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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D31BF7 it is the complementary color #2CE408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D31BF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D31BF7 shade: #D81BF2, #E92DFF, #FA3FFF, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D31BF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D31BF7 shade: #D31BF7, #C209E4, #B100D1, #A000BE and #8F00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D31BF7 shade: #D31CF6, #F61CDF, #F61CA4, #F61C69 and #F61C2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D31BF7 shade: #D31CF6, #981CF6, #5D1CF6, #221CF6 and #1C1CF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D31BF7 shade matches the following richer shades: #D31CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D31BF7 shade: #D31CF6, #C62FE3, #B942D0, #AC55BD and #A068AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D31BF7 shade: #5E1CF6, #981CF6, #D21CF6, #F61CE0 and #F61CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D31BF7 shade: #9C06BA, #BE08E1, #D31CF6, #DA44F8 and #E26CF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D31BF7 shade: #D31BF7, #F6231C and #1CF67B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D31BF7 shade: #D31BF7, #F6D21C and #1CF6D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D31BF7 shade: #D31BF7, #F6231C, #40F61C and #1CEFF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D31BF7 shade: #D31BF7, #F6651C, #40F61C and #1CAEF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

Complementary color

CMYK 81 / 0 / 96 / 11

HEX #2CE408

RGB 44 228 8

HSL 110.18, 0.93%, 0.46%

LAB 79.64, -76.29, 76.1

 

CMYK 11 / 89 / 0 / 5

HEX #D81BF2

RGB 216 27 242

HSL 292.74, 0.89%, 0.53%

LAB 53.81, 88.05, -64.41

 

CMYK 9 / 82 / 0 / 0

HEX #E92DFF

RGB 233 45 255

HSL 293.71, 1%, 0.59%

LAB 58.43, 89.65, -64.07

 

CMYK 2 / 75 / 0 / 0

HEX #FA3FFF

RGB 250 63 255

HSL 298.44, 1%, 0.62%

LAB 62.59, 88.37, -57.26

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

CMYK 15 / 96 / 0 / 11

HEX #C209E4

RGB 194 9 228

HSL 290.68, 0.92%, 0.46%

LAB 48.59, 84.51, -65.12

 

CMYK 15 / 100 / 0 / 18

HEX #B100D1

RGB 177 0 209

HSL 290.81, 1%, 0.41%

LAB 44.16, 79.75, -61.55

 

CMYK 16 / 100 / 0 / 25

HEX #A000BE

RGB 160 0 190

HSL 290.53, 1%, 0.37%

LAB 39.9, 74.16, -57.53

 

CMYK 16 / 100 / 0 / 33

HEX #8F00AB

RGB 143 0 171

HSL 290.18, 1%, 0.34%

LAB 35.56, 68.47, -53.43

 

CMYK 14 / 89 / 0 / 4

HEX #D31CF6

RGB 211 28 246

HSL 290.37, 0.92%, 0.54%

LAB 53.31, 87.78, -67.49

 

CMYK 0 / 89 / 9 / 4

HEX #F61CDF

RGB 246 28 223

HSL 306.33, 0.92%, 0.54%

LAB 57.8, 90.15, -47.05

 

CMYK 0 / 89 / 33 / 4

HEX #F61CA4

RGB 246 28 164

HSL 322.57, 0.92%, 0.54%

LAB 55.18, 83.24, -17.1

 

CMYK 0 / 89 / 57 / 4

HEX #F61C69

RGB 246 28 105

HSL 338.81, 0.92%, 0.54%

LAB 53.43, 78.43, 15.63

 

CMYK 0 / 89 / 81 / 4

HEX #F61C2F

RGB 246 28 47

HSL 354.77, 0.92%, 0.54%

LAB 52.54, 75.9, 48.42

 

CMYK 14 / 89 / 0 / 4

HEX #D31CF6

RGB 211 28 246

HSL 290.37, 0.92%, 0.54%

LAB 53.31, 87.78, -67.49

 

CMYK 38 / 89 / 0 / 4

HEX #981CF6

RGB 152 28 246

HSL 274.13, 0.92%, 0.54%

LAB 44.46, 79.82, -82.29

 

CMYK 62 / 89 / 0 / 4

HEX #5D1CF6

RGB 93 28 246

HSL 257.89, 0.92%, 0.54%

LAB 37.5, 74.34, -94.01

 

CMYK 86 / 89 / 0 / 4

HEX #221CF6

RGB 34 28 246

HSL 241.65, 0.92%, 0.54%

LAB 33.61, 71.72, -100.59

 

CMYK 89 / 89 / 0 / 4

HEX #1C1CF6

RGB 28 28 246

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.6, -100.92

 

CMYK 14 / 89 / 0 / 4

HEX #D31CF6

RGB 211 28 246

HSL 290.37, 0.92%, 0.54%

LAB 53.31, 87.78, -67.49

 

CMYK 14 / 89 / 0 / 4

HEX #D31CF6

RGB 211 28 246

HSL 290.37, 0.92%, 0.54%

LAB 53.31, 87.78, -67.49

 

CMYK 13 / 79 / 0 / 11

HEX #C62FE3

RGB 198 47 227

HSL 290.33, 0.76%, 0.54%

LAB 51.36, 78.53, -60.04

 

CMYK 11 / 68 / 0 / 18

HEX #B942D0

RGB 185 66 208

HSL 290.28, 0.6%, 0.54%

LAB 50.41, 66.37, -50.86

 

CMYK 9 / 55 / 0 / 26

HEX #AC55BD

RGB 172 85 189

HSL 290.19, 0.44%, 0.54%

LAB 50.62, 51.18, -39.69

 

CMYK 6 / 39 / 0 / 33

HEX #A068AA

RGB 160 104 170

HSL 290.91, 0.28%, 0.54%

LAB 52.15, 33.73, -26.38

 

CMYK 62 / 89 / 0 / 4

HEX #5E1CF6

RGB 94 28 246

HSL 258.17, 0.92%, 0.54%

LAB 37.6, 74.41, -93.85

 

CMYK 38 / 89 / 0 / 4

HEX #981CF6

RGB 152 28 246

HSL 274.13, 0.92%, 0.54%

LAB 44.46, 79.82, -82.29

 

CMYK 15 / 89 / 0 / 4

HEX #D21CF6

RGB 210 28 246

HSL 290.09, 0.92%, 0.54%

LAB 53.15, 87.63, -67.76

 

CMYK 0 / 89 / 9 / 4

HEX #F61CE0

RGB 246 28 224

HSL 306.06, 0.92%, 0.54%

LAB 57.85, 90.29, -47.53

 

CMYK 0 / 89 / 33 / 4

HEX #F61CA6

RGB 246 28 166

HSL 322.02, 0.92%, 0.54%

LAB 55.25, 83.45, -18.16

 

CMYK 16 / 97 / 0 / 27

HEX #9C06BA

RGB 156 6 186

HSL 290, 0.94%, 0.38%

LAB 39.14, 72.24, -56.43

 

CMYK 16 / 96 / 0 / 12

HEX #BE08E1

RGB 190 8 225

HSL 290.32, 0.93%, 0.46%

LAB 47.7, 83.53, -64.89

 

CMYK 14 / 89 / 0 / 4

HEX #D31CF6

RGB 211 28 246

HSL 290.37, 0.92%, 0.54%

LAB 53.31, 87.78, -67.49

 

CMYK 12 / 73 / 0 / 3

HEX #DA44F8

RGB 218 68 248

HSL 290, 0.93%, 0.62%

LAB 57.86, 79.59, -61.22

 

CMYK 9 / 57 / 0 / 2

HEX #E26CF9

RGB 226 108 249

HSL 290.21, 0.92%, 0.7%

LAB 64.75, 65.61, -50.74

 

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

CMYK 0 / 86 / 89 / 4

HEX #F6231C

RGB 246 35 28

HSL 1.93, 0.92%, 0.54%

LAB 52.82, 74.34, 57.69

 

CMYK 89 / 0 / 50 / 4

HEX #1CF67B

RGB 28 246 123

HSL 146.15, 0.92%, 0.54%

LAB 85.8, -73.68, 45.62

 

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

CMYK 0 / 15 / 89 / 4

HEX #F6D21C

RGB 246 210 28

HSL 50.09, 0.92%, 0.54%

LAB 84.88, -2.92, 82.03

 

CMYK 89 / 0 / 15 / 4

HEX #1CF6D2

RGB 28 246 210

HSL 170.09, 0.92%, 0.54%

LAB 87.39, -55.77, 3.81

 

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

CMYK 0 / 86 / 89 / 4

HEX #F6231C

RGB 246 35 28

HSL 1.93, 0.92%, 0.54%

LAB 52.82, 74.34, 57.69

 

CMYK 74 / 0 / 89 / 4

HEX #40F61C

RGB 64 246 28

HSL 110.09, 0.92%, 0.54%

LAB 85.55, -78.37, 78.69

 

CMYK 89 / 3 / 0 / 4

HEX #1CEFF6

RGB 28 239 246

HSL 181.93, 0.92%, 0.54%

LAB 86.32, -42.93, -16.62

 

CMYK 15 / 89 / 0 / 3

HEX #D31BF7

RGB 211 27 247

HSL 290.18, 0.93%, 0.54%

LAB 53.33, 88.09, -68.02

 

CMYK 0 / 59 / 89 / 4

HEX #F6651C

RGB 246 101 28

HSL 20.09, 0.92%, 0.54%

LAB 60.77, 52.55, 63.55

 

CMYK 74 / 0 / 89 / 4

HEX #40F61C

RGB 64 246 28

HSL 110.09, 0.92%, 0.54%

LAB 85.55, -78.37, 78.69

 

CMYK 89 / 29 / 0 / 4

HEX #1CAEF6

RGB 28 174 246

HSL 199.82, 0.92%, 0.54%

LAB 67.41, -10.77, -45.73

 

Description

Color code: HEX #D31BF7 | qconv.com Color code: HEX #D31BF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 27 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 27 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 89 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 89% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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