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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D38E96 it is the complementary color #2C7169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D38E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D38E96 shade: #D88E91, #E9A0A4, #FAB2B7, #FFC4CA and #FFD6DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D38E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D38E96 shade: #D38E96, #C27C83, #B16A70, #A0585D and #8F464A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D38E96 shade: #D28D95 and #D28D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D38E96 shade: #D28D95, #D28DA7, #D28DBA, #D28DCD and #C58DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D38E96 shade matches the following richer shades: #D28D95, #DF808B, #EC7381 and #F96677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D38E96 shade: #D28D95, #C5999F, #B9A6A8, #ACB3B2 and #9FC0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D38E96 shade: #D28DBA, #D28DA7, #D28D95, #D2978D and #D2AA8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D38E96 shade: #BB515E, #C76F79, #D28D95, #DEAAB0 and #E9C8CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D38E96 shade: #D38E96, #CCD28D and #8DB1D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D38E96 shade: #D38E96, #95D28D and #8D95D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D38E96 shade: #D38E96, #CCD28D, #8DD2CA and #928DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D38E96 shade: #D38E96, #B8D28D, #8DD2CA and #A78DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

Complementary color

CMYK 61 / 0 / 7 / 56

HEX #2C7169

RGB 44 113 105

HSL 173.04, 0.44%, 0.31%

LAB 43.31, -23.65, -2.05

 

CMYK 0 / 34 / 33 / 15

HEX #D88E91

RGB 216 142 145

HSL 357.57, 0.49%, 0.7%

LAB 66.51, 28.49, 10.04

 

CMYK 0 / 31 / 30 / 9

HEX #E9A0A4

RGB 233 160 164

HSL 356.71, 0.62%, 0.77%

LAB 72.99, 27.65, 8.95

 

CMYK 0 / 29 / 27 / 2

HEX #FAB2B7

RGB 250 178 183

HSL 355.83, 0.88%, 0.84%

LAB 79.38, 26.89, 7.95

 

CMYK 0 / 23 / 21 / 0

HEX #FFC4CA

RGB 255 196 202

HSL 353.9, 1%, 0.88%

LAB 84.49, 21.91, 5.15

 

CMYK 0 / 16 / 13 / 0

HEX #FFD6DD

RGB 255 214 221

HSL 349.76, 1%, 0.92%

LAB 89.19, 15.38, 1.9

 

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

CMYK 0 / 36 / 32 / 24

HEX #C27C83

RGB 194 124 131

HSL 354, 0.36%, 0.62%

LAB 59.46, 28.13, 7.6

 

CMYK 0 / 40 / 37 / 31

HEX #B16A70

RGB 177 106 112

HSL 354.93, 0.31%, 0.55%

LAB 52.76, 29.08, 8.85

 

CMYK 0 / 45 / 42 / 37

HEX #A0585D

RGB 160 88 93

HSL 355.83, 0.29%, 0.49%

LAB 45.97, 30.12, 10.3

 

CMYK 0 / 51 / 48 / 44

HEX #8F464A

RGB 143 70 74

HSL 356.71, 0.34%, 0.42%

LAB 39.1, 31.24, 12.04

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 33 / 33 / 18

HEX #D28D8D

RGB 210 141 141

HSL 0, 0.43%, 0.69%

LAB 65.49, 26.25, 10.75

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 33 / 20 / 18

HEX #D28DA7

RGB 210 141 167

HSL 337.39, 0.43%, 0.69%

LAB 66.17, 29.9, -2.93

 

CMYK 0 / 33 / 11 / 18

HEX #D28DBA

RGB 210 141 186

HSL 320.87, 0.43%, 0.69%

LAB 66.75, 32.94, -12.75

 

CMYK 0 / 33 / 2 / 18

HEX #D28DCD

RGB 210 141 205

HSL 304.35, 0.43%, 0.69%

LAB 67.4, 36.26, -22.38

 

CMYK 6 / 33 / 0 / 18

HEX #C58DD2

RGB 197 141 210

HSL 288.7, 0.43%, 0.69%

LAB 66.19, 33.05, -27.13

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 43 / 38 / 13

HEX #DF808B

RGB 223 128 139

HSL 353.05, 0.6%, 0.69%

LAB 64.15, 37.79, 10.2

 

CMYK 0 / 51 / 45 / 7

HEX #EC7381

RGB 236 115 129

HSL 353.06, 0.76%, 0.69%

LAB 63.08, 47.94, 14.65

 

CMYK 0 / 59 / 52 / 2

HEX #F96677

RGB 249 102 119

HSL 353.06, 0.92%, 0.69%

LAB 62.49, 57.5, 19.87

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 22 / 19 / 23

HEX #C5999F

RGB 197 153 159

HSL 351.82, 0.28%, 0.69%

LAB 67.39, 17.33, 3.18

 

CMYK 0 / 10 / 9 / 27

HEX #B9A6A8

RGB 185 166 168

HSL 353.68, 0.12%, 0.69%

LAB 69.76, 7.23, 1.47

 

CMYK 4 / 0 / 1 / 30

HEX #ACB3B2

RGB 172 179 178

HSL 171.43, 0.04%, 0.69%

LAB 72.38, -2.63, -0.35

 

CMYK 17 / 0 / 2 / 25

HEX #9FC0BC

RGB 159 192 188

HSL 172.73, 0.21%, 0.69%

LAB 75.26, -11.87, -1.69

 

CMYK 0 / 33 / 11 / 18

HEX #D28DBA

RGB 210 141 186

HSL 320.87, 0.43%, 0.69%

LAB 66.75, 32.94, -12.75

 

CMYK 0 / 33 / 20 / 18

HEX #D28DA7

RGB 210 141 167

HSL 337.39, 0.43%, 0.69%

LAB 66.17, 29.9, -2.93

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 28 / 33 / 18

HEX #D2978D

RGB 210 151 141

HSL 8.7, 0.43%, 0.69%

LAB 67.84, 20.81, 14.05

 

CMYK 0 / 19 / 33 / 18

HEX #D2AA8D

RGB 210 170 141

HSL 25.22, 0.43%, 0.69%

LAB 72.48, 10.51, 20.48

 

CMYK 0 / 57 / 50 / 27

HEX #BB515E

RGB 187 81 94

HSL 352.64, 0.44%, 0.53%

LAB 48.58, 43.92, 13.94

 

CMYK 0 / 44 / 39 / 22

HEX #C76F79

RGB 199 111 121

HSL 353.18, 0.44%, 0.61%

LAB 56.97, 35.79, 9.94

 

CMYK 0 / 33 / 29 / 18

HEX #D28D95

RGB 210 141 149

HSL 353.04, 0.43%, 0.69%

LAB 65.69, 27.31, 6.52

 

CMYK 0 / 23 / 21 / 13

HEX #DEAAB0

RGB 222 170 176

HSL 353.08, 0.44%, 0.77%

LAB 74.45, 19.93, 4.3

 

CMYK 0 / 14 / 12 / 9

HEX #E9C8CC

RGB 233 200 204

HSL 352.73, 0.43%, 0.85%

LAB 83.44, 12.26, 2.31

 

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

CMYK 3 / 0 / 33 / 18

HEX #CCD28D

RGB 204 210 141

HSL 65.22, 0.43%, 0.69%

LAB 82.3, -12.8, 33.58

 

CMYK 33 / 16 / 0 / 18

HEX #8DB1D2

RGB 141 177 210

HSL 208.7, 0.43%, 0.69%

LAB 70.71, -4.29, -20.63

 

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

CMYK 29 / 0 / 33 / 18

HEX #95D28D

RGB 149 210 141

HSL 113.04, 0.43%, 0.69%

LAB 78.7, -32.71, 28.15

 

CMYK 33 / 29 / 0 / 18

HEX #8D95D2

RGB 141 149 210

HSL 233.04, 0.43%, 0.69%

LAB 63.19, 11.39, -32.18

 

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

CMYK 3 / 0 / 33 / 18

HEX #CCD28D

RGB 204 210 141

HSL 65.22, 0.43%, 0.69%

LAB 82.3, -12.8, 33.58

 

CMYK 33 / 0 / 4 / 18

HEX #8DD2CA

RGB 141 210 202

HSL 173.04, 0.43%, 0.69%

LAB 79.63, -23.37, -2.95

 

CMYK 30 / 33 / 0 / 18

HEX #928DD2

RGB 146 141 210

HSL 244.35, 0.43%, 0.69%

LAB 61.49, 17.44, -34.78

 

CMYK 0 / 33 / 29 / 17

HEX #D38E96

RGB 211 142 150

HSL 353.04, 0.44%, 0.69%

LAB 66.06, 27.27, 6.5

 

CMYK 12 / 0 / 33 / 18

HEX #B8D28D

RGB 184 210 141

HSL 82.61, 0.43%, 0.69%

LAB 80.85, -20.35, 31.4

 

CMYK 33 / 0 / 4 / 18

HEX #8DD2CA

RGB 141 210 202

HSL 173.04, 0.43%, 0.69%

LAB 79.63, -23.37, -2.95

 

CMYK 20 / 33 / 0 / 18

HEX #A78DD2

RGB 167 141 210

HSL 262.61, 0.43%, 0.69%

LAB 63.28, 23.69, -31.87

 

Description

Color code: HEX #D38E96 | qconv.com Color code: HEX #D38E96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 142 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 142 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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