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Color name
HEX #D7A164

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7A164 it is the complementary color #285E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7A164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7A164 shade: #DCA15F, #EDB372, #FEC585, #FFD798 and #FFE9AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7A164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7A164 shade: #D7A164, #C68F51, #B57D3E, #A46B2B and #935918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7A164 shade: #D7A164, #D78264 and #D76464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7A164 shade: #D7A164, #D7C064, #CFD764, #B0D764 and #91D764

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7A164 shade matches the following richer shades: #D7A164, #E6A255 and #F6A345

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7A164 shade: #D7A164, #C7A074, #B79F84, #A89E93 and #989DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7A164 shade: #D76466, #D78164, #D7A064, #D7BE64 and #D1D764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7A164 shade: #B9792F, #CE8D44, #D7A164, #DFB585 and #E8C9A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7A164 shade: #D7A164, #85D764 and #7264D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7A164 shade: #D7A164, #64D7A0 and #A064D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7A164 shade: #D7A164, #85D764, #649CD7 and #B664D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7A164 shade: #D7A164, #64D766, #649CD7 and #D764D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

Complementary color

CMYK 74 / 39 / 0 / 39

HEX #285E9B

RGB 40 94 155

HSL 211.83, 0.59%, 0.38%

LAB 39.28, 3.85, -38.39

 

CMYK 0 / 27 / 57 / 14

HEX #DCA15F

RGB 220 161 95

HSL 31.68, 0.64%, 0.62%

LAB 70.55, 14.69, 42.58

 

CMYK 0 / 24 / 52 / 7

HEX #EDB372

RGB 237 179 114

HSL 31.71, 0.77%, 0.69%

LAB 76.96, 13.65, 41.16

 

CMYK 0 / 22 / 48 / 0

HEX #FEC585

RGB 254 197 133

HSL 31.74, 0.98%, 0.76%

LAB 83.28, 12.74, 39.8

 

CMYK 0 / 16 / 40 / 0

HEX #FFD798

RGB 255 215 152

HSL 36.7, 1%, 0.8%

LAB 88.03, 5.71, 36.27

 

CMYK 0 / 9 / 33 / 0

HEX #FFE9AB

RGB 255 233 171

HSL 44.29, 1%, 0.84%

LAB 92.79, -1.33, 32.9

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 28 / 59 / 22

HEX #C68F51

RGB 198 143 81

HSL 31.79, 0.51%, 0.55%

LAB 63.54, 14.13, 40.77

 

CMYK 0 / 31 / 66 / 29

HEX #B57D3E

RGB 181 125 62

HSL 31.76, 0.49%, 0.48%

LAB 56.92, 15.43, 42.25

 

CMYK 0 / 35 / 74 / 36

HEX #A46B2B

RGB 164 107 43

HSL 31.74, 0.58%, 0.41%

LAB 50.19, 16.97, 43.65

 

CMYK 0 / 39 / 84 / 42

HEX #935918

RGB 147 89 24

HSL 31.71, 0.72%, 0.34%

LAB 43.38, 18.8, 44.62

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 40 / 53 / 16

HEX #D78264

RGB 215 130 100

HSL 15.65, 0.59%, 0.62%

LAB 62.79, 29.73, 30.11

 

CMYK 0 / 53 / 53 / 16

HEX #D76464

RGB 215 100 100

HSL 0, 0.59%, 0.62%

LAB 56.57, 45.19, 21.95

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 11 / 53 / 16

HEX #D7C064

RGB 215 192 100

HSL 48, 0.59%, 0.62%

LAB 77.91, -3.41, 48.79

 

CMYK 4 / 0 / 53 / 16

HEX #CFD764

RGB 207 215 100

HSL 64.17, 0.59%, 0.62%

LAB 83.33, -18.34, 54.94

 

CMYK 18 / 0 / 53 / 16

HEX #B0D764

RGB 176 215 100

HSL 80.35, 0.59%, 0.62%

LAB 81.15, -30.51, 51.86

 

CMYK 33 / 0 / 53 / 16

HEX #91D764

RGB 145 215 100

HSL 96.52, 0.59%, 0.62%

LAB 79.35, -41.76, 49.29

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 30 / 63 / 10

HEX #E6A255

RGB 230 162 85

HSL 31.86, 0.74%, 0.62%

LAB 71.77, 17.6, 49.27

 

CMYK 0 / 34 / 72 / 4

HEX #F6A345

RGB 246 163 69

HSL 31.86, 0.91%, 0.62%

LAB 73.69, 22.83, 59.27

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 20 / 42 / 22

HEX #C7A074

RGB 199 160 116

HSL 31.81, 0.43%, 0.62%

LAB 68.42, 8.54, 28.38

 

CMYK 0 / 13 / 28 / 28

HEX #B79F84

RGB 183 159 132

HSL 31.76, 0.26%, 0.62%

LAB 66.92, 4.64, 17.35

 

CMYK 0 / 6 / 13 / 34

HEX #A89E93

RGB 168 158 147

HSL 31.43, 0.11%, 0.62%

LAB 65.66, 1.71, 7.04

 

CMYK 7 / 4 / 0 / 36

HEX #989DA3

RGB 152 157 163

HSL 212.73, 0.06%, 0.62%

LAB 64.51, -0.59, -3.75

 

CMYK 0 / 53 / 53 / 16

HEX #D76466

RGB 215 100 102

HSL 358.96, 0.59%, 0.62%

LAB 56.61, 45.36, 20.84

 

CMYK 0 / 40 / 53 / 16

HEX #D78164

RGB 215 129 100

HSL 15.13, 0.59%, 0.62%

LAB 62.56, 30.27, 29.83

 

CMYK 0 / 26 / 53 / 16

HEX #D7A064

RGB 215 160 100

HSL 31.3, 0.59%, 0.62%

LAB 69.83, 13.57, 39.01

 

CMYK 0 / 12 / 53 / 16

HEX #D7BE64

RGB 215 190 100

HSL 46.96, 0.59%, 0.62%

LAB 77.4, -2.37, 48.17

 

CMYK 3 / 0 / 53 / 16

HEX #D1D764

RGB 209 215 100

HSL 63.13, 0.59%, 0.62%

LAB 83.48, -17.53, 55.16

 

CMYK 0 / 35 / 75 / 27

HEX #B9792F

RGB 185 121 47

HSL 32.17, 0.59%, 0.45%

LAB 56.28, 18.57, 48.87

 

CMYK 0 / 32 / 67 / 19

HEX #CE8D44

RGB 206 141 68

HSL 31.74, 0.58%, 0.54%

LAB 63.83, 17.76, 47.82

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 0 / 19 / 40 / 13

HEX #DFB585

RGB 223 181 133

HSL 32, 0.58%, 0.7%

LAB 76.33, 8.82, 30.18

 

CMYK 0 / 13 / 28 / 9

HEX #E8C9A6

RGB 232 201 166

HSL 31.82, 0.59%, 0.78%

LAB 82.74, 5.78, 21.53

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 38 / 0 / 53 / 16

HEX #85D764

RGB 133 215 100

HSL 102.78, 0.59%, 0.62%

LAB 78.76, -45.76, 48.44

 

CMYK 47 / 53 / 0 / 16

HEX #7264D7

RGB 114 100 215

HSL 247.3, 0.59%, 0.62%

LAB 49, 34.79, -57.55

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 53 / 0 / 26 / 16

HEX #64D7A0

RGB 100 215 160

HSL 151.3, 0.59%, 0.62%

LAB 78.37, -45.35, 17.4

 

CMYK 26 / 53 / 0 / 16

HEX #A064D7

RGB 160 100 215

HSL 271.3, 0.59%, 0.62%

LAB 53.49, 45.84, -50.13

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 38 / 0 / 53 / 16

HEX #85D764

RGB 133 215 100

HSL 102.78, 0.59%, 0.62%

LAB 78.76, -45.76, 48.44

 

CMYK 53 / 27 / 0 / 16

HEX #649CD7

RGB 100 156 215

HSL 210.78, 0.59%, 0.62%

LAB 62.84, -1.63, -35.69

 

CMYK 15 / 53 / 0 / 16

HEX #B664D7

RGB 182 100 215

HSL 282.78, 0.59%, 0.62%

LAB 56.05, 51.57, -45.89

 

CMYK 0 / 25 / 53 / 16

HEX #D7A164

RGB 215 161 100

HSL 31.83, 0.59%, 0.62%

LAB 70.08, 13.03, 39.31

 

CMYK 53 / 0 / 53 / 16

HEX #64D766

RGB 100 215 102

HSL 121.04, 0.59%, 0.62%

LAB 77.44, -55.1, 45.6

 

CMYK 53 / 27 / 0 / 16

HEX #649CD7

RGB 100 156 215

HSL 210.78, 0.59%, 0.62%

LAB 62.84, -1.63, -35.69

 

CMYK 0 / 53 / 1 / 16

HEX #D764D5

RGB 215 100 213

HSL 301.04, 0.59%, 0.62%

LAB 60.22, 59.99, -37.92

 

Description

Color code: HEX #D7A164 | qconv.com Color code: HEX #D7A164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 161 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 161 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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