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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37DA1 it is the complementary color #2C825E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37DA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37DA1 shade: #D87D9C, #E98FAF, #FAA1C2, #FFB3D5 and #FFC5E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37DA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37DA1 shade: #D37DA1, #C26B8E, #B1597B, #A04768 and #8F3555

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37DA1 shade: #D27DA1, #D27D8A and #D27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37DA1 shade: #D27DA1, #D27DB8, #D27DCF, #BF7DD2 and #A87DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37DA1 shade matches the following richer shades: #D27DA1, #E06F9F, #EE619C and #FC539A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37DA1 shade: #D27DA1, #C48BA3, #B699A5, #A8A7A8 and #9AB5AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37DA1 shade: #D27DCF, #D27DB9, #D27DA2, #D27D8B and #D2867D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37DA1 shade: #BD4074, #C85F8B, #D27DA1, #DD9CB7 and #E7BBCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37DA1 shade: #D37DA1, #D2BE7D and #7DC4D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37DA1 shade: #D37DA1, #A2D27D and #7DA2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37DA1 shade: #D37DA1, #D2BE7D, #7DD2AD and #7D91D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37DA1 shade: #D37DA1, #CDD27D, #7DD2AD and #837DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

Complementary color

CMYK 66 / 0 / 28 / 49

HEX #2C825E

RGB 44 130 94

HSL 154.88, 0.49%, 0.34%

LAB 48.65, -34.68, 12.11

 

CMYK 0 / 42 / 28 / 15

HEX #D87D9C

RGB 216 125 156

HSL 339.56, 0.54%, 0.67%

LAB 63.07, 38.98, -1.16

 

CMYK 0 / 39 / 25 / 9

HEX #E98FAF

RGB 233 143 175

HSL 338.67, 0.67%, 0.74%

LAB 69.51, 38.14, -2.19

 

CMYK 0 / 36 / 22 / 2

HEX #FAA1C2

RGB 250 161 194

HSL 337.75, 0.9%, 0.81%

LAB 75.89, 37.34, -3.11

 

CMYK 0 / 30 / 16 / 0

HEX #FFB3D5

RGB 255 179 213

HSL 333.16, 1%, 0.85%

LAB 80.91, 32.47, -5.98

 

CMYK 0 / 23 / 9 / 0

HEX #FFC5E8

RGB 255 197 232

HSL 323.79, 1%, 0.89%

LAB 85.51, 26.06, -9.34

 

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

CMYK 0 / 45 / 27 / 24

HEX #C26B8E

RGB 194 107 142

HSL 335.86, 0.42%, 0.59%

LAB 56.03, 38.78, -3.76

 

CMYK 0 / 50 / 31 / 31

HEX #B1597B

RGB 177 89 123

HSL 336.82, 0.36%, 0.52%

LAB 49.4, 39.64, -2.55

 

CMYK 0 / 56 / 35 / 37

HEX #A04768

RGB 160 71 104

HSL 337.75, 0.39%, 0.45%

LAB 42.73, 40.47, -1.08

 

CMYK 0 / 63 / 41 / 44

HEX #8F3555

RGB 143 53 85

HSL 338.67, 0.46%, 0.38%

LAB 36.06, 41.15, 0.78

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA1

RGB 210 125 161

HSL 334.59, 0.49%, 0.66%

LAB 62.46, 37.58, -5

 

CMYK 0 / 40 / 34 / 18

HEX #D27D8A

RGB 210 125 138

HSL 350.82, 0.49%, 0.66%

LAB 61.83, 34.48, 7.24

 

CMYK 0 / 40 / 40 / 18

HEX #D27D7D

RGB 210 125 125

HSL 0, 0.49%, 0.66%

LAB 61.52, 32.93, 14.24

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA1

RGB 210 125 161

HSL 334.59, 0.49%, 0.66%

LAB 62.46, 37.58, -5

 

CMYK 0 / 40 / 12 / 18

HEX #D27DB8

RGB 210 125 184

HSL 318.35, 0.49%, 0.66%

LAB 63.2, 41.15, -16.97

 

CMYK 0 / 40 / 1 / 18

HEX #D27DCF

RGB 210 125 207

HSL 302.12, 0.49%, 0.66%

LAB 64.06, 45.12, -28.62

 

CMYK 9 / 40 / 0 / 18

HEX #BF7DD2

RGB 191 125 210

HSL 286.59, 0.49%, 0.66%

LAB 62, 39.92, -33.68

 

CMYK 20 / 40 / 0 / 18

HEX #A87DD2

RGB 168 125 210

HSL 270.35, 0.49%, 0.66%

LAB 59.57, 33.05, -37.65

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA1

RGB 210 125 161

HSL 334.59, 0.49%, 0.66%

LAB 62.46, 37.58, -5

 

CMYK 0 / 50 / 29 / 12

HEX #E06F9F

RGB 224 111 159

HSL 334.51, 0.65%, 0.66%

LAB 61.41, 49.22, -5.2

 

CMYK 0 / 59 / 34 / 7

HEX #EE619C

RGB 238 97 156

HSL 334.89, 0.81%, 0.66%

LAB 60.89, 59.8, -4

 

CMYK 0 / 67 / 39 / 1

HEX #FC539A

RGB 252 83 154

HSL 334.79, 0.97%, 0.66%

LAB 60.97, 69.34, -2.48

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA1

RGB 210 125 161

HSL 334.59, 0.49%, 0.66%

LAB 62.46, 37.58, -5

 

CMYK 0 / 29 / 17 / 23

HEX #C48BA3

RGB 196 139 163

HSL 334.74, 0.33%, 0.66%

LAB 64.04, 25.32, -3.99

 

CMYK 0 / 16 / 9 / 29

HEX #B699A5

RGB 182 153 165

HSL 335.17, 0.17%, 0.66%

LAB 66.09, 12.79, -2.25

 

CMYK 0 / 1 / 0 / 34

HEX #A8A7A8

RGB 168 167 168

HSL 300, 0.01%, 0.66%

LAB 68.6, 0.55, -0.4

 

CMYK 15 / 0 / 6 / 29

HEX #9AB5AA

RGB 154 181 170

HSL 155.56, 0.15%, 0.66%

LAB 71.43, -11.43, 2.5

 

CMYK 0 / 40 / 1 / 18

HEX #D27DCF

RGB 210 125 207

HSL 302.12, 0.49%, 0.66%

LAB 64.06, 45.12, -28.62

 

CMYK 0 / 40 / 12 / 18

HEX #D27DB9

RGB 210 125 185

HSL 317.65, 0.49%, 0.66%

LAB 63.24, 41.31, -17.48

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA2

RGB 210 125 162

HSL 333.88, 0.49%, 0.66%

LAB 62.49, 37.73, -5.52

 

CMYK 0 / 40 / 34 / 18

HEX #D27D8B

RGB 210 125 139

HSL 350.12, 0.49%, 0.66%

LAB 61.85, 34.6, 6.7

 

CMYK 0 / 36 / 40 / 18

HEX #D2867D

RGB 210 134 125

HSL 6.35, 0.49%, 0.66%

LAB 63.53, 28.1, 17.03

 

CMYK 0 / 66 / 39 / 26

HEX #BD4074

RGB 189 64 116

HSL 335.04, 0.49%, 0.5%

LAB 46.64, 54.46, -2.16

 

CMYK 0 / 53 / 31 / 22

HEX #C85F8B

RGB 200 95 139

HSL 334.86, 0.49%, 0.58%

LAB 54.37, 46.56, -4.35

 

CMYK 0 / 40 / 23 / 18

HEX #D27DA1

RGB 210 125 161

HSL 334.59, 0.49%, 0.66%

LAB 62.46, 37.58, -5

 

CMYK 0 / 29 / 17 / 13

HEX #DD9CB7

RGB 221 156 183

HSL 335.08, 0.49%, 0.74%

LAB 71.26, 28.19, -4.23

 

CMYK 0 / 19 / 11 / 9

HEX #E7BBCD

RGB 231 187 205

HSL 335.45, 0.48%, 0.82%

LAB 80.14, 18.62, -3.06

 

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

CMYK 0 / 10 / 40 / 18

HEX #D2BE7D

RGB 210 190 125

HSL 45.88, 0.49%, 0.66%

LAB 77.29, -2.02, 35.38

 

CMYK 40 / 7 / 0 / 18

HEX #7DC4D2

RGB 125 196 210

HSL 189.88, 0.49%, 0.66%

LAB 75.13, -18.66, -14.02

 

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

CMYK 23 / 0 / 40 / 18

HEX #A2D27D

RGB 162 210 125

HSL 93.88, 0.49%, 0.66%

LAB 79.19, -30.52, 37.13

 

CMYK 40 / 23 / 0 / 18

HEX #7DA2D2

RGB 125 162 210

HSL 213.88, 0.49%, 0.66%

LAB 65.63, -0.41, -28.48

 

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

CMYK 0 / 10 / 40 / 18

HEX #D2BE7D

RGB 210 190 125

HSL 45.88, 0.49%, 0.66%

LAB 77.29, -2.02, 35.38

 

CMYK 40 / 0 / 18 / 18

HEX #7DD2AD

RGB 125 210 173

HSL 153.88, 0.49%, 0.66%

LAB 78.15, -34.13, 10.33

 

CMYK 40 / 31 / 0 / 18

HEX #7D91D2

RGB 125 145 210

HSL 225.88, 0.49%, 0.66%

LAB 61.01, 9.29, -35.64

 

CMYK 0 / 41 / 24 / 17

HEX #D37DA1

RGB 211 125 161

HSL 334.88, 0.49%, 0.66%

LAB 62.58, 37.93, -4.8

 

CMYK 2 / 0 / 40 / 18

HEX #CDD27D

RGB 205 210 125

HSL 63.53, 0.49%, 0.66%

LAB 82.14, -14.27, 41.49

 

CMYK 40 / 0 / 18 / 18

HEX #7DD2AD

RGB 125 210 173

HSL 153.88, 0.49%, 0.66%

LAB 78.15, -34.13, 10.33

 

CMYK 38 / 40 / 0 / 18

HEX #837DD2

RGB 131 125 210

HSL 244.24, 0.49%, 0.66%

LAB 56.23, 22.63, -43.12

 

Description

Color code: HEX #D37DA1 | qconv.com Color code: HEX #D37DA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 125 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 125 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 24 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 24% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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