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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D31BD5 it is the complementary color #2CE42A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D31BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D31BD5 shade: #D81BD0, #E92DE3, #FA3FF6, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D31BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D31BD5 shade: #D31BD5, #C209C2, #B100AF, #A0009C and #8F0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D31BD5 shade: #D31AD5, #D51AA4, #D51A72, #D51A40 and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D31BD5 shade: #D31AD5, #A01AD5, #6E1AD5, #3C1AD5 and #1A1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D31BD5 shade matches the following richer shades: #D31AD5 and #E606E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D31BD5 shade: #D31AD5, #C02DC1, #AD41AE, #9A549B and #876787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D31BD5 shade: #6E1AD5, #A01AD5, #D21AD5, #D51AA6 and #D51A74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D31BD5 shade: #8A118B, #AE15B0, #D31AD5, #E333E5 and #E857EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D31BD5 shade: #D31BD5, #D53C1A and #1AD587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D31BD5 shade: #D31BD5, #D5D21A and #1AD5D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D31BD5 shade: #D31BD5, #D53C1A, #1DD51A and #1AB3D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D31BD5 shade: #D31BD5, #D5741A, #1DD51A and #1A7AD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

Complementary color

CMYK 81 / 0 / 82 / 11

HEX #2CE42A

RGB 44 228 42

HSL 119.35, 0.78%, 0.53%

LAB 79.72, -75.21, 70.51

 

CMYK 0 / 88 / 4 / 15

HEX #D81BD0

RGB 216 27 208

HSL 302.54, 0.78%, 0.48%

LAB 51.77, 82.9, -48.4

 

CMYK 0 / 81 / 3 / 9

HEX #E92DE3

RGB 233 45 227

HSL 301.91, 0.81%, 0.55%

LAB 56.83, 85.38, -50.99

 

CMYK 0 / 75 / 2 / 2

HEX #FA3FF6

RGB 250 63 246

HSL 301.28, 0.95%, 0.61%

LAB 62.11, 87.01, -53.05

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

CMYK 0 / 95 / 0 / 24

HEX #C209C2

RGB 194 9 194

HSL 300, 0.91%, 0.4%

LAB 46.39, 79.21, -49.11

 

CMYK 0 / 100 / 1 / 31

HEX #B100AF

RGB 177 0 175

HSL 300.68, 1%, 0.35%

LAB 41.91, 74.42, -45.27

 

CMYK 0 / 100 / 2 / 37

HEX #A0009C

RGB 160 0 156

HSL 301.5, 1%, 0.31%

LAB 37.62, 68.74, -40.92

 

CMYK 0 / 100 / 4 / 44

HEX #8F0089

RGB 143 0 137

HSL 302.52, 1%, 0.28%

LAB 33.23, 62.96, -36.44

 

CMYK 1 / 88 / 0 / 16

HEX #D31AD5

RGB 211 26 213

HSL 299.36, 0.78%, 0.47%

LAB 51.14, 82.91, -52.32

 

CMYK 0 / 88 / 23 / 16

HEX #D51AA4

RGB 213 26 164

HSL 315.72, 0.78%, 0.47%

LAB 48.96, 76.69, -27.17

 

CMYK 0 / 88 / 46 / 16

HEX #D51A72

RGB 213 26 114

HSL 331.76, 0.78%, 0.47%

LAB 47.11, 71.6, 0.27

 

CMYK 0 / 88 / 70 / 16

HEX #D51A40

RGB 213 26 64

HSL 347.81, 0.78%, 0.47%

LAB 45.98, 68.42, 29.59

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 1 / 88 / 0 / 16

HEX #D31AD5

RGB 211 26 213

HSL 299.36, 0.78%, 0.47%

LAB 51.14, 82.91, -52.32

 

CMYK 25 / 88 / 0 / 16

HEX #A01AD5

RGB 160 26 213

HSL 282.99, 0.78%, 0.47%

LAB 42.79, 74.79, -66.22

 

CMYK 48 / 88 / 0 / 16

HEX #6E1AD5

RGB 110 26 213

HSL 266.95, 0.78%, 0.47%

LAB 35.71, 68.49, -78.09

 

CMYK 72 / 88 / 0 / 16

HEX #3C1AD5

RGB 60 26 213

HSL 250.91, 0.78%, 0.47%

LAB 30.65, 64.51, -86.63

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 1 / 88 / 0 / 16

HEX #D31AD5

RGB 211 26 213

HSL 299.36, 0.78%, 0.47%

LAB 51.14, 82.91, -52.32

 

CMYK 1 / 97 / 0 / 9

HEX #E606E8

RGB 230 6 232

HSL 299.47, 0.95%, 0.47%

LAB 54.84, 90.76, -57

 

CMYK 1 / 88 / 0 / 16

HEX #D31AD5

RGB 211 26 213

HSL 299.36, 0.78%, 0.47%

LAB 51.14, 82.91, -52.32

 

CMYK 1 / 77 / 0 / 24

HEX #C02DC1

RGB 192 45 193

HSL 299.59, 0.62%, 0.47%

LAB 48.18, 72.31, -45.7

 

CMYK 1 / 63 / 0 / 32

HEX #AD41AE

RGB 173 65 174

HSL 299.45, 0.46%, 0.47%

LAB 46.61, 57.87, -37.26

 

CMYK 1 / 46 / 0 / 39

HEX #9A549B

RGB 154 84 155

HSL 299.15, 0.3%, 0.47%

LAB 46.41, 39.88, -26.51

 

CMYK 0 / 24 / 0 / 47

HEX #876787

RGB 135 103 135

HSL 300, 0.13%, 0.47%

LAB 47.75, 18.66, -12.73

 

CMYK 48 / 88 / 0 / 16

HEX #6E1AD5

RGB 110 26 213

HSL 266.95, 0.78%, 0.47%

LAB 35.71, 68.49, -78.09

 

CMYK 25 / 88 / 0 / 16

HEX #A01AD5

RGB 160 26 213

HSL 282.99, 0.78%, 0.47%

LAB 42.79, 74.79, -66.22

 

CMYK 1 / 88 / 0 / 16

HEX #D21AD5

RGB 210 26 213

HSL 299.04, 0.78%, 0.47%

LAB 50.97, 82.74, -52.6

 

CMYK 0 / 88 / 22 / 16

HEX #D51AA6

RGB 213 26 166

HSL 315.08, 0.78%, 0.47%

LAB 49.05, 76.93, -28.22

 

CMYK 0 / 88 / 46 / 16

HEX #D51A74

RGB 213 26 116

HSL 331.12, 0.78%, 0.47%

LAB 47.17, 71.77, -0.88

 

CMYK 1 / 88 / 0 / 45

HEX #8A118B

RGB 138 17 139

HSL 299.51, 0.78%, 0.31%

LAB 33.28, 59.82, -37.66

 

CMYK 1 / 88 / 0 / 31

HEX #AE15B0

RGB 174 21 176

HSL 299.23, 0.79%, 0.39%

LAB 42.26, 71.61, -45.34

 

CMYK 1 / 88 / 0 / 16

HEX #D31AD5

RGB 211 26 213

HSL 299.36, 0.78%, 0.47%

LAB 51.14, 82.91, -52.32

 

CMYK 1 / 78 / 0 / 10

HEX #E333E5

RGB 227 51 229

HSL 299.33, 0.77%, 0.55%

LAB 56.44, 83.15, -52.78

 

CMYK 1 / 63 / 0 / 8

HEX #E857EA

RGB 232 87 234

HSL 299.18, 0.78%, 0.63%

LAB 61.58, 73.33, -47.39

 

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

CMYK 0 / 72 / 88 / 16

HEX #D53C1A

RGB 213 60 26

HSL 10.91, 0.78%, 0.47%

LAB 48.83, 58.13, 52.7

 

CMYK 88 / 0 / 37 / 16

HEX #1AD587

RGB 26 213 135

HSL 154.97, 0.78%, 0.47%

LAB 75.8, -60.65, 26.73

 

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

CMYK 0 / 1 / 88 / 16

HEX #D5D21A

RGB 213 210 26

HSL 59.04, 0.78%, 0.47%

LAB 82.01, -17.02, 78.9

 

CMYK 88 / 0 / 1 / 16

HEX #1AD5D2

RGB 26 213 210

HSL 179.04, 0.78%, 0.47%

LAB 77.56, -41.99, -10.66

 

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

CMYK 0 / 72 / 88 / 16

HEX #D53C1A

RGB 213 60 26

HSL 10.91, 0.78%, 0.47%

LAB 48.83, 58.13, 52.7

 

CMYK 86 / 0 / 88 / 16

HEX #1DD51A

RGB 29 213 26

HSL 119.04, 0.78%, 0.47%

LAB 74.78, -73.13, 69.59

 

CMYK 88 / 16 / 0 / 16

HEX #1AB3D5

RGB 26 179 213

HSL 190.91, 0.78%, 0.47%

LAB 67.47, -24.92, -27.57

 

CMYK 1 / 87 / 0 / 16

HEX #D31BD5

RGB 211 27 213

HSL 299.35, 0.78%, 0.47%

LAB 51.19, 82.76, -52.23

 

CMYK 0 / 46 / 88 / 16

HEX #D5741A

RGB 213 116 26

HSL 28.88, 0.78%, 0.47%

LAB 58.71, 32.48, 60.44

 

CMYK 86 / 0 / 88 / 16

HEX #1DD51A

RGB 29 213 26

HSL 119.04, 0.78%, 0.47%

LAB 74.78, -73.13, 69.59

 

CMYK 88 / 43 / 0 / 16

HEX #1A7AD5

RGB 26 122 213

HSL 209.2, 0.78%, 0.47%

LAB 50.62, 7.21, -54.04

 

Description

Color code: HEX #D31BD5 | qconv.com Color code: HEX #D31BD5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 27 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 27 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 87 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 87% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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