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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37330 it is the complementary color #2C8CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37330 shade: #D8732B, #E9853E, #FA9751, #FFA964 and #FFBB77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37330 shade: #D37330, #C2611D, #B14F0A, #A03D00 and #8F2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37330 shade: #D37330, #D34730 and #D33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37330 shade: #D37330, #D39F30, #D3CB30, #AFD330 and #83D330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37330 shade matches the following richer shades: #D37330, #E76F1C and #FB6C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37330 shade: #D37330, #BF7745, #AA7A59, #967E6D and #828181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37330 shade: #D33046, #D34630, #D37130, #D39D30 and #D3C830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37330 shade: #924E1F, #B46026, #D37330, #DA8A52 and #E1A174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37330 shade: #D37330, #71D330 and #3030D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37330 shade: #D37330, #30D371 and #7130D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37330 shade: #D37330, #71D330, #3092D3 and #9230D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37330 shade: #D37330, #41D330, #3092D3 and #C330D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

Complementary color

CMYK 79 / 32 / 0 / 19

HEX #2C8CCF

RGB 44 140 207

HSL 204.66, 0.65%, 0.49%

LAB 55.88, -4.35, -42.26

 

CMYK 0 / 47 / 80 / 15

HEX #D8732B

RGB 216 115 43

HSL 24.97, 0.69%, 0.51%

LAB 59.01, 34.69, 54.66

 

CMYK 0 / 43 / 73 / 9

HEX #E9853E

RGB 233 133 62

HSL 24.91, 0.8%, 0.58%

LAB 65.32, 32.93, 53.25

 

CMYK 0 / 40 / 68 / 2

HEX #FA9751

RGB 250 151 81

HSL 24.85, 0.94%, 0.65%

LAB 71.59, 31.33, 51.65

 

CMYK 0 / 34 / 61 / 0

HEX #FFA964

RGB 255 169 100

HSL 26.71, 1%, 0.7%

LAB 76.41, 25.12, 48.01

 

CMYK 0 / 27 / 53 / 0

HEX #FFBB77

RGB 255 187 119

HSL 30, 1%, 0.73%

LAB 80.81, 17.13, 43.82

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 50 / 85 / 24

HEX #C2611D

RGB 194 97 29

HSL 24.73, 0.74%, 0.44%

LAB 51.96, 34.72, 52.78

 

CMYK 0 / 55 / 94 / 31

HEX #B14F0A

RGB 177 79 10

HSL 24.79, 0.89%, 0.37%

LAB 45.58, 36.75, 52.8

 

CMYK 0 / 62 / 100 / 37

HEX #A03D00

RGB 160 61 0

HSL 22.88, 1%, 0.31%

LAB 39.26, 38.84, 50.34

 

CMYK 0 / 70 / 100 / 44

HEX #8F2B00

RGB 143 43 0

HSL 18.04, 1%, 0.28%

LAB 33.07, 40.67, 45.31

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 66 / 77 / 17

HEX #D34730

RGB 211 71 48

HSL 8.47, 0.65%, 0.51%

LAB 50.18, 53.85, 43.36

 

CMYK 0 / 77 / 77 / 17

HEX #D33030

RGB 211 48 48

HSL 0, 0.65%, 0.51%

LAB 47.2, 62.05, 40.24

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 25 / 77 / 17

HEX #D39F30

RGB 211 159 48

HSL 40.86, 0.65%, 0.51%

LAB 68.65, 9.19, 61.49

 

CMYK 0 / 4 / 77 / 17

HEX #D3CB30

RGB 211 203 48

HSL 57.06, 0.65%, 0.51%

LAB 80.05, -13.77, 71.94

 

CMYK 17 / 0 / 77 / 17

HEX #AFD330

RGB 175 211 48

HSL 73.25, 0.65%, 0.51%

LAB 79.57, -32.58, 70.5

 

CMYK 38 / 0 / 77 / 17

HEX #83D330

RGB 131 211 48

HSL 89.45, 0.65%, 0.51%

LAB 77.06, -49.02, 67.26

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 52 / 88 / 9

HEX #E76F1C

RGB 231 111 28

HSL 24.53, 0.81%, 0.51%

LAB 60.29, 42.25, 62.17

 

CMYK 0 / 57 / 97 / 2

HEX #FB6C08

RGB 251 108 8

HSL 24.69, 0.97%, 0.51%

LAB 62.72, 50.94, 69.91

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 38 / 64 / 25

HEX #BF7745

RGB 191 119 69

HSL 24.59, 0.49%, 0.51%

LAB 56.78, 23.5, 38.82

 

CMYK 0 / 28 / 48 / 33

HEX #AA7A59

RGB 170 122 89

HSL 24.44, 0.32%, 0.51%

LAB 55.26, 14.63, 25.43

 

CMYK 0 / 16 / 27 / 41

HEX #967E6D

RGB 150 126 109

HSL 24.88, 0.16%, 0.51%

LAB 54.56, 6.51, 12.69

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 0 / 77 / 67 / 17

HEX #D33046

RGB 211 48 70

HSL 351.9, 0.65%, 0.51%

LAB 47.5, 63, 27.75

 

CMYK 0 / 67 / 77 / 17

HEX #D34630

RGB 211 70 48

HSL 8.1, 0.65%, 0.51%

LAB 50.03, 54.26, 43.21

 

CMYK 0 / 46 / 77 / 17

HEX #D37130

RGB 211 113 48

HSL 23.93, 0.65%, 0.51%

LAB 57.92, 33.89, 51.19

 

CMYK 0 / 26 / 77 / 17

HEX #D39D30

RGB 211 157 48

HSL 40.12, 0.65%, 0.51%

LAB 68.15, 10.27, 61.02

 

CMYK 0 / 5 / 77 / 17

HEX #D3C830

RGB 211 200 48

HSL 55.95, 0.65%, 0.51%

LAB 79.25, -12.26, 71.22

 

CMYK 0 / 47 / 79 / 43

HEX #924E1F

RGB 146 78 31

HSL 24.52, 0.65%, 0.35%

LAB 40.67, 24.89, 38.92

 

CMYK 0 / 47 / 79 / 29

HEX #B46026

RGB 180 96 38

HSL 24.51, 0.65%, 0.43%

LAB 49.75, 29.77, 46.23

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 0 / 37 / 62 / 15

HEX #DA8A52

RGB 218 138 82

HSL 24.71, 0.65%, 0.59%

LAB 64.72, 25.29, 42.22

 

CMYK 0 / 28 / 48 / 12

HEX #E1A174

RGB 225 161 116

HSL 24.77, 0.64%, 0.67%

LAB 71.39, 18.56, 32.78

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 46 / 0 / 77 / 17

HEX #71D330

RGB 113 211 48

HSL 96.07, 0.65%, 0.51%

LAB 76.26, -54.85, 66.23

 

CMYK 77 / 77 / 0 / 17

HEX #3030D3

RGB 48 48 211

HSL 240, 0.65%, 0.51%

LAB 32.8, 53.92, -81.92

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 77 / 0 / 46 / 17

HEX #30D371

RGB 48 211 113

HSL 143.93, 0.65%, 0.51%

LAB 75.08, -61.92, 37.04

 

CMYK 46 / 77 / 0 / 17

HEX #7130D3

RGB 113 48 211

HSL 263.93, 0.65%, 0.51%

LAB 38.42, 60.94, -72.46

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 46 / 0 / 77 / 17

HEX #71D330

RGB 113 211 48

HSL 96.07, 0.65%, 0.51%

LAB 76.26, -54.85, 66.23

 

CMYK 77 / 31 / 0 / 17

HEX #3092D3

RGB 48 146 211

HSL 203.93, 0.65%, 0.51%

LAB 57.93, -5.94, -41.28

 

CMYK 31 / 77 / 0 / 17

HEX #9230D3

RGB 146 48 211

HSL 276.07, 0.65%, 0.51%

LAB 42.65, 66.12, -65.37

 

CMYK 0 / 45 / 77 / 17

HEX #D37330

RGB 211 115 48

HSL 24.66, 0.65%, 0.51%

LAB 58.34, 32.84, 51.61

 

CMYK 69 / 0 / 77 / 17

HEX #41D330

RGB 65 211 48

HSL 113.74, 0.65%, 0.51%

LAB 74.78, -66.68, 64.29

 

CMYK 77 / 31 / 0 / 17

HEX #3092D3

RGB 48 146 211

HSL 203.93, 0.65%, 0.51%

LAB 57.93, -5.94, -41.28

 

CMYK 8 / 77 / 0 / 17

HEX #C330D3

RGB 195 48 211

HSL 294.11, 0.65%, 0.51%

LAB 50, 74.99, -53.15

 

Description

Color code: HEX #D37330 | qconv.com Color code: HEX #D37330 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 115 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 115 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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