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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D30D07 it is the complementary color #2CF2F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D30D07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D30D07 shade: #D80D02, #E91F15, #FA3128, #FF433B and #FF554E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D30D07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D30D07 shade: #D30D07, #C20000, #B10000, #A00000 and #8F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D30D07 shade: #D40C06 and #D40606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D30D07 shade: #D40C06, #D44406, #D47B06, #D4B306 and #BED406

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D30D07 shade matches the following richer shades: #D40C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D30D07 shade: #D40C06, #C21D18, #B12E2A, #9F3E3B and #8D4F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D30D07 shade: #D40671, #D4063A, #D40A06, #D44006 and #D47706

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D30D07 shade: #840704, #AC0A05, #D40C06, #F7130D and #F83A35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D30D07 shade: #D30D07, #A8D406 and #0655D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D30D07 shade: #D30D07, #06D40A and #0A06D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D30D07 shade: #D30D07, #A8D406, #06D1D4 and #3306D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D30D07 shade: #D30D07, #6AD406, #06D1D4 and #7106D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

Complementary color

CMYK 82 / 2 / 0 / 3

HEX #2CF2F8

RGB 44 242 248

HSL 181.76, 0.94%, 0.57%

LAB 87.4, -42.76, -16.04

 

CMYK 0 / 94 / 99 / 15

HEX #D80D02

RGB 216 13 2

HSL 3.08, 0.98%, 0.43%

LAB 45.48, 69.54, 58.81

 

CMYK 0 / 87 / 91 / 9

HEX #E91F15

RGB 233 31 21

HSL 2.83, 0.83%, 0.5%

LAB 49.93, 71.56, 57.21

 

CMYK 0 / 80 / 84 / 2

HEX #FA3128

RGB 250 49 40

HSL 2.57, 0.95%, 0.57%

LAB 54.73, 72.61, 54.23

 

CMYK 0 / 74 / 77 / 0

HEX #FF433B

RGB 255 67 59

HSL 2.45, 1%, 0.62%

LAB 57.65, 69.46, 47.8

 

CMYK 0 / 67 / 69 / 0

HEX #FF554E

RGB 255 85 78

HSL 2.37, 1%, 0.65%

LAB 60.17, 63.88, 40.33

 

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

CMYK 0 / 100 / 100 / 24

HEX #C20000

RGB 194 0 0

HSL 0, 1%, 0.38%

LAB 40.36, 65.21, 54.72

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 97 / 97 / 17

HEX #D40606

RGB 212 6 6

HSL 0, 0.94%, 0.43%

LAB 44.43, 69.2, 56.62

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 68 / 97 / 17

HEX #D44406

RGB 212 68 6

HSL 18.06, 0.94%, 0.43%

LAB 49.67, 54.51, 59.31

 

CMYK 0 / 42 / 97 / 17

HEX #D47B06

RGB 212 123 6

HSL 34.08, 0.94%, 0.43%

LAB 60.05, 28.07, 65.73

 

CMYK 0 / 16 / 97 / 17

HEX #D4B306

RGB 212 179 6

HSL 50.39, 0.94%, 0.43%

LAB 73.71, -1.93, 75.25

 

CMYK 10 / 0 / 97 / 17

HEX #BED406

RGB 190 212 6

HSL 66.41, 0.94%, 0.43%

LAB 80.77, -27.94, 79.67

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 85 / 88 / 24

HEX #C21D18

RGB 194 29 24

HSL 1.76, 0.78%, 0.43%

LAB 41.87, 61.48, 46.51

 

CMYK 0 / 74 / 76 / 31

HEX #B12E2A

RGB 177 46 42

HSL 1.78, 0.62%, 0.43%

LAB 40.36, 52.11, 34.34

 

CMYK 0 / 61 / 63 / 38

HEX #9F3E3B

RGB 159 62 59

HSL 1.8, 0.46%, 0.43%

LAB 39.8, 40.14, 22.73

 

CMYK 0 / 44 / 45 / 45

HEX #8D4F4D

RGB 141 79 77

HSL 1.88, 0.29%, 0.43%

LAB 40.88, 25.74, 12.59

 

CMYK 0 / 97 / 47 / 17

HEX #D40671

RGB 212 6 113

HSL 328.83, 0.94%, 0.43%

LAB 46.07, 73.64, -0.65

 

CMYK 0 / 97 / 73 / 17

HEX #D4063A

RGB 212 6 58

HSL 344.85, 0.94%, 0.43%

LAB 44.85, 70.34, 31.82

 

CMYK 0 / 95 / 97 / 17

HEX #D40A06

RGB 212 10 6

HSL 1.17, 0.94%, 0.43%

LAB 44.56, 68.85, 56.68

 

CMYK 0 / 70 / 97 / 17

HEX #D44006

RGB 212 64 6

HSL 16.89, 0.94%, 0.43%

LAB 49.1, 56.06, 59

 

CMYK 0 / 44 / 97 / 17

HEX #D47706

RGB 212 119 6

HSL 32.91, 0.94%, 0.43%

LAB 59.16, 30.2, 65.15

 

CMYK 0 / 95 / 97 / 48

HEX #840704

RGB 132 7 4

HSL 1.41, 0.94%, 0.27%

LAB 26.92, 47.95, 38.04

 

CMYK 0 / 94 / 97 / 33

HEX #AC0A05

RGB 172 10 5

HSL 1.8, 0.94%, 0.35%

LAB 35.98, 58.48, 48.07

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 92 / 95 / 3

HEX #F7130D

RGB 247 19 13

HSL 1.54, 0.94%, 0.51%

LAB 52.14, 76.77, 62.56

 

CMYK 0 / 77 / 79 / 3

HEX #F83A35

RGB 248 58 53

HSL 1.54, 0.93%, 0.59%

LAB 55.32, 69.98, 48.15

 

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

CMYK 21 / 0 / 97 / 17

HEX #A8D406

RGB 168 212 6

HSL 72.82, 0.94%, 0.43%

LAB 79.29, -36.88, 77.89

 

CMYK 97 / 60 / 0 / 17

HEX #0655D4

RGB 6 85 212

HSL 216.99, 0.94%, 0.43%

LAB 40.06, 29.79, -70.58

 

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

CMYK 97 / 0 / 95 / 17

HEX #06D40A

RGB 6 212 10

HSL 121.17, 0.94%, 0.43%

LAB 74.28, -74.57, 71.41

 

CMYK 95 / 97 / 0 / 17

HEX #0A06D4

RGB 10 6 212

HSL 241.17, 0.94%, 0.43%

LAB 26.59, 67.78, -92.88

 

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

CMYK 21 / 0 / 97 / 17

HEX #A8D406

RGB 168 212 6

HSL 72.82, 0.94%, 0.43%

LAB 79.29, -36.88, 77.89

 

CMYK 97 / 1 / 0 / 17

HEX #06D1D4

RGB 6 209 212

HSL 180.87, 0.94%, 0.43%

LAB 76.31, -40.33, -13.61

 

CMYK 76 / 97 / 0 / 17

HEX #3306D4

RGB 51 6 212

HSL 253.11, 0.94%, 0.43%

LAB 28.35, 68.52, -89.9

 

CMYK 0 / 94 / 97 / 17

HEX #D30D07

RGB 211 13 7

HSL 1.76, 0.94%, 0.43%

LAB 44.45, 68.31, 56.2

 

CMYK 50 / 0 / 97 / 17

HEX #6AD406

RGB 106 212 6

HSL 90.87, 0.94%, 0.43%

LAB 76.17, -58.68, 74.12

 

CMYK 97 / 1 / 0 / 17

HEX #06D1D4

RGB 6 209 212

HSL 180.87, 0.94%, 0.43%

LAB 76.31, -40.33, -13.61

 

CMYK 47 / 97 / 0 / 17

HEX #7106D4

RGB 113 6 212

HSL 271.17, 0.94%, 0.43%

LAB 34.79, 72.18, -79.01

 

Description

Color code: HEX #D30D07 | qconv.com Color code: HEX #D30D07 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 13 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 13 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 97 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 97% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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