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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D362FC it is the complementary color #2C9D03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D362FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D362FC shade: #D862F7, #E974FF, #FA86FF, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D362FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D362FC shade: #D362FC, #C250E9, #B13ED6, #A02CC3 and #8F1AB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D362FC shade: #D364FB, #FB64FB, #FB64D2, #FB64A9 and #FB6480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D362FC shade: #D364FB, #AA64FB, #8164FB and #6464FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D362FC shade matches the following richer shades: #D364FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D362FC shade: #D364FB, #CD70EF, #C77DE2, #C18AD5 and #BB97C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D362FC shade: #8264FB, #AA64FB, #D364FB, #FB64FB and #FB64D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D362FC shade: #BC13FA, #C83BFB, #D364FB, #DE8CFC and #EAB4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D362FC shade: #D362FC, #FB646E and #64FB96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D362FC shade: #D362FC, #FBD364 and #64FBD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D362FC shade: #D362FC, #FB646E, #8CFB64 and #64FBF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D362FC shade: #D362FC, #FB8764, #8CFB64 and #64D8FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

Complementary color

CMYK 72 / 0 / 98 / 38

HEX #2C9D03

RGB 44 157 3

HSL 104.03, 0.96%, 0.31%

LAB 56.74, -55.18, 58.08

 

CMYK 13 / 60 / 0 / 3

HEX #D862F7

RGB 216 98 247

HSL 287.52, 0.9%, 0.68%

LAB 61.7, 67.31, -54.56

 

CMYK 9 / 55 / 0 / 0

HEX #E974FF

RGB 233 116 255

HSL 290.5, 1%, 0.73%

LAB 67.3, 64.79, -49.94

 

CMYK 2 / 47 / 0 / 0

HEX #FA86FF

RGB 250 134 255

HSL 297.52, 1%, 0.76%

LAB 72.62, 60.76, -41.44

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

CMYK 17 / 66 / 0 / 9

HEX #C250E9

RGB 194 80 233

HSL 284.71, 0.78%, 0.61%

LAB 55.16, 67.4, -57.36

 

CMYK 17 / 71 / 0 / 16

HEX #B13ED6

RGB 177 62 214

HSL 285.39, 0.65%, 0.54%

LAB 49.07, 67.35, -56.51

 

CMYK 18 / 77 / 0 / 24

HEX #A02CC3

RGB 160 44 195

HSL 286.09, 0.63%, 0.47%

LAB 43.09, 66.74, -55.31

 

CMYK 19 / 85 / 0 / 31

HEX #8F1AB0

RGB 143 26 176

HSL 286.8, 0.74%, 0.4%

LAB 37.32, 65.23, -53.56

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 0 / 60 / 0 / 2

HEX #FB64FB

RGB 251 100 251

HSL 300, 0.95%, 0.69%

LAB 66.97, 75.44, -48.11

 

CMYK 0 / 60 / 16 / 2

HEX #FB64D2

RGB 251 100 210

HSL 316.29, 0.95%, 0.69%

LAB 65.18, 69.18, -28.12

 

CMYK 0 / 60 / 33 / 2

HEX #FB64A9

RGB 251 100 169

HSL 332.58, 0.95%, 0.69%

LAB 63.74, 63.9, -7.04

 

CMYK 0 / 60 / 49 / 2

HEX #FB6480

RGB 251 100 128

HSL 348.87, 0.95%, 0.69%

LAB 62.66, 59.77, 14.98

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 49 / 60 / 0 / 2

HEX #8164FB

RGB 129 100 251

HSL 251.52, 0.95%, 0.69%

LAB 52.67, 48.26, -71.79

 

CMYK 60 / 60 / 0 / 2

HEX #6464FB

RGB 100 100 251

HSL 240, 0.95%, 0.69%

LAB 50.44, 43.22, -75.52

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 14 / 53 / 0 / 6

HEX #CD70EF

RGB 205 112 239

HSL 283.94, 0.8%, 0.69%

LAB 62.34, 56.46, -49.2

 

CMYK 12 / 45 / 0 / 11

HEX #C77DE2

RGB 199 125 226

HSL 283.96, 0.64%, 0.69%

LAB 63.59, 45.52, -40.06

 

CMYK 9 / 35 / 0 / 16

HEX #C18AD5

RGB 193 138 213

HSL 284, 0.47%, 0.69%

LAB 65.21, 34.04, -30.34

 

CMYK 7 / 25 / 0 / 22

HEX #BB97C8

RGB 187 151 200

HSL 284.08, 0.31%, 0.69%

LAB 67.18, 22.27, -20.14

 

CMYK 48 / 60 / 0 / 2

HEX #8264FB

RGB 130 100 251

HSL 251.92, 0.95%, 0.69%

LAB 52.76, 48.45, -71.65

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 0 / 60 / 0 / 2

HEX #FB64FB

RGB 251 100 251

HSL 300, 0.95%, 0.69%

LAB 66.97, 75.44, -48.11

 

CMYK 0 / 60 / 16 / 2

HEX #FB64D3

RGB 251 100 211

HSL 315.89, 0.95%, 0.69%

LAB 65.22, 69.32, -28.62

 

CMYK 25 / 92 / 0 / 2

HEX #BC13FA

RGB 188 19 250

HSL 283.9, 0.96%, 0.53%

LAB 49.57, 86.45, -75.97

 

CMYK 20 / 76 / 0 / 2

HEX #C83BFB

RGB 200 59 251

HSL 284.06, 0.96%, 0.61%

LAB 54.42, 79.7, -68.57

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 12 / 44 / 0 / 1

HEX #DE8CFC

RGB 222 140 252

HSL 283.93, 0.95%, 0.77%

LAB 70.4, 49.43, -43.53

 

CMYK 8 / 29 / 0 / 1

HEX #EAB4FD

RGB 234 180 253

HSL 284.38, 0.95%, 0.85%

LAB 80.31, 32.04, -28.61

 

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

CMYK 0 / 60 / 56 / 2

HEX #FB646E

RGB 251 100 110

HSL 356.03, 0.95%, 0.69%

LAB 62.3, 58.34, 24.82

 

CMYK 60 / 0 / 40 / 2

HEX #64FB96

RGB 100 251 150

HSL 139.87, 0.95%, 0.69%

LAB 88.88, -61.62, 36.71

 

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

CMYK 0 / 16 / 60 / 2

HEX #FBD364

RGB 251 211 100

HSL 44.11, 0.95%, 0.69%

LAB 86.02, 1.65, 58.99

 

CMYK 60 / 0 / 16 / 2

HEX #64FBD3

RGB 100 251 211

HSL 164.11, 0.95%, 0.69%

LAB 90.05, -49.45, 7.27

 

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

CMYK 0 / 60 / 56 / 2

HEX #FB646E

RGB 251 100 110

HSL 356.03, 0.95%, 0.69%

LAB 62.3, 58.34, 24.82

 

CMYK 44 / 0 / 60 / 2

HEX #8CFB64

RGB 140 251 100

HSL 104.11, 0.95%, 0.69%

LAB 89.62, -58.17, 61.1

 

CMYK 60 / 0 / 4 / 2

HEX #64FBF1

RGB 100 251 241

HSL 176.03, 0.95%, 0.69%

LAB 90.8, -42.12, -7.2

 

CMYK 16 / 61 / 0 / 1

HEX #D362FC

RGB 211 98 252

HSL 284.03, 0.96%, 0.69%

LAB 61.32, 67.11, -57.96

 

CMYK 0 / 46 / 60 / 2

HEX #FB8764

RGB 251 135 100

HSL 13.91, 0.95%, 0.69%

LAB 68.58, 41.08, 38.42

 

CMYK 44 / 0 / 60 / 2

HEX #8CFB64

RGB 140 251 100

HSL 104.11, 0.95%, 0.69%

LAB 89.62, -58.17, 61.1

 

CMYK 60 / 14 / 0 / 2

HEX #64D8FB

RGB 100 216 251

HSL 193.91, 0.95%, 0.69%

LAB 81.17, -22.84, -26.95

 

Description

Color code: HEX #D362FC | qconv.com Color code: HEX #D362FC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 98 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 98 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 61 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 61% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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