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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35150 it is the complementary color #2CAEAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35150 shade: #D8514B, #E9635E, #FA7571, #FF8784 and #FF9997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35150 shade: #D35150, #C23F3D, #B12D2A, #A01B17 and #8F0904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35150 shade: #D3504F and #D34F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35150 shade: #D3504F, #D3744F, #D3974F, #D3BB4F and #C7D34F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35150 shade matches the following richer shades: #D3504F, #E43F3D and #F62D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35150 shade: #D3504F, #C16261, #AF7373, #9D8484 and #8C9696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35150 shade: #D34F95, #D34F72, #D34F4F, #D3724F and #D3954F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35150 shade: #A62A29, #C73331, #D3504F, #DB7170 and #E39291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35150 shade: #D35150, #B8D34F and #4F84D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35150 shade: #D35150, #4FD34F and #4F4FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35150 shade: #D35150, #B8D34F, #4FD3D3 and #694FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35150 shade: #D35150, #91D34F, #4FD3D3 and #914FD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

Complementary color

CMYK 75 / 1 / 0 / 31

HEX #2CAEAF

RGB 44 174 175

HSL 180.46, 0.6%, 0.43%

LAB 64.89, -33, -10.44

 

CMYK 0 / 63 / 65 / 15

HEX #D8514B

RGB 216 81 75

HSL 2.55, 0.64%, 0.57%

LAB 52.94, 52.59, 31.76

 

CMYK 0 / 58 / 60 / 9

HEX #E9635E

RGB 233 99 94

HSL 2.16, 0.76%, 0.64%

LAB 59.03, 51.58, 29.14

 

CMYK 0 / 53 / 55 / 2

HEX #FA7571

RGB 250 117 113

HSL 1.75, 0.93%, 0.71%

LAB 65.15, 50.49, 26.87

 

CMYK 0 / 47 / 48 / 0

HEX #FF8784

RGB 255 135 132

HSL 1.46, 1%, 0.76%

LAB 69.65, 45.11, 22.41

 

CMYK 0 / 40 / 41 / 0

HEX #FF9997

RGB 255 153 151

HSL 1.15, 1%, 0.8%

LAB 73.72, 37.88, 17.51

 

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

CMYK 0 / 68 / 69 / 24

HEX #C23F3D

RGB 194 63 61

HSL 0.9, 0.52%, 0.5%

LAB 46.13, 52.01, 30.71

 

CMYK 0 / 75 / 76 / 31

HEX #B12D2A

RGB 177 45 42

HSL 1.33, 0.62%, 0.43%

LAB 40.23, 52.46, 34.21

 

CMYK 0 / 83 / 86 / 37

HEX #A01B17

RGB 160 27 23

HSL 1.75, 0.75%, 0.36%

LAB 34.64, 52.19, 38.08

 

CMYK 0 / 94 / 97 / 44

HEX #8F0904

RGB 143 9 4

HSL 2.16, 0.95%, 0.29%

LAB 29.52, 50.7, 41.2

 

CMYK 0 / 62 / 63 / 17

HEX #D3504F

RGB 211 80 79

HSL 0.45, 0.6%, 0.57%

LAB 52.01, 51.57, 28.1

 

CMYK 0 / 63 / 63 / 17

HEX #D34F4F

RGB 211 79 79

HSL 0, 0.6%, 0.57%

LAB 51.84, 52.01, 27.89

 

CMYK 0 / 62 / 63 / 17

HEX #D3504F

RGB 211 80 79

HSL 0.45, 0.6%, 0.57%

LAB 52.01, 51.57, 28.1

 

CMYK 0 / 45 / 63 / 17

HEX #D3744F

RGB 211 116 79

HSL 16.82, 0.6%, 0.57%

LAB 58.89, 33.96, 36.62

 

CMYK 0 / 28 / 63 / 17

HEX #D3974F

RGB 211 151 79

HSL 32.73, 0.6%, 0.57%

LAB 66.94, 15.15, 46.11

 

CMYK 0 / 11 / 63 / 17

HEX #D3BB4F

RGB 211 187 79

HSL 49.09, 0.6%, 0.57%

LAB 76.04, -4.04, 56.3

 

CMYK 6 / 0 / 63 / 17

HEX #C7D34F

RGB 199 211 79

HSL 65.45, 0.6%, 0.57%

LAB 81.45, -21.17, 61.83

 

CMYK 0 / 62 / 63 / 17

HEX #D3504F

RGB 211 80 79

HSL 0.45, 0.6%, 0.57%

LAB 52.01, 51.57, 28.1

 

CMYK 0 / 72 / 73 / 11

HEX #E43F3D

RGB 228 63 61

HSL 0.72, 0.76%, 0.57%

LAB 52.27, 62.79, 39.44

 

CMYK 0 / 82 / 82 / 4

HEX #F62D2C

RGB 246 45 44

HSL 0.3, 0.92%, 0.57%

LAB 53.66, 72.57, 51.02

 

CMYK 0 / 62 / 63 / 17

HEX #D3504F

RGB 211 80 79

HSL 0.45, 0.6%, 0.57%

LAB 52.01, 51.57, 28.1

 

CMYK 0 / 49 / 50 / 24

HEX #C16261

RGB 193 98 97

HSL 0.63, 0.44%, 0.57%

LAB 52.88, 37.84, 18.18

 

CMYK 0 / 34 / 34 / 31

HEX #AF7373

RGB 175 115 115

HSL 0, 0.27%, 0.57%

LAB 54.67, 23.68, 9.76

 

CMYK 0 / 16 / 16 / 38

HEX #9D8484

RGB 157 132 132

HSL 0, 0.11%, 0.57%

LAB 57.4, 9.52, 3.55

 

CMYK 7 / 0 / 0 / 41

HEX #8C9696

RGB 140 150 150

HSL 180, 0.05%, 0.57%

LAB 61.3, -3.58, -1.25

 

CMYK 0 / 63 / 29 / 17

HEX #D34F95

RGB 211 79 149

HSL 328.18, 0.6%, 0.57%

LAB 53.61, 58.62, -11.21

 

CMYK 0 / 63 / 46 / 17

HEX #D34F72

RGB 211 79 114

HSL 344.09, 0.6%, 0.57%

LAB 52.57, 54.78, 8.09

 

CMYK 0 / 63 / 63 / 17

HEX #D34F4F

RGB 211 79 79

HSL 0, 0.6%, 0.57%

LAB 51.84, 52.01, 27.89

 

CMYK 0 / 46 / 63 / 17

HEX #D3724F

RGB 211 114 79

HSL 15.91, 0.6%, 0.57%

LAB 58.46, 35, 36.1

 

CMYK 0 / 29 / 63 / 17

HEX #D3954F

RGB 211 149 79

HSL 31.82, 0.6%, 0.57%

LAB 66.45, 16.23, 45.55

 

CMYK 0 / 75 / 75 / 35

HEX #A62A29

RGB 166 42 41

HSL 0.48, 0.6%, 0.41%

LAB 37.7, 49.98, 31.39

 

CMYK 0 / 74 / 75 / 22

HEX #C73331

RGB 199 51 49

HSL 0.8, 0.6%, 0.49%

LAB 45.26, 57.53, 36.91

 

CMYK 0 / 62 / 63 / 17

HEX #D3504F

RGB 211 80 79

HSL 0.45, 0.6%, 0.57%

LAB 52.01, 51.57, 28.1

 

CMYK 0 / 48 / 49 / 14

HEX #DB7170

RGB 219 113 112

HSL 0.56, 0.6%, 0.65%

LAB 59.93, 41.22, 19.66

 

CMYK 0 / 36 / 36 / 11

HEX #E39291

RGB 227 146 145

HSL 0.73, 0.59%, 0.73%

LAB 68.7, 30.48, 13.31

 

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

CMYK 13 / 0 / 63 / 17

HEX #B8D34F

RGB 184 211 79

HSL 72.27, 0.6%, 0.57%

LAB 80.37, -27.23, 60.35

 

CMYK 63 / 37 / 0 / 17

HEX #4F84D3

RGB 79 132 211

HSL 215.91, 0.6%, 0.57%

LAB 54.94, 6.87, -45.94

 

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

CMYK 63 / 0 / 63 / 17

HEX #4FD34F

RGB 79 211 79

HSL 120, 0.6%, 0.57%

LAB 75.34, -61.28, 53.39

 

CMYK 63 / 63 / 0 / 17

HEX #4F4FD3

RGB 79 79 211

HSL 240, 0.6%, 0.57%

LAB 41.15, 39.62, -68.12

 

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

CMYK 13 / 0 / 63 / 17

HEX #B8D34F

RGB 184 211 79

HSL 72.27, 0.6%, 0.57%

LAB 80.37, -27.23, 60.35

 

CMYK 63 / 0 / 0 / 17

HEX #4FD3D3

RGB 79 211 211

HSL 180, 0.6%, 0.57%

LAB 77.85, -35.28, -10.67

 

CMYK 50 / 63 / 0 / 17

HEX #694FD3

RGB 105 79 211

HSL 251.82, 0.6%, 0.57%

LAB 43.21, 44.05, -64.68

 

CMYK 0 / 62 / 62 / 17

HEX #D35150

RGB 211 81 80

HSL 0.46, 0.6%, 0.57%

LAB 52.19, 51.19, 27.75

 

CMYK 31 / 0 / 63 / 17

HEX #91D34F

RGB 145 211 79

HSL 90, 0.6%, 0.57%

LAB 77.98, -42.03, 57.06

 

CMYK 63 / 0 / 0 / 17

HEX #4FD3D3

RGB 79 211 211

HSL 180, 0.6%, 0.57%

LAB 77.85, -35.28, -10.67

 

CMYK 31 / 63 / 0 / 17

HEX #914FD3

RGB 145 79 211

HSL 270, 0.6%, 0.57%

LAB 47.38, 52.32, -57.72

 

Description

Color code: HEX #D35150 | qconv.com Color code: HEX #D35150 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 81 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 81 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 62 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 62% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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