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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37DA8 it is the complementary color #2C8257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37DA8 shade: #D87DA3, #E98FB6, #FAA1C9, #FFB3DC and #FFC5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37DA8 shade: #D37DA8, #C26B95, #B15982, #A0476F and #8F355C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37DA8 shade: #D27DA8, #D27D91 and #D27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37DA8 shade: #D27DA8, #D27DBF, #CF7DD2, #B87DD2 and #A17DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37DA8 shade matches the following richer shades: #D27DA8, #E06FA8, #EE61A8 and #FC53A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37DA8 shade: #D27DA8, #C48BA8, #B699A8, #A8A7A8 and #9AB5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37DA8 shade: #CF7DD2, #D27DBE, #D27DA8, #D27D91 and #D2807D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37DA8 shade: #BD407F, #C85F93, #D27DA8, #DD9CBC and #E7BBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37DA8 shade: #D37DA8, #D2B97D and #7DCAD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37DA8 shade: #D37DA8, #A8D27D and #7DA8D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37DA8 shade: #D37DA8, #D2B97D, #7DD2A8 and #7D97D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37DA8 shade: #D37DA8, #D2D27D, #7DD2A8 and #7D7DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

Complementary color

CMYK 66 / 0 / 33 / 49

HEX #2C8257

RGB 44 130 87

HSL 150, 0.49%, 0.34%

LAB 48.5, -36.27, 15.93

 

CMYK 0 / 42 / 25 / 15

HEX #D87DA3

RGB 216 125 163

HSL 334.95, 0.54%, 0.67%

LAB 63.27, 39.96, -4.86

 

CMYK 0 / 39 / 22 / 9

HEX #E98FB6

RGB 233 143 182

HSL 334, 0.67%, 0.74%

LAB 69.72, 39.14, -5.8

 

CMYK 0 / 36 / 20 / 2

HEX #FAA1C9

RGB 250 161 201

HSL 333.03, 0.9%, 0.81%

LAB 76.09, 38.35, -6.65

 

CMYK 0 / 30 / 14 / 0

HEX #FFB3DC

RGB 255 179 220

HSL 327.63, 1%, 0.85%

LAB 81.11, 33.56, -9.46

 

CMYK 0 / 23 / 6 / 0

HEX #FFC5EF

RGB 255 197 239

HSL 316.55, 1%, 0.89%

LAB 85.72, 27.24, -12.76

 

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

CMYK 0 / 45 / 23 / 24

HEX #C26B95

RGB 194 107 149

HSL 331.03, 0.42%, 0.59%

LAB 56.24, 39.79, -7.52

 

CMYK 0 / 50 / 27 / 31

HEX #B15982

RGB 177 89 130

HSL 332.05, 0.36%, 0.52%

LAB 49.62, 40.61, -6.41

 

CMYK 0 / 56 / 31 / 37

HEX #A0476F

RGB 160 71 111

HSL 333.03, 0.39%, 0.45%

LAB 42.96, 41.38, -5.06

 

CMYK 0 / 63 / 36 / 44

HEX #8F355C

RGB 143 53 92

HSL 334, 0.46%, 0.38%

LAB 36.29, 41.99, -3.35

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 40 / 31 / 18

HEX #D27D91

RGB 210 125 145

HSL 345.88, 0.49%, 0.66%

LAB 62.01, 35.37, 3.49

 

CMYK 0 / 40 / 40 / 18

HEX #D27D7D

RGB 210 125 125

HSL 0, 0.49%, 0.66%

LAB 61.52, 32.93, 14.24

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 40 / 9 / 18

HEX #D27DBF

RGB 210 125 191

HSL 313.41, 0.49%, 0.66%

LAB 63.45, 42.32, -20.55

 

CMYK 1 / 40 / 0 / 18

HEX #CF7DD2

RGB 207 125 210

HSL 297.88, 0.49%, 0.66%

LAB 63.82, 44.76, -30.69

 

CMYK 12 / 40 / 0 / 18

HEX #B87DD2

RGB 184 125 210

HSL 281.65, 0.49%, 0.66%

LAB 61.23, 37.81, -34.93

 

CMYK 23 / 40 / 0 / 18

HEX #A17DD2

RGB 161 125 210

HSL 265.41, 0.49%, 0.66%

LAB 58.88, 31.01, -38.77

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 50 / 25 / 12

HEX #E06FA8

RGB 224 111 168

HSL 329.73, 0.65%, 0.66%

LAB 61.69, 50.42, -9.95

 

CMYK 0 / 59 / 29 / 7

HEX #EE61A8

RGB 238 97 168

HSL 329.79, 0.81%, 0.66%

LAB 61.27, 61.22, -10.37

 

CMYK 0 / 67 / 33 / 1

HEX #FC53A8

RGB 252 83 168

HSL 329.82, 0.97%, 0.66%

LAB 61.4, 70.82, -9.94

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 29 / 14 / 23

HEX #C48BA8

RGB 196 139 168

HSL 329.47, 0.33%, 0.66%

LAB 64.18, 26.13, -6.6

 

CMYK 0 / 16 / 8 / 29

HEX #B699A8

RGB 182 153 168

HSL 328.97, 0.17%, 0.66%

LAB 66.18, 13.32, -3.81

 

CMYK 0 / 1 / 0 / 34

HEX #A8A7A8

RGB 168 167 168

HSL 300, 0.01%, 0.66%

LAB 68.6, 0.55, -0.4

 

CMYK 15 / 0 / 7 / 29

HEX #9AB5A8

RGB 154 181 168

HSL 151.11, 0.15%, 0.66%

LAB 71.38, -11.83, 3.53

 

CMYK 1 / 40 / 0 / 18

HEX #CF7DD2

RGB 207 125 210

HSL 297.88, 0.49%, 0.66%

LAB 63.82, 44.76, -30.69

 

CMYK 0 / 40 / 10 / 18

HEX #D27DBE

RGB 210 125 190

HSL 314.12, 0.49%, 0.66%

LAB 63.41, 42.15, -20.04

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 40 / 31 / 18

HEX #D27D91

RGB 210 125 145

HSL 345.88, 0.49%, 0.66%

LAB 62.01, 35.37, 3.49

 

CMYK 0 / 39 / 40 / 18

HEX #D2807D

RGB 210 128 125

HSL 2.12, 0.49%, 0.66%

LAB 62.19, 31.33, 15.16

 

CMYK 0 / 66 / 33 / 26

HEX #BD407F

RGB 189 64 127

HSL 329.76, 0.49%, 0.5%

LAB 47, 55.72, -8.32

 

CMYK 0 / 53 / 27 / 22

HEX #C85F93

RGB 200 95 147

HSL 330.29, 0.49%, 0.58%

LAB 54.63, 47.63, -8.68

 

CMYK 0 / 40 / 20 / 18

HEX #D27DA8

RGB 210 125 168

HSL 329.65, 0.49%, 0.66%

LAB 62.67, 38.62, -8.67

 

CMYK 0 / 29 / 15 / 13

HEX #DD9CBC

RGB 221 156 188

HSL 330.46, 0.49%, 0.74%

LAB 71.41, 28.98, -6.78

 

CMYK 0 / 19 / 10 / 9

HEX #E7BBD1

RGB 231 187 209

HSL 330, 0.48%, 0.82%

LAB 80.25, 19.29, -5.06

 

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

CMYK 0 / 12 / 40 / 18

HEX #D2B97D

RGB 210 185 125

HSL 42.35, 0.49%, 0.66%

LAB 76, 0.61, 33.71

 

CMYK 40 / 4 / 0 / 18

HEX #7DCAD2

RGB 125 202 210

HSL 185.65, 0.49%, 0.66%

LAB 76.83, -21.7, -11.48

 

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

CMYK 20 / 0 / 40 / 18

HEX #A8D27D

RGB 168 210 125

HSL 89.65, 0.49%, 0.66%

LAB 79.56, -28.35, 37.67

 

CMYK 40 / 20 / 0 / 18

HEX #7DA8D2

RGB 125 168 210

HSL 209.65, 0.49%, 0.66%

LAB 67.29, -3.75, -25.93

 

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

CMYK 0 / 12 / 40 / 18

HEX #D2B97D

RGB 210 185 125

HSL 42.35, 0.49%, 0.66%

LAB 76, 0.61, 33.71

 

CMYK 40 / 0 / 20 / 18

HEX #7DD2A8

RGB 125 210 168

HSL 150.35, 0.49%, 0.66%

LAB 78.04, -35.16, 12.84

 

CMYK 40 / 28 / 0 / 18

HEX #7D97D2

RGB 125 151 210

HSL 221.65, 0.49%, 0.66%

LAB 62.63, 5.83, -33.13

 

CMYK 0 / 41 / 20 / 17

HEX #D37DA8

RGB 211 125 168

HSL 330, 0.49%, 0.66%

LAB 62.8, 38.97, -8.47

 

CMYK 0 / 0 / 40 / 18

HEX #D2D27D

RGB 210 210 125

HSL 60, 0.49%, 0.66%

LAB 82.53, -12.3, 42.06

 

CMYK 40 / 0 / 20 / 18

HEX #7DD2A8

RGB 125 210 168

HSL 150.35, 0.49%, 0.66%

LAB 78.04, -35.16, 12.84

 

CMYK 40 / 40 / 0 / 18

HEX #7D7DD2

RGB 125 125 210

HSL 240, 0.49%, 0.66%

LAB 55.77, 21.06, -43.88

 

Description

Color code: HEX #D37DA8 | qconv.com Color code: HEX #D37DA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 125 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 125 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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