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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7BA7B it is the complementary color #284584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7BA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7BA7B shade: #DCBA76, #EDCC89, #FEDE9C, #FFF0AF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7BA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7BA7B shade: #D7BA7B, #C6A868, #B59655, #A48442 and #93722F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7BA7B shade: #D6B97A, #D6A07A, #D6877A and #D67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7BA7B shade: #D6B97A, #D6D27A, #C1D67A, #A8D67A and #90D67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7BA7B shade matches the following richer shades: #D6B97A, #E4BE6C and #F2C35E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7BA7B shade: #D6B97A, #C8B488, #BAAE96, #ACA9A4 and #9EA4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7BA7B shade: #D6887A, #D6A07A, #D6B97A, #D6D17A and #C2D67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7BA7B shade: #C2973B, #CCA85A, #D6B97A, #DFC999 and #E9DAB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7BA7B shade: #D7BA7B, #85D67A and #947AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7BA7B shade: #D7BA7B, #7AD6B9 and #B97AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7BA7B shade: #D7BA7B, #85D67A, #7A97D6 and #CB7AD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7BA7B shade: #D7BA7B, #7AD68B, #7A97D6 and #D67AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

Complementary color

CMYK 70 / 48 / 0 / 48

HEX #284584

RGB 40 69 132

HSL 221.09, 0.53%, 0.34%

LAB 30.34, 11.53, -38.67

 

CMYK 0 / 15 / 46 / 14

HEX #DCBA76

RGB 220 186 118

HSL 40, 0.59%, 0.66%

LAB 77.07, 3.4, 38.89

 

CMYK 0 / 14 / 42 / 7

HEX #EDCC89

RGB 237 204 137

HSL 40.2, 0.74%, 0.73%

LAB 83.44, 2.74, 37.64

 

CMYK 0 / 13 / 39 / 0

HEX #FEDE9C

RGB 254 222 156

HSL 40.41, 0.98%, 0.8%

LAB 89.73, 2.17, 36.45

 

CMYK 0 / 6 / 31 / 0

HEX #FFF0AF

RGB 255 240 175

HSL 48.75, 1%, 0.84%

LAB 94.6, -4.37, 33.3

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

CMYK 0 / 15 / 47 / 22

HEX #C6A868

RGB 198 168 104

HSL 40.85, 0.45%, 0.59%

LAB 70.18, 2.56, 37

 

CMYK 0 / 17 / 53 / 29

HEX #B59655

RGB 181 150 85

HSL 40.63, 0.39%, 0.52%

LAB 63.58, 3.35, 38.32

 

CMYK 0 / 20 / 60 / 36

HEX #A48442

RGB 164 132 66

HSL 40.41, 0.43%, 0.45%

LAB 56.87, 4.31, 39.67

 

CMYK 0 / 22 / 68 / 42

HEX #93722F

RGB 147 114 47

HSL 40.2, 0.52%, 0.38%

LAB 50.03, 5.49, 40.95

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 25 / 43 / 16

HEX #D6A07A

RGB 214 160 122

HSL 24.78, 0.53%, 0.66%

LAB 70.07, 15.27, 27.6

 

CMYK 0 / 37 / 43 / 16

HEX #D6877A

RGB 214 135 122

HSL 8.48, 0.53%, 0.66%

LAB 64.18, 28.78, 19.69

 

CMYK 0 / 43 / 43 / 16

HEX #D67A7A

RGB 214 122 122

HSL 0, 0.53%, 0.66%

LAB 61.33, 35.7, 15.75

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 2 / 43 / 16

HEX #D6D27A

RGB 214 210 122

HSL 57.39, 0.53%, 0.66%

LAB 82.8, -11.02, 43.96

 

CMYK 10 / 0 / 43 / 16

HEX #C1D67A

RGB 193 214 122

HSL 73.7, 0.53%, 0.66%

LAB 82.29, -21.25, 42.98

 

CMYK 21 / 0 / 43 / 16

HEX #A8D67A

RGB 168 214 122

HSL 90, 0.53%, 0.66%

LAB 80.64, -30.62, 40.55

 

CMYK 33 / 0 / 43 / 16

HEX #90D67A

RGB 144 214 122

HSL 105.65, 0.53%, 0.66%

LAB 79.29, -38.98, 38.56

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 17 / 53 / 11

HEX #E4BE6C

RGB 228 190 108

HSL 41, 0.69%, 0.66%

LAB 78.7, 3.67, 46.11

 

CMYK 0 / 19 / 61 / 5

HEX #F2C35E

RGB 242 195 94

HSL 40.95, 0.85%, 0.66%

LAB 81.14, 5.79, 55.99

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 10 / 32 / 22

HEX #C8B488

RGB 200 180 136

HSL 41.25, 0.37%, 0.66%

LAB 74, 0.58, 25.09

 

CMYK 0 / 6 / 19 / 27

HEX #BAAE96

RGB 186 174 150

HSL 40, 0.21%, 0.66%

LAB 71.5, 0.32, 13.87

 

CMYK 0 / 2 / 5 / 33

HEX #ACA9A4

RGB 172 169 164

HSL 37.5, 0.05%, 0.66%

LAB 69.35, 0.15, 2.95

 

CMYK 11 / 8 / 0 / 30

HEX #9EA4B2

RGB 158 164 178

HSL 222, 0.11%, 0.66%

LAB 67.3, 0.72, -7.95

 

CMYK 0 / 36 / 43 / 16

HEX #D6887A

RGB 214 136 122

HSL 9.13, 0.53%, 0.66%

LAB 64.41, 28.25, 19.99

 

CMYK 0 / 25 / 43 / 16

HEX #D6A07A

RGB 214 160 122

HSL 24.78, 0.53%, 0.66%

LAB 70.07, 15.27, 27.6

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 2 / 43 / 16

HEX #D6D17A

RGB 214 209 122

HSL 56.74, 0.53%, 0.66%

LAB 82.54, -10.51, 43.64

 

CMYK 9 / 0 / 43 / 16

HEX #C2D67A

RGB 194 214 122

HSL 73.04, 0.53%, 0.66%

LAB 82.36, -20.86, 43.08

 

CMYK 0 / 22 / 70 / 24

HEX #C2973B

RGB 194 151 59

HSL 40.89, 0.53%, 0.5%

LAB 64.9, 6.6, 52.72

 

CMYK 0 / 18 / 56 / 20

HEX #CCA85A

RGB 204 168 90

HSL 41.05, 0.53%, 0.58%

LAB 70.58, 3.83, 44.73

 

CMYK 0 / 14 / 43 / 16

HEX #D6B97A

RGB 214 185 122

HSL 41.09, 0.53%, 0.66%

LAB 76.31, 1.9, 35.75

 

CMYK 0 / 10 / 31 / 13

HEX #DFC999

RGB 223 201 153

HSL 41.14, 0.52%, 0.74%

LAB 81.71, 0.66, 26.84

 

CMYK 0 / 6 / 21 / 9

HEX #E9DAB9

RGB 233 218 185

HSL 41.25, 0.52%, 0.82%

LAB 87.47, -0.05, 18.11

 

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

CMYK 38 / 0 / 43 / 16

HEX #85D67A

RGB 133 214 122

HSL 112.83, 0.53%, 0.66%

LAB 78.74, -42.53, 37.75

 

CMYK 31 / 43 / 0 / 16

HEX #947AD6

RGB 148 122 214

HSL 256.96, 0.53%, 0.66%

LAB 57.14, 30.04, -43.84

 

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

CMYK 43 / 0 / 14 / 16

HEX #7AD6B9

RGB 122 214 185

HSL 161.09, 0.53%, 0.66%

LAB 79.46, -34.21, 5.79

 

CMYK 14 / 43 / 0 / 16

HEX #B97AD6

RGB 185 122 214

HSL 281.09, 0.53%, 0.66%

LAB 60.86, 40.59, -37.74

 

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

CMYK 38 / 0 / 43 / 16

HEX #85D67A

RGB 133 214 122

HSL 112.83, 0.53%, 0.66%

LAB 78.74, -42.53, 37.75

 

CMYK 43 / 29 / 0 / 16

HEX #7A97D6

RGB 122 151 214

HSL 221.09, 0.53%, 0.66%

LAB 62.61, 6.17, -35.4

 

CMYK 5 / 43 / 0 / 16

HEX #CB7AD6

RGB 203 122 214

HSL 292.83, 0.53%, 0.66%

LAB 62.9, 45.89, -34.4

 

CMYK 0 / 13 / 43 / 16

HEX #D7BA7B

RGB 215 186 123

HSL 41.09, 0.53%, 0.66%

LAB 76.68, 1.88, 35.72

 

CMYK 43 / 0 / 35 / 16

HEX #7AD68B

RGB 122 214 139

HSL 131.09, 0.53%, 0.66%

LAB 78.52, -43.2, 28.71

 

CMYK 43 / 29 / 0 / 16

HEX #7A97D6

RGB 122 151 214

HSL 221.09, 0.53%, 0.66%

LAB 62.61, 6.17, -35.4

 

CMYK 0 / 43 / 8 / 16

HEX #D67AC5

RGB 214 122 197

HSL 311.09, 0.53%, 0.66%

LAB 63.55, 46.16, -23.75

 

Description

Color code: HEX #D7BA7B | qconv.com Color code: HEX #D7BA7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 186 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 186 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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