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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3219E it is the complementary color #2CDE61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3219E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3219E shade: #D82199, #E933AC, #FA45BF, #FF57D2 and #FF69E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3219E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3219E shade: #D3219E, #C20F8B, #B10078, #A00065 and #8F0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3219E shade: #D3219E, #D3216E, #D3213E and #D32121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3219E shade: #D3219E, #D321CE, #A821D3, #7821D3 and #4821D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3219E shade matches the following richer shades: #D3219E and #E70DA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3219E shade: #D3219E, #BF3496, #AC488E, #985C86 and #84707E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3219E shade: #A721D3, #D321D0, #D321A1, #D32171 and #D32141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3219E shade: #8C1569, #B01B83, #D3219E, #E03DB0 and #E660BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3219E shade: #D3219E, #D37721 and #21D3BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3219E shade: #D3219E, #A1D321 and #21A1D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3219E shade: #D3219E, #D37721, #21D353 and #217DD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3219E shade: #D3219E, #D3AD21, #21D353 and #2147D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

Complementary color

CMYK 80 / 0 / 56 / 13

HEX #2CDE61

RGB 44 222 97

HSL 137.87, 0.73%, 0.52%

LAB 78.25, -68.43, 48.59

 

CMYK 0 / 85 / 29 / 15

HEX #D82199

RGB 216 33 153

HSL 320.66, 0.73%, 0.49%

LAB 49.48, 74.81, -19.78

 

CMYK 0 / 78 / 26 / 9

HEX #E933AC

RGB 233 51 172

HSL 320.11, 0.81%, 0.56%

LAB 54.73, 76.67, -22.68

 

CMYK 0 / 72 / 24 / 2

HEX #FA45BF

RGB 250 69 191

HSL 319.56, 0.95%, 0.63%

LAB 60.2, 77.75, -25.03

 

CMYK 0 / 66 / 18 / 0

HEX #FF57D2

RGB 255 87 210

HSL 316.07, 1%, 0.67%

LAB 63.94, 75.29, -29.99

 

CMYK 0 / 59 / 10 / 0

HEX #FF69E5

RGB 255 105 229

HSL 310.4, 1%, 0.71%

LAB 67.29, 70.93, -35.41

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 92 / 28 / 24

HEX #C20F8B

RGB 194 15 139

HSL 318.44, 0.86%, 0.41%

LAB 43.76, 71.4, -20.46

 

CMYK 0 / 100 / 32 / 31

HEX #B10078

RGB 177 0 120

HSL 319.32, 1%, 0.35%

LAB 39.08, 67.36, -16.21

 

CMYK 0 / 100 / 37 / 37

HEX #A00065

RGB 160 0 101

HSL 322.13, 1%, 0.31%

LAB 34.83, 61.77, -10.97

 

CMYK 0 / 100 / 43 / 44

HEX #8F0052

RGB 143 0 82

HSL 325.59, 1%, 0.28%

LAB 30.52, 56.12, -5.44

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 84 / 48 / 17

HEX #D3216E

RGB 211 33 110

HSL 334.04, 0.73%, 0.48%

LAB 47.06, 69.48, 2.61

 

CMYK 0 / 84 / 71 / 17

HEX #D3213E

RGB 211 33 62

HSL 350.22, 0.73%, 0.48%

LAB 46.02, 66.45, 30.75

 

CMYK 0 / 84 / 84 / 17

HEX #D32121

RGB 211 33 33

HSL 0, 0.73%, 0.48%

LAB 45.7, 65.49, 46.76

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 84 / 2 / 17

HEX #D321CE

RGB 211 33 206

HSL 301.69, 0.73%, 0.48%

LAB 51.14, 80.69, -48.3

 

CMYK 20 / 84 / 0 / 17

HEX #A821D3

RGB 168 33 211

HSL 285.51, 0.73%, 0.48%

LAB 44.4, 74.13, -62.39

 

CMYK 43 / 84 / 0 / 17

HEX #7821D3

RGB 120 33 211

HSL 269.33, 0.73%, 0.48%

LAB 37.45, 67.23, -74.02

 

CMYK 66 / 84 / 0 / 17

HEX #4821D3

RGB 72 33 211

HSL 253.15, 0.73%, 0.48%

LAB 32.19, 62.34, -82.89

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 94 / 28 / 9

HEX #E70DA6

RGB 231 13 166

HSL 317.89, 0.89%, 0.48%

LAB 51.87, 82.09, -23.59

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 73 / 21 / 25

HEX #BF3496

RGB 191 52 150

HSL 317.7, 0.57%, 0.48%

LAB 46.62, 63.63, -22.75

 

CMYK 0 / 58 / 17 / 33

HEX #AC488E

RGB 172 72 142

HSL 318, 0.41%, 0.48%

LAB 46.12, 49.2, -18.98

 

CMYK 0 / 39 / 12 / 40

HEX #985C86

RGB 152 92 134

HSL 318, 0.25%, 0.48%

LAB 47.04, 30.92, -13.02

 

CMYK 0 / 15 / 5 / 48

HEX #84707E

RGB 132 112 126

HSL 318, 0.08%, 0.48%

LAB 49.5, 10.43, -4.8

 

CMYK 21 / 84 / 0 / 17

HEX #A721D3

RGB 167 33 211

HSL 285.17, 0.73%, 0.48%

LAB 44.24, 73.97, -62.65

 

CMYK 0 / 84 / 1 / 17

HEX #D321D0

RGB 211 33 208

HSL 301.01, 0.73%, 0.48%

LAB 51.26, 80.99, -49.27

 

CMYK 0 / 84 / 24 / 17

HEX #D321A1

RGB 211 33 161

HSL 316.85, 0.73%, 0.48%

LAB 48.9, 74.66, -25.52

 

CMYK 0 / 84 / 46 / 17

HEX #D32171

RGB 211 33 113

HSL 333.03, 0.73%, 0.48%

LAB 47.14, 69.73, 0.89

 

CMYK 0 / 84 / 69 / 17

HEX #D32141

RGB 211 33 65

HSL 349.21, 0.73%, 0.48%

LAB 46.07, 66.59, 29

 

CMYK 0 / 85 / 25 / 45

HEX #8C1569

RGB 140 21 105

HSL 317.65, 0.74%, 0.32%

LAB 32.1, 54.38, -18.06

 

CMYK 0 / 85 / 26 / 31

HEX #B01B83

RGB 176 27 131

HSL 318.12, 0.73%, 0.4%

LAB 40.66, 64.59, -20.63

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 73 / 21 / 12

HEX #E03DB0

RGB 224 61 176

HSL 317.67, 0.72%, 0.56%

LAB 54.36, 72.17, -25.71

 

CMYK 0 / 58 / 17 / 10

HEX #E660BE

RGB 230 96 190

HSL 317.91, 0.73%, 0.64%

LAB 60.7, 62.28, -23.96

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 44 / 84 / 17

HEX #D37721

RGB 211 119 33

HSL 28.99, 0.73%, 0.48%

LAB 59.12, 30.24, 58.36

 

CMYK 84 / 0 / 10 / 17

HEX #21D3BE

RGB 33 211 190

HSL 172.92, 0.73%, 0.48%

LAB 76.45, -46.32, -1.54

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 24 / 0 / 84 / 17

HEX #A1D321

RGB 161 211 33

HSL 76.85, 0.73%, 0.48%

LAB 78.62, -38.65, 73.21

 

CMYK 84 / 24 / 0 / 17

HEX #21A1D3

RGB 33 161 211

HSL 196.85, 0.73%, 0.48%

LAB 62.1, -15.71, -34.78

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 44 / 84 / 17

HEX #D37721

RGB 211 119 33

HSL 28.99, 0.73%, 0.48%

LAB 59.12, 30.24, 58.36

 

CMYK 84 / 0 / 61 / 17

HEX #21D353

RGB 33 211 83

HSL 136.85, 0.73%, 0.48%

LAB 74.53, -67.81, 50.51

 

CMYK 84 / 41 / 0 / 17

HEX #217DD3

RGB 33 125 211

HSL 208.99, 0.73%, 0.48%

LAB 51.49, 5.09, -51.51

 

CMYK 0 / 84 / 25 / 17

HEX #D3219E

RGB 211 33 158

HSL 317.87, 0.73%, 0.48%

LAB 48.77, 74.3, -23.94

 

CMYK 0 / 18 / 84 / 17

HEX #D3AD21

RGB 211 173 33

HSL 47.19, 0.73%, 0.48%

LAB 72.13, 1.24, 69.29

 

CMYK 84 / 0 / 61 / 17

HEX #21D353

RGB 33 211 83

HSL 136.85, 0.73%, 0.48%

LAB 74.53, -67.81, 50.51

 

CMYK 84 / 66 / 0 / 17

HEX #2147D3

RGB 33 71 211

HSL 227.19, 0.73%, 0.48%

LAB 36.99, 39.6, -75.03

 

Description

Color code: HEX #D3219E | qconv.com Color code: HEX #D3219E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 33 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 33 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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