1, 0.56%, 0.64%

LAB 79.26, -5.45, 45.02

 

CMYK 0 / 6 / 36 / 13

HEX #DFD28F

RGB 223 210 143

HSL 50.25, 0.56%, 0.72%

LAB 83.84, -5.2, 34.86

 

CMYK 0 / 4 / 24 / 9

HEX #E8DFB0

RGB 232 223 176

HSL 50.36, 0.55%, 0.8%

LAB 88.48, -4.24, 24.19

 

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

CMYK 48 / 0 / 46 / 16

HEX #6FD673

RGB 111 214 115

HSL 122.33, 0.56%, 0.64%

LAB 77.7, -50.02, 39.72

 

CMYK 27 / 48 / 0 / 16

HEX #9C6FD6

RGB 156 111 214

HSL 266.21, 0.56%, 0.64%

LAB 55.37, 38.5, -46.59

 

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

CMYK 48 / 0 / 8 / 16

HEX #6FD6C5

RGB 111 214 197

HSL 170.1, 0.56%, 0.64%

LAB 79.33, -34.1, -0.86

 

CMYK 8 / 48 / 0 / 16

HEX #C56FD6

RGB 197 111 214

HSL 290.1, 0.56%, 0.64%

LAB 59.97, 49.85, -39.03

 

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

CMYK 48 / 0 / 46 / 16

HEX #6FD673

RGB 111 214 115

HSL 122.33, 0.56%, 0.64%

LAB 77.7, -50.02, 39.72

 

CMYK 48 / 40 / 0 / 16

HEX #6F80D6

RGB 111 128 214

HSL 230.1, 0.56%, 0.64%

LAB 55.76, 16.98, -46.22

 

CMYK 0 / 48 / 1 / 16

HEX #D66FD3

RGB 214 111 211

HSL 301.75, 0.56%, 0.64%

LAB 61.97, 54.12, -34.06

 

CMYK 0 / 8 / 48 / 16

HEX #D7C670

RGB 215 198 112

HSL 50.1, 0.56%, 0.64%

LAB 79.62, -5.46, 44.98

 

CMYK 48 / 0 / 32 / 16

HEX #6FD692

RGB 111 214 146

HSL 140.39, 0.56%, 0.64%

LAB 78.2, -44.96, 24.57

 

CMYK 48 / 40 / 0 / 16

HEX #6F80D6

RGB 111 128 214

HSL 230.1, 0.56%, 0.64%

LAB 55.76, 16.98, -46.22

 

CMYK 0 / 48 / 16 / 16

HEX #D66FB4

RGB 214 111 180

HSL 319.81, 0.56%, 0.64%

LAB 60.75, 48.99, -18.37

 

Description

Color code: HEX #D7C670 | qconv.com Color code: HEX #D7C670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 198 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 198 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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