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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D33E95 it is the complementary color #2CC16A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D33E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D33E95 shade: #D83E90, #E950A3, #FA62B6, #FF74C9 and #FF86DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D33E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D33E95 shade: #D33E95, #C22C82, #B11A6F, #A0085C and #8F0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D33E95 shade: #D33F96, #D33F6E, #D33F46 and #D33F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D33E95 shade: #D33F96, #D33FBD, #C13FD3, #993FD3 and #713FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D33E95 shade matches the following richer shades: #D33F96, #E62C99 and #F9199C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D33E95 shade: #D33F96, #C05292, #AD658F, #9A788C and #878B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D33E95 shade: #BF3FD3, #D33FBF, #D33F98, #D33F71 and #D33F49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D33E95 shade: #9D236A, #BE2B81, #D33F96, #DB61A8 and #E283BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D33E95 shade: #D33E95, #D3983F and #3FD3D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D33E95 shade: #D33E95, #98D33F and #3F98D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D33E95 shade: #D33E95, #D3983F, #3FD37A and #3F7AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D33E95 shade: #D33E95, #D3C43F, #3FD37A and #3F4ED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

Complementary color

CMYK 77 / 0 / 45 / 24

HEX #2CC16A

RGB 44 193 106

HSL 144.97, 0.63%, 0.46%

LAB 69.27, -57.27, 33.12

 

CMYK 0 / 71 / 33 / 15

HEX #D83E90

RGB 216 62 144

HSL 328.05, 0.66%, 0.55%

LAB 51.9, 65.96, -10.73

 

CMYK 0 / 66 / 30 / 9

HEX #E950A3

RGB 233 80 163

HSL 327.45, 0.78%, 0.61%

LAB 57.76, 66.17, -12.83

 

CMYK 0 / 61 / 27 / 2

HEX #FA62B6

RGB 250 98 182

HSL 326.84, 0.94%, 0.68%

LAB 63.7, 66.01, -14.55

 

CMYK 0 / 55 / 21 / 0

HEX #FF74C9

RGB 255 116 201

HSL 323.31, 1%, 0.73%

LAB 68, 62.11, -18.72

 

CMYK 0 / 47 / 14 / 0

HEX #FF86DC

RGB 255 134 220

HSL 317.36, 1%, 0.76%

LAB 71.88, 56.44, -23.37

 

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

CMYK 0 / 77 / 33 / 24

HEX #C22C82

RGB 194 44 130

HSL 325.6, 0.63%, 0.47%

LAB 45.47, 64.44, -12.36

 

CMYK 0 / 85 / 37 / 31

HEX #B11A6F

RGB 177 26 111

HSL 326.23, 0.74%, 0.4%

LAB 39.97, 62.78, -9.22

 

CMYK 0 / 95 / 43 / 37

HEX #A0085C

RGB 160 8 92

HSL 326.84, 0.9%, 0.33%

LAB 34.84, 59.86, -5.15

 

CMYK 0 / 100 / 49 / 44

HEX #8F0049

RGB 143 0 73

HSL 329.37, 1%, 0.28%

LAB 30.21, 55.3, 0.07

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

CMYK 0 / 70 / 48 / 17

HEX #D33F6E

RGB 211 63 110

HSL 340.95, 0.63%, 0.54%

LAB 50.13, 60.8, 7.03

 

CMYK 0 / 70 / 67 / 17

HEX #D33F46

RGB 211 63 70

HSL 357.16, 0.63%, 0.54%

LAB 49.31, 57.97, 30

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

CMYK 0 / 70 / 10 / 17

HEX #D33FBD

RGB 211 63 189

HSL 308.92, 0.63%, 0.54%

LAB 53.03, 70.22, -35.5

 

CMYK 9 / 70 / 0 / 17

HEX #C13FD3

RGB 193 63 211

HSL 292.7, 0.63%, 0.54%

LAB 51.38, 69.76, -50.96

 

CMYK 27 / 70 / 0 / 17

HEX #993FD3

RGB 153 63 211

HSL 276.49, 0.63%, 0.54%

LAB 45.68, 61.5, -60.43

 

CMYK 46 / 70 / 0 / 17

HEX #713FD3

RGB 113 63 211

HSL 260.27, 0.63%, 0.54%

LAB 40.85, 54.07, -68.49

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

CMYK 0 / 81 / 33 / 10

HEX #E62C99

RGB 230 44 153

HSL 324.84, 0.79%, 0.54%

LAB 52.87, 75.61, -14.38

 

CMYK 0 / 90 / 37 / 2

HEX #F9199C

RGB 249 25 156

HSL 324.91, 0.95%, 0.54%

LAB 55.31, 83.51, -12.12

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

CMYK 0 / 57 / 24 / 25

HEX #C05292

RGB 192 82 146

HSL 325.09, 0.47%, 0.54%

LAB 51.06, 51.19, -13.57

 

CMYK 0 / 42 / 17 / 32

HEX #AD658F

RGB 173 101 143

HSL 325, 0.31%, 0.54%

LAB 52.03, 34.8, -10.58

 

CMYK 0 / 22 / 9 / 40

HEX #9A788C

RGB 154 120 140

HSL 324.71, 0.14%, 0.54%

LAB 54.23, 16.67, -5.77

 

CMYK 3 / 0 / 1 / 45

HEX #878B89

RGB 135 139 137

HSL 150, 0.02%, 0.54%

LAB 57.48, -1.86, 0.55

 

CMYK 9 / 70 / 0 / 17

HEX #BF3FD3

RGB 191 63 211

HSL 291.89, 0.63%, 0.54%

LAB 51.08, 69.33, -51.46

 

CMYK 0 / 70 / 9 / 17

HEX #D33FBF

RGB 211 63 191

HSL 308.11, 0.63%, 0.54%

LAB 53.13, 70.51, -36.51

 

CMYK 0 / 70 / 28 / 17

HEX #D33F98

RGB 211 63 152

HSL 323.92, 0.63%, 0.54%

LAB 51.46, 65.22, -16.23

 

CMYK 0 / 70 / 46 / 17

HEX #D33F71

RGB 211 63 113

HSL 339.73, 0.63%, 0.54%

LAB 50.21, 61.07, 5.32

 

CMYK 0 / 70 / 65 / 17

HEX #D33F49

RGB 211 63 73

HSL 355.95, 0.63%, 0.54%

LAB 49.36, 58.13, 28.28

 

CMYK 0 / 78 / 32 / 38

HEX #9D236A

RGB 157 35 106

HSL 325.08, 0.64%, 0.38%

LAB 36.76, 54.88, -11.28

 

CMYK 0 / 77 / 32 / 25

HEX #BE2B81

RGB 190 43 129

HSL 324.9, 0.63%, 0.46%

LAB 44.6, 63.61, -13.13

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

CMYK 0 / 56 / 23 / 14

HEX #DB61A8

RGB 219 97 168

HSL 325.08, 0.63%, 0.62%

LAB 58.45, 55.52, -14.89

 

CMYK 0 / 42 / 18 / 11

HEX #E283BA

RGB 226 131 186

HSL 325.26, 0.62%, 0.7%

LAB 66.48, 43.61, -12.96

 

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

CMYK 0 / 28 / 70 / 17

HEX #D3983F

RGB 211 152 63

HSL 36.08, 0.63%, 0.54%

LAB 67.02, 13.65, 53.75

 

CMYK 70 / 0 / 0 / 17

HEX #3FD3D3

RGB 63 211 211

HSL 180, 0.63%, 0.54%

LAB 77.49, -37.55, -11.24

 

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

CMYK 28 / 0 / 70 / 17

HEX #98D33F

RGB 152 211 63

HSL 83.92, 0.63%, 0.54%

LAB 78.24, -40.67, 63.76

 

CMYK 70 / 28 / 0 / 17

HEX #3F98D3

RGB 63 152 211

HSL 203.92, 0.63%, 0.54%

LAB 60.08, -7.43, -37.87

 

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

CMYK 0 / 28 / 70 / 17

HEX #D3983F

RGB 211 152 63

HSL 36.08, 0.63%, 0.54%

LAB 67.02, 13.65, 53.75

 

CMYK 70 / 0 / 42 / 17

HEX #3FD37A

RGB 63 211 122

HSL 143.92, 0.63%, 0.54%

LAB 75.48, -58.27, 33.08

 

CMYK 70 / 42 / 0 / 17

HEX #3F7AD3

RGB 63 122 211

HSL 216.08, 0.63%, 0.54%

LAB 51.47, 10.32, -51.49

 

CMYK 0 / 71 / 29 / 17

HEX #D33E95

RGB 211 62 149

HSL 324.97, 0.63%, 0.54%

LAB 51.23, 65.21, -14.81

 

CMYK 0 / 7 / 70 / 17

HEX #D3C43F

RGB 211 196 63

HSL 53.92, 0.63%, 0.54%

LAB 78.28, -9.59, 65.19

 

CMYK 70 / 0 / 42 / 17

HEX #3FD37A

RGB 63 211 122

HSL 143.92, 0.63%, 0.54%

LAB 75.48, -58.27, 33.08

 

CMYK 70 / 63 / 0 / 17

HEX #3F4ED3

RGB 63 78 211

HSL 233.92, 0.63%, 0.54%

LAB 39.93, 38.03, -70.16

 

Description

Color code: HEX #D33E95 | qconv.com Color code: HEX #D33E95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 62 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 62 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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