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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B7C1 it is the complementary color #28483E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B7C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B7C1 shade: #DCB7BC, #EDC9CF, #FEDBE2, #FFEDF5 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B7C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B7C1 shade: #D7B7C1, #C6A5AE, #B5939B, #A48188 and #936F75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B7C1 shade: #D7B6C0, #D7B6B8 and #D7B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B7C1 shade: #D7B6C0, #D7B6C9, #D7B6D2, #D3B6D7 and #CAB6D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B7C1 shade matches the following richer shades: #D7B6C0, #E0ADBD, #E9A4B9, #F29BB6 and #FB92B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B7C1 shade: #D7B6C0, #CEBFC4, #C5C8C7, #BBD1CB and #B2DACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B7C1 shade: #D7B6D2, #D7B6C9, #D7B6C0, #D7B6B8 and #D7BDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B7C1 shade: #B98193, #C89CA9, #D7B6C0, #E5D1D7 and #F4EBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B7C1 shade: #D7B7C1, #D7D3B6 and #B6CDD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B7C1 shade: #D7B7C1, #C0D7B6 and #B6C0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B7C1 shade: #D7B7C1, #D7D3B6, #B6D7CC and #B6BAD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B7C1 shade: #D7B7C1, #D1D7B6, #B6D7CC and #BCB6D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

Complementary color

CMYK 44 / 0 / 14 / 72

HEX #28483E

RGB 40 72 62

HSL 161.25, 0.29%, 0.22%

LAB 27.94, -14.57, 2.31

 

CMYK 0 / 17 / 15 / 14

HEX #DCB7BC

RGB 220 183 188

HSL 351.89, 0.35%, 0.79%

LAB 77.71, 14.08, 2.45

 

CMYK 0 / 15 / 13 / 7

HEX #EDC9CF

RGB 237 201 207

HSL 350, 0.5%, 0.86%

LAB 84.11, 13.63, 1.73

 

CMYK 0 / 14 / 11 / 0

HEX #FEDBE2

RGB 254 219 226

HSL 348, 0.95%, 0.93%

LAB 90.43, 13.22, 1.05

 

CMYK 0 / 7 / 4 / 0

HEX #FFEDF5

RGB 255 237 245

HSL 333.33, 1%, 0.96%

LAB 95.34, 7.43, -1.67

 

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

CMYK 0 / 17 / 12 / 22

HEX #C6A5AE

RGB 198 165 174

HSL 343.64, 0.22%, 0.71%

LAB 70.85, 13.55, -0.12

 

CMYK 0 / 19 / 14 / 29

HEX #B5939B

RGB 181 147 155

HSL 345.88, 0.19%, 0.64%

LAB 64.21, 14.04, 0.6

 

CMYK 0 / 21 / 17 / 36

HEX #A48188

RGB 164 129 136

HSL 348, 0.16%, 0.57%

LAB 57.43, 14.59, 1.37

 

CMYK 0 / 24 / 20 / 42

HEX #936F75

RGB 147 111 117

HSL 350, 0.14%, 0.51%

LAB 50.52, 15.21, 2.21

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 15 / 14 / 16

HEX #D7B6B8

RGB 215 182 184

HSL 356.36, 0.29%, 0.78%

LAB 76.9, 12.16, 3.39

 

CMYK 0 / 15 / 15 / 16

HEX #D7B6B6

RGB 215 182 182

HSL 0, 0.29%, 0.78%

LAB 76.85, 11.84, 4.41

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 15 / 7 / 16

HEX #D7B6C9

RGB 215 182 201

HSL 325.45, 0.29%, 0.78%

LAB 77.35, 15.02, -5.18

 

CMYK 0 / 15 / 2 / 16

HEX #D7B6D2

RGB 215 182 210

HSL 309.09, 0.29%, 0.78%

LAB 77.61, 16.62, -9.68

 

CMYK 2 / 15 / 0 / 16

HEX #D3B6D7

RGB 211 182 215

HSL 292.73, 0.29%, 0.78%

LAB 77.41, 16.2, -12.73

 

CMYK 6 / 15 / 0 / 16

HEX #CAB6D7

RGB 202 182 215

HSL 276.36, 0.29%, 0.78%

LAB 76.63, 13.18, -13.97

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 23 / 16 / 12

HEX #E0ADBD

RGB 224 173 189

HSL 341.18, 0.45%, 0.78%

LAB 75.7, 21.05, -0.97

 

CMYK 0 / 30 / 21 / 9

HEX #E9A4B9

RGB 233 164 185

HSL 341.74, 0.61%, 0.78%

LAB 74.43, 28.47, -0.53

 

CMYK 0 / 36 / 25 / 5

HEX #F29BB6

RGB 242 155 182

HSL 341.38, 0.77%, 0.78%

LAB 73.35, 35.99, -0.34

 

CMYK 0 / 42 / 29 / 2

HEX #FB92B3

RGB 251 146 179

HSL 341.14, 0.93%, 0.78%

LAB 72.44, 43.36, 0.13

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 7 / 5 / 19

HEX #CEBFC4

RGB 206 191 196

HSL 340, 0.13%, 0.78%

LAB 78.68, 6.15, -0.62

 

CMYK 1 / 0 / 0 / 22

HEX #C5C8C7

RGB 197 200 199

HSL 160, 0.03%, 0.78%

LAB 80.35, -1.21, 0.13

 

CMYK 11 / 0 / 3 / 18

HEX #BBD1CB

RGB 187 209 203

HSL 163.64, 0.19%, 0.78%

LAB 82.1, -8.53, 0.45

 

CMYK 18 / 0 / 6 / 15

HEX #B2DACE

RGB 178 218 206

HSL 162, 0.35%, 0.78%

LAB 84, -15.46, 1.56

 

CMYK 0 / 15 / 2 / 16

HEX #D7B6D2

RGB 215 182 210

HSL 309.09, 0.29%, 0.78%

LAB 77.61, 16.62, -9.68

 

CMYK 0 / 15 / 7 / 16

HEX #D7B6C9

RGB 215 182 201

HSL 325.45, 0.29%, 0.78%

LAB 77.35, 15.02, -5.18

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 15 / 14 / 16

HEX #D7B6B8

RGB 215 182 184

HSL 356.36, 0.29%, 0.78%

LAB 76.9, 12.16, 3.39

 

CMYK 0 / 12 / 15 / 16

HEX #D7BDB6

RGB 215 189 182

HSL 12.73, 0.29%, 0.78%

LAB 78.59, 8.1, 6.92

 

CMYK 0 / 30 / 21 / 27

HEX #B98193

RGB 185 129 147

HSL 340.71, 0.29%, 0.62%

LAB 60, 24.28, -0.94

 

CMYK 0 / 22 / 16 / 22

HEX #C89CA9

RGB 200 156 169

HSL 342.27, 0.29%, 0.7%

LAB 68.69, 18.39, -0.47

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 9 / 6 / 10

HEX #E5D1D7

RGB 229 209 215

HSL 342, 0.28%, 0.86%

LAB 85.59, 7.95, -0.45

 

CMYK 0 / 4 / 2 / 4

HEX #F4EBEE

RGB 244 235 238

HSL 340, 0.29%, 0.94%

LAB 93.81, 3.55, -0.38

 

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

CMYK 0 / 2 / 15 / 16

HEX #D7D3B6

RGB 215 211 182

HSL 52.73, 0.29%, 0.78%

LAB 84.18, -3.46, 14.87

 

CMYK 15 / 5 / 0 / 16

HEX #B6CDD7

RGB 182 205 215

HSL 198.18, 0.29%, 0.78%

LAB 81.02, -5.66, -7.58

 

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

CMYK 11 / 0 / 15 / 16

HEX #C0D7B6

RGB 192 215 182

HSL 101.82, 0.29%, 0.78%

LAB 83.54, -13.7, 13.72

 

CMYK 15 / 11 / 0 / 16

HEX #B6C0D7

RGB 182 192 215

HSL 221.82, 0.29%, 0.78%

LAB 77.61, 1.23, -12.67

 

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

CMYK 0 / 2 / 15 / 16

HEX #D7D3B6

RGB 215 211 182

HSL 52.73, 0.29%, 0.78%

LAB 84.18, -3.46, 14.87

 

CMYK 15 / 0 / 5 / 16

HEX #B6D7CC

RGB 182 215 204

HSL 160, 0.29%, 0.78%

LAB 83.39, -13.05, 1.77

 

CMYK 15 / 13 / 0 / 16

HEX #B6BAD7

RGB 182 186 215

HSL 232.73, 0.29%, 0.78%

LAB 76.05, 4.47, -15.01

 

CMYK 0 / 15 / 10 / 16

HEX #D7B7C1

RGB 215 183 193

HSL 341.25, 0.29%, 0.78%

LAB 77.38, 13.11, -0.8

 

CMYK 3 / 0 / 15 / 16

HEX #D1D7B6

RGB 209 215 182

HSL 70.91, 0.29%, 0.78%

LAB 84.76, -7.69, 15.61

 

CMYK 15 / 0 / 5 / 16

HEX #B6D7CC

RGB 182 215 204

HSL 160, 0.29%, 0.78%

LAB 83.39, -13.05, 1.77

 

CMYK 13 / 15 / 0 / 16

HEX #BCB6D7

RGB 188 182 215

HSL 250.91, 0.29%, 0.78%

LAB 75.48, 8.58, -15.81

 

Description

Color code: HEX #D7B7C1 | qconv.com Color code: HEX #D7B7C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 183 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 183 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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