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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3797B it is the complementary color #2C8684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3797B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3797B shade: #D87976, #E98B89, #FA9D9C, #FFAFAF and #FFC1C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3797B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3797B shade: #D3797B, #C26768, #B15555, #A04342 and #8F312F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3797B shade: #D3787A and #D37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3797B shade: #D3787A, #D37892, #D378AB, #D378C3 and #CA78D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3797B shade matches the following richer shades: #D3787A, #E1696C, #F05B5E and #FE4C50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3797B shade: #D3787A, #C48688, #B69595, #A7A3A3 and #99B1B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3797B shade: #D378AB, #D37893, #D3787B, #D38D78 and #D3A578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3797B shade: #BB3D3F, #C9595B, #D3787A, #DD9798 and #E7B6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3797B shade: #D3797B, #C4D378 and #789FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3797B shade: #D3797B, #7BD378 and #787BD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3797B shade: #D3797B, #C4D378, #78D3D0 and #8778D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3797B shade: #D3797B, #A8D378, #78D3D0 and #A278D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

Complementary color

CMYK 67 / 0 / 1 / 47

HEX #2C8684

RGB 44 134 132

HSL 178.67, 0.51%, 0.35%

LAB 50.98, -26.37, -6.69

 

CMYK 0 / 44 / 45 / 15

HEX #D87976

RGB 216 121 118

HSL 1.84, 0.56%, 0.65%

LAB 61.29, 36.56, 18.03

 

CMYK 0 / 40 / 41 / 9

HEX #E98B89

RGB 233 139 137

HSL 1.25, 0.69%, 0.73%

LAB 67.72, 35.51, 16.52

 

CMYK 0 / 37 / 38 / 2

HEX #FA9D9C

RGB 250 157 156

HSL 0.64, 0.9%, 0.8%

LAB 74.09, 34.53, 15.18

 

CMYK 0 / 31 / 31 / 0

HEX #FFAFAF

RGB 255 175 175

HSL 0, 1%, 0.84%

LAB 79.05, 29.25, 11.89

 

CMYK 0 / 24 / 24 / 0

HEX #FFC1C2

RGB 255 193 194

HSL 359.03, 1%, 0.88%

LAB 83.6, 22.34, 8.15

 

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

CMYK 0 / 47 / 46 / 24

HEX #C26768

RGB 194 103 104

HSL 359.34, 0.43%, 0.58%

LAB 54.21, 36.29, 15.91

 

CMYK 0 / 52 / 52 / 31

HEX #B15555

RGB 177 85 85

HSL 0, 0.37%, 0.51%

LAB 47.62, 37.43, 17.79

 

CMYK 0 / 58 / 59 / 37

HEX #A04342

RGB 160 67 66

HSL 0.64, 0.42%, 0.44%

LAB 41.03, 38.58, 20.05

 

CMYK 0 / 66 / 67 / 44

HEX #8F312F

RGB 143 49 47

HSL 1.25, 0.51%, 0.37%

LAB 34.48, 39.62, 22.86

 

CMYK 0 / 43 / 42 / 17

HEX #D3787A

RGB 211 120 122

HSL 358.68, 0.51%, 0.65%

LAB 60.5, 35.63, 14.55

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 43 / 42 / 17

HEX #D3787A

RGB 211 120 122

HSL 358.68, 0.51%, 0.65%

LAB 60.5, 35.63, 14.55

 

CMYK 0 / 43 / 31 / 17

HEX #D37892

RGB 211 120 146

HSL 342.86, 0.51%, 0.65%

LAB 61.1, 38.5, 1.61

 

CMYK 0 / 43 / 19 / 17

HEX #D378AB

RGB 211 120 171

HSL 326.37, 0.51%, 0.65%

LAB 61.85, 42.04, -11.61

 

CMYK 0 / 43 / 8 / 17

HEX #D378C3

RGB 211 120 195

HSL 310.55, 0.51%, 0.65%

LAB 62.69, 45.91, -23.95

 

CMYK 4 / 43 / 0 / 17

HEX #CA78D3

RGB 202 120 211

HSL 294.07, 0.51%, 0.65%

LAB 62.25, 46.06, -33.75

 

CMYK 0 / 43 / 42 / 17

HEX #D3787A

RGB 211 120 122

HSL 358.68, 0.51%, 0.65%

LAB 60.5, 35.63, 14.55

 

CMYK 0 / 53 / 52 / 12

HEX #E1696C

RGB 225 105 108

HSL 358.5, 0.67%, 0.65%

LAB 59.15, 47.01, 21.06

 

CMYK 0 / 62 / 61 / 6

HEX #F05B5E

RGB 240 91 94

HSL 358.79, 0.83%, 0.65%

LAB 58.8, 57.49, 29.08

 

CMYK 0 / 70 / 69 / 0

HEX #FE4C50

RGB 254 76 80

HSL 358.65, 0.99%, 0.65%

LAB 58.81, 66.98, 37.56

 

CMYK 0 / 43 / 42 / 17

HEX #D3787A

RGB 211 120 122

HSL 358.68, 0.51%, 0.65%

LAB 60.5, 35.63, 14.55

 

CMYK 0 / 32 / 31 / 23

HEX #C48688

RGB 196 134 136

HSL 358.06, 0.34%, 0.65%

LAB 62.14, 24.07, 8.59

 

CMYK 0 / 18 / 18 / 29

HEX #B69595

RGB 182 149 149

HSL 0, 0.18%, 0.65%

LAB 64.65, 12.32, 4.64

 

CMYK 0 / 2 / 2 / 35

HEX #A7A3A3

RGB 167 163 163

HSL 0, 0.02%, 0.65%

LAB 67.32, 1.44, 0.5

 

CMYK 14 / 0 / 0 / 31

HEX #99B1B1

RGB 153 177 177

HSL 180, 0.13%, 0.65%

LAB 70.45, -8.22, -2.79

 

CMYK 0 / 43 / 19 / 17

HEX #D378AB

RGB 211 120 171

HSL 326.37, 0.51%, 0.65%

LAB 61.85, 42.04, -11.61

 

CMYK 0 / 43 / 30 / 17

HEX #D37893

RGB 211 120 147

HSL 342.2, 0.51%, 0.65%

LAB 61.12, 38.63, 1.08

 

CMYK 0 / 43 / 42 / 17

HEX #D3787B

RGB 211 120 123

HSL 358.02, 0.51%, 0.65%

LAB 60.53, 35.74, 14.01

 

CMYK 0 / 33 / 43 / 17

HEX #D38D78

RGB 211 141 120

HSL 13.85, 0.51%, 0.65%

LAB 65.16, 24.16, 22.08

 

CMYK 0 / 22 / 43 / 17

HEX #D3A578

RGB 211 165 120

HSL 29.67, 0.51%, 0.65%

LAB 70.95, 11.15, 29.79

 

CMYK 0 / 67 / 66 / 27

HEX #BB3D3F

RGB 187 61 63

HSL 359.05, 0.51%, 0.49%

LAB 44.61, 50.62, 27.38

 

CMYK 0 / 56 / 55 / 21

HEX #C9595B

RGB 201 89 91

HSL 358.93, 0.51%, 0.57%

LAB 52.19, 44.77, 20.99

 

CMYK 0 / 43 / 42 / 17

HEX #D3787A

RGB 211 120 122

HSL 358.68, 0.51%, 0.65%

LAB 60.5, 35.63, 14.55

 

CMYK 0 / 32 / 31 / 13

HEX #DD9798

RGB 221 151 152

HSL 359.14, 0.51%, 0.73%

LAB 69.31, 26.43, 10.17

 

CMYK 0 / 21 / 21 / 9

HEX #E7B6B7

RGB 231 182 183

HSL 358.78, 0.51%, 0.81%

LAB 78.38, 17.84, 6.27

 

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

CMYK 7 / 0 / 43 / 17

HEX #C4D378

RGB 196 211 120

HSL 69.89, 0.51%, 0.65%

LAB 81.66, -18.83, 43.23

 

CMYK 43 / 25 / 0 / 17

HEX #789FD3

RGB 120 159 211

HSL 214.29, 0.51%, 0.65%

LAB 64.56, 0.25, -30.72

 

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

CMYK 42 / 0 / 43 / 17

HEX #7BD378

RGB 123 211 120

HSL 118.02, 0.51%, 0.65%

LAB 77.37, -44.59, 36.91

 

CMYK 43 / 42 / 0 / 17

HEX #787BD3

RGB 120 123 211

HSL 238.02, 0.51%, 0.65%

LAB 54.93, 21.26, -45.8

 

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

CMYK 7 / 0 / 43 / 17

HEX #C4D378

RGB 196 211 120

HSL 69.89, 0.51%, 0.65%

LAB 81.66, -18.83, 43.23

 

CMYK 43 / 0 / 1 / 17

HEX #78D3D0

RGB 120 211 208

HSL 178.02, 0.51%, 0.65%

LAB 79.12, -27.88, -7.02

 

CMYK 36 / 43 / 0 / 17

HEX #8778D3

RGB 135 120 211

HSL 249.89, 0.51%, 0.65%

LAB 55.37, 26.91, -45.03

 

CMYK 0 / 43 / 42 / 17

HEX #D3797B

RGB 211 121 123

HSL 358.67, 0.51%, 0.65%

LAB 60.74, 35.21, 14.31

 

CMYK 20 / 0 / 43 / 17

HEX #A8D378

RGB 168 211 120

HSL 88.35, 0.51%, 0.65%

LAB 79.77, -29.45, 40.45

 

CMYK 43 / 0 / 1 / 17

HEX #78D3D0

RGB 120 211 208

HSL 178.02, 0.51%, 0.65%

LAB 79.12, -27.88, -7.02

 

CMYK 23 / 43 / 0 / 17

HEX #A278D3

RGB 162 120 211

HSL 267.69, 0.51%, 0.65%

LAB 57.86, 34.37, -40.92

 

Description

Color code: HEX #D3797B | qconv.com Color code: HEX #D3797B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 121 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 121 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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