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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D359DE it is the complementary color #2CA621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D359DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D359DE shade: #D859D9, #E96BEC, #FA7DFF, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D359DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D359DE shade: #D359DE, #C247CB, #B135B8, #A023A5 and #8F1192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D359DE shade: #D358DE, #DE58C5, #DE58A1, #DE587D and #DE5859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D359DE shade: #D358DE, #AF58DE, #8B58DE, #6758DE and #5858DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D359DE shade matches the following richer shades: #D358DE, #E048EE and #EE38FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D359DE shade: #D358DE, #C569CE, #B879BD, #AA89AD and #9D999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D359DE shade: #8C58DE, #AF58DE, #D358DE, #DE58C5 and #DE58A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D359DE shade: #B225BE, #CA36D7, #D358DE, #DC7BE4 and #E59DEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D359DE shade: #D359DE, #DE6858 and #58DE9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D359DE shade: #D359DE, #DED358 and #58DED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D359DE shade: #D359DE, #DE6858, #64DE58 and #58CEDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D359DE shade: #D359DE, #DE9058, #64DE58 and #58A6DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

Complementary color

CMYK 73 / 0 / 80 / 35

HEX #2CA621

RGB 44 166 33

HSL 115.04, 0.67%, 0.39%

LAB 59.81, -56.89, 54.44

 

CMYK 0 / 59 / 0 / 15

HEX #D859D9

RGB 216 89 217

HSL 299.53, 0.63%, 0.6%

LAB 58.75, 65.83, -42.47

 

CMYK 1 / 55 / 0 / 7

HEX #E96BEC

RGB 233 107 236

HSL 298.6, 0.77%, 0.67%

LAB 64.88, 65.5, -43.29

 

CMYK 2 / 51 / 0 / 0

HEX #FA7DFF

RGB 250 125 255

HSL 297.69, 1%, 0.75%

LAB 71.02, 65.01, -43.95

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

CMYK 4 / 65 / 0 / 20

HEX #C247CB

RGB 194 71 203

HSL 295.91, 0.56%, 0.54%

LAB 52.16, 65.54, -45.12

 

CMYK 4 / 71 / 0 / 28

HEX #B135B8

RGB 177 53 184

HSL 296.79, 0.55%, 0.46%

LAB 46.12, 65.18, -43.88

 

CMYK 3 / 79 / 0 / 35

HEX #A023A5

RGB 160 35 165

HSL 297.69, 0.65%, 0.39%

LAB 40.23, 64.1, -42.16

 

CMYK 2 / 88 / 0 / 43

HEX #8F1192

RGB 143 17 146

HSL 298.6, 0.79%, 0.32%

LAB 34.63, 61.9, -39.76

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 0 / 60 / 11 / 13

HEX #DE58C5

RGB 222 88 197

HSL 311.19, 0.67%, 0.61%

LAB 58.55, 64.56, -31.37

 

CMYK 0 / 60 / 27 / 13

HEX #DE58A1

RGB 222 88 161

HSL 327.31, 0.67%, 0.61%

LAB 57.16, 59.52, -12.74

 

CMYK 0 / 60 / 44 / 13

HEX #DE587D

RGB 222 88 125

HSL 343.43, 0.67%, 0.61%

LAB 56.08, 55.44, 6.8

 

CMYK 0 / 60 / 60 / 13

HEX #DE5859

RGB 222 88 89

HSL 359.55, 0.67%, 0.61%

LAB 55.31, 52.43, 26.87

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 21 / 60 / 0 / 13

HEX #AF58DE

RGB 175 88 222

HSL 278.96, 0.67%, 0.61%

LAB 53.35, 57.24, -54.21

 

CMYK 37 / 60 / 0 / 13

HEX #8B58DE

RGB 139 88 222

HSL 262.84, 0.67%, 0.61%

LAB 49.18, 49.03, -61.12

 

CMYK 54 / 60 / 0 / 13

HEX #6758DE

RGB 103 88 222

HSL 246.72, 0.67%, 0.61%

LAB 45.82, 41.77, -66.73

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 6 / 70 / 0 / 7

HEX #E048EE

RGB 224 72 238

HSL 294.94, 0.83%, 0.61%

LAB 58.65, 77.74, -54.34

 

CMYK 6 / 78 / 0 / 0

HEX #EE38FE

RGB 238 56 254

HSL 295.15, 0.99%, 0.61%

LAB 60.03, 87.82, -60.9

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 4 / 49 / 0 / 19

HEX #C569CE

RGB 197 105 206

HSL 294.65, 0.51%, 0.61%

LAB 58.44, 51.36, -36.91

 

CMYK 3 / 36 / 0 / 26

HEX #B879BD

RGB 184 121 189

HSL 295.59, 0.34%, 0.61%

LAB 59.47, 35.76, -25.78

 

CMYK 2 / 21 / 0 / 32

HEX #AA89AD

RGB 170 137 173

HSL 295, 0.18%, 0.61%

LAB 61.18, 18.98, -14.21

 

CMYK 0 / 3 / 0 / 38

HEX #9D999D

RGB 157 153 157

HSL 300, 0.02%, 0.61%

LAB 63.66, 2.22, -1.58

 

CMYK 37 / 60 / 0 / 13

HEX #8C58DE

RGB 140 88 222

HSL 263.28, 0.67%, 0.61%

LAB 49.29, 49.25, -60.95

 

CMYK 21 / 60 / 0 / 13

HEX #AF58DE

RGB 175 88 222

HSL 278.96, 0.67%, 0.61%

LAB 53.35, 57.24, -54.21

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 0 / 60 / 11 / 13

HEX #DE58C5

RGB 222 88 197

HSL 311.19, 0.67%, 0.61%

LAB 58.55, 64.56, -31.37

 

CMYK 0 / 60 / 27 / 13

HEX #DE58A2

RGB 222 88 162

HSL 326.87, 0.67%, 0.61%

LAB 57.19, 59.64, -13.27

 

CMYK 6 / 81 / 0 / 25

HEX #B225BE

RGB 178 37 190

HSL 295.29, 0.67%, 0.45%

LAB 44.95, 71.22, -49.24

 

CMYK 6 / 75 / 0 / 16

HEX #CA36D7

RGB 202 54 215

HSL 295.16, 0.67%, 0.53%

LAB 51.95, 75.26, -52.25

 

CMYK 5 / 60 / 0 / 13

HEX #D358DE

RGB 211 88 222

HSL 295.07, 0.67%, 0.61%

LAB 58.13, 65.89, -46.3

 

CMYK 4 / 46 / 0 / 11

HEX #DC7BE4

RGB 220 123 228

HSL 295.43, 0.66%, 0.69%

LAB 65.74, 52.93, -37.64

 

CMYK 3 / 33 / 0 / 8

HEX #E59DEB

RGB 229 157 235

HSL 295.38, 0.66%, 0.77%

LAB 74.04, 39.29, -28.54

 

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

CMYK 0 / 53 / 60 / 13

HEX #DE6858

RGB 222 104 88

HSL 7.16, 0.67%, 0.61%

LAB 58.16, 44.87, 31.1

 

CMYK 60 / 0 / 29 / 13

HEX #58DE9D

RGB 88 222 157

HSL 150.9, 0.67%, 0.61%

LAB 80.04, -51.43, 21.23

 

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

CMYK 0 / 5 / 60 / 13

HEX #DED358

RGB 222 211 88

HSL 55.07, 0.67%, 0.61%

LAB 83.35, -11.12, 60.62

 

CMYK 60 / 0 / 5 / 13

HEX #58DED3

RGB 88 222 211

HSL 175.07, 0.67%, 0.61%

LAB 81.3, -38.86, -5.52

 

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

CMYK 0 / 53 / 60 / 13

HEX #DE6858

RGB 222 104 88

HSL 7.16, 0.67%, 0.61%

LAB 58.16, 44.87, 31.1

 

CMYK 55 / 0 / 60 / 13

HEX #64DE58

RGB 100 222 88

HSL 114.63, 0.67%, 0.61%

LAB 79.42, -59.37, 54.28

 

CMYK 60 / 7 / 0 / 13

HEX #58CEDE

RGB 88 206 222

HSL 187.16, 0.67%, 0.61%

LAB 76.98, -28.32, -17.86

 

CMYK 5 / 60 / 0 / 13

HEX #D359DE

RGB 211 89 222

HSL 295.04, 0.67%, 0.61%

LAB 58.29, 65.46, -46.06

 

CMYK 0 / 35 / 60 / 13

HEX #DE9058

RGB 222 144 88

HSL 25.07, 0.67%, 0.61%

LAB 66.66, 24.13, 41.54

 

CMYK 55 / 0 / 60 / 13

HEX #64DE58

RGB 100 222 88

HSL 114.63, 0.67%, 0.61%

LAB 79.42, -59.37, 54.28

 

CMYK 60 / 25 / 0 / 13

HEX #58A6DE

RGB 88 166 222

HSL 205.07, 0.67%, 0.61%

LAB 65.45, -7.49, -35.54

 

Description

Color code: HEX #D359DE | qconv.com Color code: HEX #D359DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 89 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 89 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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