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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7B72C it is the complementary color #2848D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7B72C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7B72C shade: #DCB727, #EDC93A, #FEDB4D, #FFED60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7B72C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7B72C shade: #D7B72C, #C6A519, #B59306, #A48100 and #936F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7B72C shade: #D7B72D, #D7892D, #D75B2D, #D72D2D and #D72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7B72C shade: #D7B72D, #C8D72D, #9BD72D, #6DD72D and #3FD72D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7B72C shade matches the following richer shades: #D7B72D and #EBC318

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7B72C shade: #D7B72D, #C2AA41, #AE9D55, #9A9169 and #86847D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7B72C shade: #D75A2D, #D7872D, #D7B52D, #CBD72D and #9ED72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7B72C shade: #957E1C, #B79B23, #D7B72D, #DDC34F and #E4CE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7B72C shade: #D7B72C, #2DD72D and #712DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7B72C shade: #D7B72C, #2DD7B5 and #B52DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7B72C shade: #D7B72C, #2DD72D, #2D4FD7 and #D72DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7B72C shade: #D7B72C, #2DD760, #2D4FD7 and #D72DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

Complementary color

CMYK 81 / 66 / 0 / 17

HEX #2848D3

RGB 40 72 211

HSL 228.77, 0.68%, 0.49%

LAB 37.46, 39.47, -74.24

 

CMYK 0 / 17 / 82 / 14

HEX #DCB727

RGB 220 183 39

HSL 47.73, 0.72%, 0.51%

LAB 75.59, 0.07, 70.95

 

CMYK 0 / 15 / 76 / 7

HEX #EDC93A

RGB 237 201 58

HSL 47.93, 0.83%, 0.58%

LAB 81.88, -1.31, 71.26

 

CMYK 0 / 14 / 70 / 0

HEX #FEDB4D

RGB 254 219 77

HSL 48.14, 0.99%, 0.65%

LAB 88.1, -2.51, 70.93

 

CMYK 0 / 7 / 62 / 0

HEX #FFED60

RGB 255 237 96

HSL 53.21, 1%, 0.69%

LAB 92.87, -10.05, 68.35

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

CMYK 0 / 17 / 87 / 22

HEX #C6A519

RGB 198 165 25

HSL 48.55, 0.78%, 0.44%

LAB 68.74, -0.45, 67.94

 

CMYK 0 / 19 / 97 / 29

HEX #B59306

RGB 181 147 6

HSL 48.34, 0.94%, 0.37%

LAB 62.26, 1.3, 65.56

 

CMYK 0 / 21 / 100 / 36

HEX #A48100

RGB 164 129 0

HSL 47.2, 1%, 0.32%

LAB 55.68, 3.34, 61.02

 

CMYK 0 / 24 / 100 / 42

HEX #936F00

RGB 147 111 0

HSL 45.31, 1%, 0.29%

LAB 48.97, 5.56, 55.5

 

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 0 / 36 / 79 / 16

HEX #D7892D

RGB 215 137 45

HSL 32.47, 0.68%, 0.51%

LAB 63.78, 22.67, 58.24

 

CMYK 0 / 58 / 79 / 16

HEX #D75B2D

RGB 215 91 45

HSL 16.24, 0.68%, 0.51%

LAB 54.15, 46.32, 49.08

 

CMYK 0 / 79 / 79 / 16

HEX #D72D2D

RGB 215 45 45

HSL 0, 0.68%, 0.51%

LAB 47.64, 63.97, 42.59

 

CMYK 0 / 79 / 79 / 16

HEX #D72D2D

RGB 215 45 45

HSL 0, 0.68%, 0.51%

LAB 47.64, 63.97, 42.59

 

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 7 / 0 / 79 / 16

HEX #C8D72D

RGB 200 215 45

HSL 65.29, 0.68%, 0.51%

LAB 82.42, -24.4, 74.57

 

CMYK 28 / 0 / 79 / 16

HEX #9BD72D

RGB 155 215 45

HSL 81.18, 0.68%, 0.51%

LAB 79.48, -42.25, 70.83

 

CMYK 49 / 0 / 79 / 16

HEX #6DD72D

RGB 109 215 45

HSL 97.41, 0.68%, 0.51%

LAB 77.31, -57.71, 68.04

 

CMYK 71 / 0 / 79 / 16

HEX #3FD72D

RGB 63 215 45

HSL 113.65, 0.68%, 0.51%

LAB 75.98, -68.48, 66.31

 

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 0 / 17 / 90 / 8

HEX #EBC318

RGB 235 195 24

HSL 48.63, 0.84%, 0.51%

LAB 80.04, -0.02, 78.55

 

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 0 / 12 / 66 / 24

HEX #C2AA41

RGB 194 170 65

HSL 48.84, 0.51%, 0.51%

LAB 69.9, -3.27, 55.35

 

CMYK 0 / 10 / 51 / 32

HEX #AE9D55

RGB 174 157 85

HSL 48.54, 0.35%, 0.51%

LAB 64.78, -3.45, 39.62

 

CMYK 0 / 6 / 32 / 40

HEX #9A9169

RGB 154 145 105

HSL 48.98, 0.2%, 0.51%

LAB 60.02, -3.07, 22.48

 

CMYK 0 / 1 / 7 / 47

HEX #86847D

RGB 134 132 125

HSL 46.67, 0.04%, 0.51%

LAB 55.13, -0.59, 4.03

 

CMYK 0 / 58 / 79 / 16

HEX #D75A2D

RGB 215 90 45

HSL 15.88, 0.68%, 0.51%

LAB 53.97, 46.79, 48.91

 

CMYK 0 / 37 / 79 / 16

HEX #D7872D

RGB 215 135 45

HSL 31.76, 0.68%, 0.51%

LAB 63.31, 23.75, 57.81

 

CMYK 0 / 16 / 79 / 16

HEX #D7B52D

RGB 215 181 45

HSL 48, 0.68%, 0.51%

LAB 74.63, -0.87, 68.13

 

CMYK 6 / 0 / 79 / 16

HEX #CBD72D

RGB 203 215 45

HSL 64.24, 0.68%, 0.51%

LAB 82.64, -23.16, 74.86

 

CMYK 27 / 0 / 79 / 16

HEX #9ED72D

RGB 158 215 45

HSL 80.12, 0.68%, 0.51%

LAB 79.65, -41.13, 71.05

 

CMYK 0 / 15 / 81 / 42

HEX #957E1C

RGB 149 126 28

HSL 48.6, 0.68%, 0.35%

LAB 53.38, -1.33, 52.2

 

CMYK 0 / 15 / 81 / 28

HEX #B79B23

RGB 183 155 35

HSL 48.65, 0.68%, 0.43%

LAB 64.67, -1.5, 61.25

 

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 0 / 12 / 64 / 13

HEX #DDC34F

RGB 221 195 79

HSL 49.01, 0.68%, 0.59%

LAB 79.02, -3.96, 59.78

 

CMYK 0 / 10 / 50 / 11

HEX #E4CE72

RGB 228 206 114

HSL 48.42, 0.68%, 0.67%

LAB 82.83, -4.11, 48.18

 

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

CMYK 79 / 0 / 79 / 16

HEX #2DD72D

RGB 45 215 45

HSL 120, 0.68%, 0.51%

LAB 75.67, -71.14, 65.91

 

CMYK 47 / 79 / 0 / 16

HEX #712DD7

RGB 113 45 215

HSL 264, 0.68%, 0.51%

LAB 38.36, 63.14, -74.86

 

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

CMYK 79 / 0 / 16 / 16

HEX #2DD7B5

RGB 45 215 181

HSL 168, 0.68%, 0.51%

LAB 77.58, -49.37, 4.94

 

CMYK 16 / 79 / 0 / 16

HEX #B52DD7

RGB 181 45 215

HSL 288, 0.68%, 0.51%

LAB 47.76, 73.94, -59.15

 

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

CMYK 79 / 0 / 79 / 16

HEX #2DD72D

RGB 45 215 45

HSL 120, 0.68%, 0.51%

LAB 75.67, -71.14, 65.91

 

CMYK 79 / 63 / 0 / 16

HEX #2D4FD7

RGB 45 79 215

HSL 228, 0.68%, 0.51%

LAB 39.67, 36.92, -72.9

 

CMYK 0 / 79 / 0 / 16

HEX #D72DD7

RGB 215 45 215

HSL 300, 0.68%, 0.51%

LAB 53.2, 80.21, -50.13

 

CMYK 0 / 15 / 80 / 16

HEX #D7B72C

RGB 215 183 44

HSL 48.77, 0.68%, 0.51%

LAB 75.14, -1.95, 68.9

 

CMYK 79 / 0 / 55 / 16

HEX #2DD760

RGB 45 215 96

HSL 138, 0.68%, 0.51%

LAB 76.07, -66.18, 46.46

 

CMYK 79 / 63 / 0 / 16

HEX #2D4FD7

RGB 45 79 215

HSL 228, 0.68%, 0.51%

LAB 39.67, 36.92, -72.9

 

CMYK 0 / 79 / 24 / 16

HEX #D72DA4

RGB 215 45 164

HSL 318, 0.68%, 0.51%

LAB 50.69, 73.17, -24.47

 

Description

Color code: HEX #D7B72C | qconv.com Color code: HEX #D7B72C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 183 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 183 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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