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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7A29C it is the complementary color #285D63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7A29C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7A29C shade: #DCA297, #EDB4AA, #FEC6BD, #FFD8D0 and #FFEAE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7A29C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7A29C shade: #D7A29C, #C69089, #B57E76, #A46C63 and #935A50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7A29C shade: #D7A39D and #D79D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7A29C shade: #D7A39D, #D7B29D, #D7C29D, #D7D19D and #CCD79D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7A29C shade matches the following richer shades: #D7A39D, #E29A92, #ED9186 and #F8887B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7A29C shade: #D7A39D, #CBABA8, #C0B4B3, #B5BDBE and #AAC6C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7A29C shade: #D79DB6, #D79DA6, #D7A39D, #D7B29D and #D7C19D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7A29C shade: #BF6C62, #CB877F, #D7A39D, #E3BEBA and #EEDAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7A29C shade: #D7A29C, #C5D79D and #9DAED7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7A29C shade: #D7A29C, #9DD7A3 and #A39DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7A29C shade: #D7A29C, #C5D79D, #9DD1D7 and #AE9DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7A29C shade: #D7A29C, #B4D79D, #9DD1D7 and #BF9DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

Complementary color

CMYK 60 / 6 / 0 / 61

HEX #285D63

RGB 40 93 99

HSL 186.1, 0.42%, 0.27%

LAB 36.33, -15.56, -8.77

 

CMYK 0 / 26 / 31 / 14

HEX #DCA297

RGB 220 162 151

HSL 9.57, 0.5%, 0.73%

LAB 71.75, 19.99, 14.16

 

CMYK 0 / 24 / 28 / 7

HEX #EDB4AA

RGB 237 180 170

HSL 8.96, 0.65%, 0.8%

LAB 78.2, 19.29, 13.12

 

CMYK 0 / 22 / 26 / 0

HEX #FEC6BD

RGB 254 198 189

HSL 8.31, 0.97%, 0.87%

LAB 84.55, 18.66, 12.16

 

CMYK 0 / 15 / 18 / 0

HEX #FFD8D0

RGB 255 216 208

HSL 10.21, 1%, 0.91%

LAB 89.36, 12.34, 8.98

 

CMYK 0 / 8 / 11 / 0

HEX #FFEAE3

RGB 255 234 227

HSL 15, 1%, 0.95%

LAB 94.16, 5.99, 5.96

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 0 / 27 / 31 / 22

HEX #C69089

RGB 198 144 137

HSL 6.89, 0.35%, 0.66%

LAB 64.77, 19.47, 11.79

 

CMYK 0 / 30 / 35 / 29

HEX #B57E76

RGB 181 126 118

HSL 7.62, 0.3%, 0.59%

LAB 58.09, 20.28, 12.93

 

CMYK 0 / 34 / 40 / 36

HEX #A46C63

RGB 164 108 99

HSL 8.31, 0.26%, 0.52%

LAB 51.29, 21.2, 14.2

 

CMYK 0 / 39 / 46 / 42

HEX #935A50

RGB 147 90 80

HSL 8.96, 0.3%, 0.45%

LAB 44.37, 22.26, 15.67

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 27 / 27 / 16

HEX #D79D9D

RGB 215 157 157

HSL 0, 0.42%, 0.73%

LAB 70.17, 21.6, 8.53

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 17 / 27 / 16

HEX #D7B29D

RGB 215 178 157

HSL 21.72, 0.42%, 0.73%

LAB 75.28, 10.27, 15.75

 

CMYK 0 / 10 / 27 / 16

HEX #D7C29D

RGB 215 194 157

HSL 38.28, 0.42%, 0.73%

LAB 79.31, 1.77, 21.34

 

CMYK 0 / 3 / 27 / 16

HEX #D7D19D

RGB 215 209 157

HSL 53.79, 0.42%, 0.73%

LAB 83.17, -6.03, 26.61

 

CMYK 5 / 0 / 27 / 16

HEX #CCD79D

RGB 204 215 157

HSL 71.38, 0.42%, 0.73%

LAB 83.9, -13.22, 27.45

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 32 / 35 / 11

HEX #E29A92

RGB 226 154 146

HSL 6, 0.58%, 0.73%

LAB 70.42, 25.95, 15.15

 

CMYK 0 / 39 / 43 / 7

HEX #ED9186

RGB 237 145 134

HSL 6.41, 0.74%, 0.73%

LAB 69.45, 33.55, 20.65

 

CMYK 0 / 45 / 50 / 3

HEX #F8887B

RGB 248 136 123

HSL 6.24, 0.9%, 0.73%

LAB 68.75, 41.25, 26.02

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 16 / 17 / 20

HEX #CBABA8

RGB 203 171 168

HSL 5.14, 0.25%, 0.73%

LAB 72.66, 11.14, 5.87

 

CMYK 0 / 6 / 7 / 25

HEX #C0B4B3

RGB 192 180 179

HSL 4.62, 0.09%, 0.73%

LAB 74.26, 4.09, 2.03

 

CMYK 5 / 1 / 0 / 25

HEX #B5BDBE

RGB 181 189 190

HSL 186.67, 0.06%, 0.73%

LAB 76.03, -2.57, -1.47

 

CMYK 15 / 1 / 0 / 21

HEX #AAC6C9

RGB 170 198 201

HSL 185.81, 0.22%, 0.73%

LAB 77.96, -8.75, -4.67

 

CMYK 0 / 27 / 15 / 16

HEX #D79DB6

RGB 215 157 182

HSL 334.14, 0.42%, 0.73%

LAB 70.83, 25.36, -4.38

 

CMYK 0 / 27 / 23 / 16

HEX #D79DA6

RGB 215 157 166

HSL 350.69, 0.42%, 0.73%

LAB 70.4, 22.89, 3.86

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 17 / 27 / 16

HEX #D7B29D

RGB 215 178 157

HSL 21.72, 0.42%, 0.73%

LAB 75.28, 10.27, 15.75

 

CMYK 0 / 10 / 27 / 16

HEX #D7C19D

RGB 215 193 157

HSL 37.24, 0.42%, 0.73%

LAB 79.05, 2.3, 20.99

 

CMYK 0 / 43 / 49 / 25

HEX #BF6C62

RGB 191 108 98

HSL 6.45, 0.42%, 0.57%

LAB 54.74, 31.88, 20.07

 

CMYK 0 / 33 / 37 / 20

HEX #CB877F

RGB 203 135 127

HSL 6.32, 0.42%, 0.65%

LAB 62.97, 25.08, 14.99

 

CMYK 0 / 24 / 27 / 16

HEX #D7A39D

RGB 215 163 157

HSL 6.21, 0.42%, 0.73%

LAB 71.61, 18.35, 10.58

 

CMYK 0 / 16 / 18 / 11

HEX #E3BEBA

RGB 227 190 186

HSL 5.85, 0.42%, 0.81%

LAB 80.01, 12.57, 6.94

 

CMYK 0 / 8 / 10 / 7

HEX #EEDAD7

RGB 238 218 215

HSL 7.83, 0.4%, 0.89%

LAB 88.56, 6.38, 3.95

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 8 / 0 / 27 / 16

HEX #C5D79D

RGB 197 215 157

HSL 78.62, 0.42%, 0.73%

LAB 83.39, -15.81, 26.68

 

CMYK 27 / 19 / 0 / 16

HEX #9DAED7

RGB 157 174 215

HSL 222.41, 0.42%, 0.73%

LAB 71.11, 3.26, -22.66

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 27 / 0 / 24 / 16

HEX #9DD7A3

RGB 157 215 163

HSL 126.21, 0.42%, 0.73%

LAB 80.97, -28.8, 19.81

 

CMYK 24 / 27 / 0 / 16

HEX #A39DD7

RGB 163 157 215

HSL 246.21, 0.42%, 0.73%

LAB 67.13, 14.57, -28.72

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 8 / 0 / 27 / 16

HEX #C5D79D

RGB 197 215 157

HSL 78.62, 0.42%, 0.73%

LAB 83.39, -15.81, 26.68

 

CMYK 27 / 3 / 0 / 16

HEX #9DD1D7

RGB 157 209 215

HSL 186.21, 0.42%, 0.73%

LAB 80.56, -15.36, -8.44

 

CMYK 19 / 27 / 0 / 16

HEX #AE9DD7

RGB 174 157 215

HSL 257.59, 0.42%, 0.73%

LAB 68.03, 17.95, -27.25

 

CMYK 0 / 25 / 27 / 16

HEX #D7A29C

RGB 215 162 156

HSL 6.1, 0.42%, 0.73%

LAB 71.34, 18.76, 10.75

 

CMYK 16 / 0 / 27 / 16

HEX #B4D79D

RGB 180 215 157

HSL 96.21, 0.42%, 0.73%

LAB 82.24, -21.95, 24.92

 

CMYK 27 / 3 / 0 / 16

HEX #9DD1D7

RGB 157 209 215

HSL 186.21, 0.42%, 0.73%

LAB 80.56, -15.36, -8.44

 

CMYK 11 / 27 / 0 / 16

HEX #BF9DD7

RGB 191 157 215

HSL 275.17, 0.42%, 0.73%

LAB 69.54, 23.32, -24.82

 

Description

Color code: HEX #D7A29C | qconv.com Color code: HEX #D7A29C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 162 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 162 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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