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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D34FC7 it is the complementary color #2CB038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D34FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D34FC7 shade: #D84FC2, #E961D5, #FA73E8, #FF85FB and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D34FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D34FC7 shade: #D34FC7, #C23DB4, #B12BA1, #A0198E and #8F077B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D34FC7 shade: #D34FC7, #D34FA3, #D34F80, #D34F5C and #D34F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D34FC7 shade: #D34FC7, #BB4FD3, #984FD3, #744FD3 and #514FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D34FC7 shade matches the following richer shades: #D34FC7, #E43DD5 and #F62CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D34FC7 shade: #D34FC7, #C161B8, #AF73AA, #9D849B and #8C968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D34FC7 shade: #974FD3, #BB4FD3, #D34FC8, #D34FA5 and #D34F81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D34FC7 shade: #A6299B, #C731B9, #D34FC7, #DB70D1 and #E391DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D34FC7 shade: #D34FC7, #D3744F and #4FD3A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D34FC7 shade: #D34FC7, #C8D34F and #4FC8D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D34FC7 shade: #D34FC7, #D3744F, #4FD35A and #4FADD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D34FC7 shade: #D34FC7, #D39C4F, #4FD35A and #4F86D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

Complementary color

CMYK 75 / 0 / 68 / 31

HEX #2CB038

RGB 44 176 56

HSL 125.45, 0.6%, 0.43%

LAB 63.24, -58.3, 49.55

 

CMYK 0 / 63 / 10 / 15

HEX #D84FC2

RGB 216 79 194

HSL 309.64, 0.64%, 0.58%

LAB 56.17, 66.24, -33.42

 

CMYK 0 / 58 / 9 / 9

HEX #E961D5

RGB 233 97 213

HSL 308.82, 0.76%, 0.65%

LAB 62.23, 66.11, -34.58

 

CMYK 0 / 54 / 7 / 2

HEX #FA73E8

RGB 250 115 232

HSL 308, 0.93%, 0.72%

LAB 68.32, 65.74, -35.53

 

CMYK 0 / 48 / 2 / 0

HEX #FF85FB

RGB 255 133 251

HSL 301.97, 1%, 0.76%

LAB 72.89, 61.92, -38.8

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 69 / 7 / 24

HEX #C23DB4

RGB 194 61 180

HSL 306.32, 0.52%, 0.5%

LAB 49.62, 65.55, -35.81

 

CMYK 0 / 76 / 9 / 31

HEX #B12BA1

RGB 177 43 161

HSL 307.16, 0.61%, 0.43%

LAB 43.72, 64.75, -34.05

 

CMYK 0 / 84 / 11 / 37

HEX #A0198E

RGB 160 25 142

HSL 308, 0.73%, 0.36%

LAB 38.06, 63.02, -31.67

 

CMYK 0 / 95 / 14 / 44

HEX #8F077B

RGB 143 7 123

HSL 308.82, 0.91%, 0.29%

LAB 32.75, 59.95, -28.46

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 63 / 23 / 17

HEX #D34FA3

RGB 211 79 163

HSL 321.82, 0.6%, 0.57%

LAB 54.12, 60.44, -18.68

 

CMYK 0 / 63 / 39 / 17

HEX #D34F80

RGB 211 79 128

HSL 337.73, 0.6%, 0.57%

LAB 52.95, 56.19, 0.27

 

CMYK 0 / 63 / 56 / 17

HEX #D34F5C

RGB 211 79 92

HSL 354.09, 0.6%, 0.57%

LAB 52.08, 52.91, 20.53

 

CMYK 0 / 63 / 63 / 17

HEX #D34F4F

RGB 211 79 79

HSL 0, 0.6%, 0.57%

LAB 51.84, 52.01, 27.89

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 11 / 63 / 0 / 17

HEX #BB4FD3

RGB 187 79 211

HSL 289.09, 0.6%, 0.57%

LAB 52.8, 62.01, -48.75

 

CMYK 28 / 63 / 0 / 17

HEX #984FD3

RGB 152 79 211

HSL 273.18, 0.6%, 0.57%

LAB 48.22, 53.89, -56.33

 

CMYK 45 / 63 / 0 / 17

HEX #744FD3

RGB 116 79 211

HSL 256.82, 0.6%, 0.57%

LAB 44.24, 46.18, -62.95

 

CMYK 62 / 63 / 0 / 17

HEX #514FD3

RGB 81 79 211

HSL 240.91, 0.6%, 0.57%

LAB 41.29, 39.93, -67.89

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 73 / 7 / 11

HEX #E43DD5

RGB 228 61 213

HSL 305.39, 0.76%, 0.57%

LAB 56.72, 78.19, -43.28

 

CMYK 0 / 82 / 7 / 4

HEX #F62CE4

RGB 246 44 228

HSL 305.35, 0.92%, 0.57%

LAB 58.97, 88.16, -48.01

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 50 / 5 / 24

HEX #C161B8

RGB 193 97 184

HSL 305.63, 0.44%, 0.57%

LAB 55.43, 50.22, -29.08

 

CMYK 0 / 34 / 3 / 31

HEX #AF73AA

RGB 175 115 170

HSL 305, 0.27%, 0.57%

LAB 56.36, 32.5, -19.75

 

CMYK 0 / 16 / 1 / 38

HEX #9D849B

RGB 157 132 155

HSL 304.8, 0.11%, 0.57%

LAB 58.07, 13.7, -8.71

 

CMYK 7 / 0 / 6 / 41

HEX #8C968D

RGB 140 150 141

HSL 126, 0.05%, 0.57%

LAB 61.06, -5.37, 3.5

 

CMYK 28 / 63 / 0 / 17

HEX #974FD3

RGB 151 79 211

HSL 272.73, 0.6%, 0.57%

LAB 48.1, 53.66, -56.53

 

CMYK 11 / 63 / 0 / 17

HEX #BB4FD3

RGB 187 79 211

HSL 289.09, 0.6%, 0.57%

LAB 52.8, 62.01, -48.75

 

CMYK 0 / 63 / 5 / 17

HEX #D34FC8

RGB 211 79 200

HSL 305, 0.6%, 0.57%

LAB 55.7, 65.93, -37.66

 

CMYK 0 / 63 / 22 / 17

HEX #D34FA5

RGB 211 79 165

HSL 320.91, 0.6%, 0.57%

LAB 54.19, 60.71, -19.73

 

CMYK 0 / 63 / 39 / 17

HEX #D34F81

RGB 211 79 129

HSL 337.27, 0.6%, 0.57%

LAB 52.98, 56.3, -0.28

 

CMYK 0 / 75 / 7 / 35

HEX #A6299B

RGB 166 41 155

HSL 305.28, 0.6%, 0.41%

LAB 41.31, 61.98, -34.38

 

CMYK 0 / 75 / 7 / 22

HEX #C731B9

RGB 199 49 185

HSL 305.6, 0.6%, 0.49%

LAB 49.3, 71.39, -39.18

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 49 / 5 / 14

HEX #DB70D1

RGB 219 112 209

HSL 305.61, 0.6%, 0.65%

LAB 62.72, 54.72, -31.73

 

CMYK 0 / 36 / 3 / 11

HEX #E391DC

RGB 227 145 220

HSL 305.12, 0.59%, 0.73%

LAB 70.7, 42.26, -25.47

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 45 / 63 / 17

HEX #D3744F

RGB 211 116 79

HSL 16.82, 0.6%, 0.57%

LAB 58.89, 33.96, 36.62

 

CMYK 63 / 0 / 20 / 17

HEX #4FD3A9

RGB 79 211 169

HSL 160.91, 0.6%, 0.57%

LAB 76.75, -45.96, 10.25

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 5 / 0 / 63 / 17

HEX #C8D34F

RGB 200 211 79

HSL 65, 0.6%, 0.57%

LAB 81.53, -20.76, 61.93

 

CMYK 63 / 5 / 0 / 17

HEX #4FC8D3

RGB 79 200 211

HSL 185, 0.6%, 0.57%

LAB 74.62, -30.06, -15.51

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 45 / 63 / 17

HEX #D3744F

RGB 211 116 79

HSL 16.82, 0.6%, 0.57%

LAB 58.89, 33.96, 36.62

 

CMYK 63 / 0 / 57 / 17

HEX #4FD35A

RGB 79 211 90

HSL 125, 0.6%, 0.57%

LAB 75.44, -60.03, 48.65

 

CMYK 63 / 18 / 0 / 17

HEX #4FADD3

RGB 79 173 211

HSL 197.27, 0.6%, 0.57%

LAB 66.71, -16.37, -27.55

 

CMYK 0 / 63 / 6 / 17

HEX #D34FC7

RGB 211 79 199

HSL 305.45, 0.6%, 0.57%

LAB 55.65, 65.77, -37.16

 

CMYK 0 / 26 / 63 / 17

HEX #D39C4F

RGB 211 156 79

HSL 35, 0.6%, 0.57%

LAB 68.16, 12.44, 47.51

 

CMYK 63 / 0 / 57 / 17

HEX #4FD35A

RGB 79 211 90

HSL 125, 0.6%, 0.57%

LAB 75.44, -60.03, 48.65

 

CMYK 63 / 36 / 0 / 17

HEX #4F86D3

RGB 79 134 211

HSL 215, 0.6%, 0.57%

LAB 55.5, 5.67, -45.05

 

Description

Color code: HEX #D34FC7 | qconv.com Color code: HEX #D34FC7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 79 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 79 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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