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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D33595 it is the complementary color #2CCA6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D33595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D33595 shade: #D83590, #E947A3, #FA59B6, #FF6BC9 and #FF7DDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D33595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D33595 shade: #D33595, #C22382, #B1116F, #A0005C and #8F0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D33595 shade: #D23695, #D2366B, #D23640 and #D23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D33595 shade: #D23695, #D236BF, #BB36D2, #9136D2 and #6736D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D33595 shade matches the following richer shades: #D23695, #E62299 and #FA0E9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D33595 shade: #D23695, #BF4A91, #AB5D8C, #977188 and #838584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D33595 shade: #BB36D2, #D236C0, #D23696, #D2366D and #D23643

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D33595 shade: #952067, #B7287F, #D23695, #DA58A7 and #E179B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D33595 shade: #D33595, #D29136 and #36D2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D33595 shade: #D33595, #96D236 and #3696D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D33595 shade: #D33595, #D29136, #36D272 and #3677D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D33595 shade: #D33595, #D2C036, #36D272 and #3648D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

Complementary color

CMYK 78 / 0 / 48 / 21

HEX #2CCA6A

RGB 44 202 106

HSL 143.54, 0.64%, 0.48%

LAB 72.11, -60.43, 36.74

 

CMYK 0 / 75 / 33 / 15

HEX #D83590

RGB 216 53 144

HSL 326.5, 0.68%, 0.53%

LAB 50.87, 68.86, -12.28

 

CMYK 0 / 70 / 30 / 9

HEX #E947A3

RGB 233 71 163

HSL 325.93, 0.79%, 0.6%

LAB 56.56, 69.49, -14.63

 

CMYK 0 / 64 / 27 / 2

HEX #FA59B6

RGB 250 89 182

HSL 325.34, 0.94%, 0.66%

LAB 62.38, 69.63, -16.55

 

CMYK 0 / 58 / 21 / 0

HEX #FF6BC9

RGB 255 107 201

HSL 321.89, 1%, 0.71%

LAB 66.51, 66.08, -20.97

 

CMYK 0 / 51 / 14 / 0

HEX #FF7DDC

RGB 255 125 220

HSL 316.15, 1%, 0.75%

LAB 70.24, 60.71, -25.87

 

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

CMYK 0 / 82 / 33 / 24

HEX #C22382

RGB 194 35 130

HSL 324.15, 0.69%, 0.45%

LAB 44.64, 66.83, -13.63

 

CMYK 0 / 90 / 37 / 31

HEX #B1116F

RGB 177 17 111

HSL 324.75, 0.82%, 0.38%

LAB 39.4, 64.42, -10.07

 

CMYK 0 / 100 / 43 / 37

HEX #A0005C

RGB 160 0 92

HSL 325.5, 1%, 0.31%

LAB 34.49, 60.89, -5.67

 

CMYK 0 / 100 / 49 / 44

HEX #8F0049

RGB 143 0 73

HSL 329.37, 1%, 0.28%

LAB 30.21, 55.3, 0.07

 

CMYK 0 / 74 / 29 / 18

HEX #D23695

RGB 210 54 149

HSL 323.46, 0.63%, 0.52%

LAB 50.11, 67.61, -16.52

 

CMYK 0 / 74 / 49 / 18

HEX #D2366B

RGB 210 54 107

HSL 339.62, 0.63%, 0.52%

LAB 48.76, 63.36, 6.87

 

CMYK 0 / 74 / 70 / 18

HEX #D23640

RGB 210 54 64

HSL 356.15, 0.63%, 0.52%

LAB 47.89, 60.52, 31.77

 

CMYK 0 / 74 / 74 / 18

HEX #D23636

RGB 210 54 54

HSL 0, 0.63%, 0.52%

LAB 47.76, 60.08, 37.42

 

CMYK 0 / 74 / 29 / 18

HEX #D23695

RGB 210 54 149

HSL 323.46, 0.63%, 0.52%

LAB 50.11, 67.61, -16.52

 

CMYK 0 / 74 / 9 / 18

HEX #D236BF

RGB 210 54 191

HSL 307.31, 0.63%, 0.52%

LAB 51.95, 73.18, -38.37

 

CMYK 11 / 74 / 0 / 18

HEX #BB36D2

RGB 187 54 210

HSL 291.15, 0.63%, 0.52%

LAB 49.32, 71.44, -53.73

 

CMYK 31 / 74 / 0 / 18

HEX #9136D2

RGB 145 54 210

HSL 275, 0.63%, 0.52%

LAB 43.23, 63.47, -63.87

 

CMYK 51 / 74 / 0 / 18

HEX #6736D2

RGB 103 54 210

HSL 258.85, 0.63%, 0.52%

LAB 38.15, 56.58, -72.36

 

CMYK 0 / 74 / 29 / 18

HEX #D23695

RGB 210 54 149

HSL 323.46, 0.63%, 0.52%

LAB 50.11, 67.61, -16.52

 

CMYK 0 / 85 / 33 / 10

HEX #E62299

RGB 230 34 153

HSL 323.57, 0.8%, 0.52%

LAB 52.14, 77.71, -15.49

 

CMYK 0 / 94 / 37 / 2

HEX #FA0E9D

RGB 250 14 157

HSL 323.64, 0.96%, 0.52%

LAB 55.15, 84.95, -12.95

 

CMYK 0 / 74 / 29 / 18

HEX #D23695

RGB 210 54 149

HSL 323.46, 0.63%, 0.52%

LAB 50.11, 67.61, -16.52

 

CMYK 0 / 61 / 24 / 25

HEX #BF4A91

RGB 191 74 145

HSL 323.59, 0.48%, 0.52%

LAB 49.52, 54.38, -15.32

 

CMYK 0 / 46 / 18 / 33

HEX #AB5D8C

RGB 171 93 140

HSL 323.85, 0.32%, 0.52%

LAB 49.95, 37.95, -11.96

 

CMYK 0 / 25 / 10 / 41

HEX #977188

RGB 151 113 136

HSL 323.68, 0.15%, 0.52%

LAB 52.03, 18.87, -6.74

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 11 / 74 / 0 / 18

HEX #BB36D2

RGB 187 54 210

HSL 291.15, 0.63%, 0.52%

LAB 49.32, 71.44, -53.73

 

CMYK 0 / 74 / 9 / 18

HEX #D236C0

RGB 210 54 192

HSL 306.92, 0.63%, 0.52%

LAB 52, 73.32, -38.87

 

CMYK 0 / 74 / 29 / 18

HEX #D23696

RGB 210 54 150

HSL 323.08, 0.63%, 0.52%

LAB 50.15, 67.73, -17.06

 

CMYK 0 / 74 / 48 / 18

HEX #D2366D

RGB 210 54 109

HSL 338.85, 0.63%, 0.52%

LAB 48.81, 63.53, 5.73

 

CMYK 0 / 74 / 68 / 18

HEX #D23643

RGB 210 54 67

HSL 355, 0.63%, 0.52%

LAB 47.94, 60.67, 30.05

 

CMYK 0 / 79 / 31 / 42

HEX #952067

RGB 149 32 103

HSL 323.59, 0.65%, 0.35%

LAB 34.81, 53.35, -12.49

 

CMYK 0 / 78 / 31 / 28

HEX #B7287F

RGB 183 40 127

HSL 323.5, 0.64%, 0.44%

LAB 42.94, 62.5, -14.55

 

CMYK 0 / 74 / 29 / 18

HEX #D23695

RGB 210 54 149

HSL 323.46, 0.63%, 0.52%

LAB 50.11, 67.61, -16.52

 

CMYK 0 / 60 / 23 / 15

HEX #DA58A7

RGB 218 88 167

HSL 323.54, 0.64%, 0.6%

LAB 56.76, 59.13, -16.89

 

CMYK 0 / 46 / 18 / 12

HEX #E179B9

RGB 225 121 185

HSL 323.08, 0.63%, 0.68%

LAB 64.31, 48.23, -15.68

 

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

CMYK 0 / 31 / 74 / 18

HEX #D29136

RGB 210 145 54

HSL 35, 0.63%, 0.52%

LAB 65.14, 16.57, 55.69

 

CMYK 74 / 0 / 1 / 18

HEX #36D2D0

RGB 54 210 208

HSL 179.23, 0.63%, 0.52%

LAB 76.94, -39, -10.47

 

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

CMYK 29 / 0 / 74 / 18

HEX #96D236

RGB 150 210 54

HSL 83.08, 0.63%, 0.52%

LAB 77.78, -41.5, 66.4

 

CMYK 74 / 29 / 0 / 18

HEX #3696D2

RGB 54 150 210

HSL 203.08, 0.63%, 0.52%

LAB 59.21, -7.87, -38.71

 

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

CMYK 0 / 31 / 74 / 18

HEX #D29136

RGB 210 145 54

HSL 35, 0.63%, 0.52%

LAB 65.14, 16.57, 55.69

 

CMYK 74 / 0 / 46 / 18

HEX #36D272

RGB 54 210 114

HSL 143.08, 0.63%, 0.52%

LAB 74.88, -60.62, 36.31

 

CMYK 74 / 43 / 0 / 18

HEX #3677D2

RGB 54 119 210

HSL 215, 0.63%, 0.52%

LAB 50.25, 10.58, -52.89

 

CMYK 0 / 75 / 29 / 17

HEX #D33595

RGB 211 53 149

HSL 323.54, 0.64%, 0.52%

LAB 50.17, 68.17, -16.41

 

CMYK 0 / 9 / 74 / 18

HEX #D2C036

RGB 210 192 54

HSL 53.08, 0.63%, 0.52%

LAB 77.08, -8.38, 67.24

 

CMYK 74 / 0 / 46 / 18

HEX #36D272

RGB 54 210 114

HSL 143.08, 0.63%, 0.52%

LAB 74.88, -60.62, 36.31

 

CMYK 74 / 66 / 0 / 18

HEX #3648D2

RGB 54 72 210

HSL 233.08, 0.63%, 0.52%

LAB 37.97, 40.37, -72.81

 

Description

Color code: HEX #D33595 | qconv.com Color code: HEX #D33595 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 53 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 53 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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