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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D30BD4 it is the complementary color #2CF42B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D30BD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D30BD4 shade: #D80BCF, #E91DE2, #FA2FF5, #FF41FF and #FF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D30BD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D30BD4 shade: #D30BD4, #C200C1, #B100AE, #A0009B and #8F0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D30BD4 shade: #D40BD5, #D50B9F, #D50B69, #D50B32 and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D30BD4 shade: #D40BD5, #9D0BD5, #670BD5, #300BD5 and #0B0BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D30BD4 shade matches the following richer shades: #D40BD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D30BD4 shade: #D40BD5, #C21DC3, #B02FB0, #9E419E and #8C538C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D30BD4 shade: #660BD5, #9B0BD5, #D10BD5, #D50BA2 and #D50B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D30BD4 shade: #860786, #AD09AD, #D40BD5, #F116F2 and #F33EF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D30BD4 shade: #D30BD4, #D5300B and #0BD581

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D30BD4 shade: #D30BD4, #D5D10B and #0BD5D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D30BD4 shade: #D30BD4, #D5300B, #0ED50B and #0BB0D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D30BD4 shade: #D30BD4, #D56C0B, #0ED50B and #0B73D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

Complementary color

CMYK 82 / 0 / 82 / 4

HEX #2CF42B

RGB 44 244 43

HSL 119.7, 0.9%, 0.56%

LAB 84.7, -79.7, 74.81

 

CMYK 0 / 95 / 4 / 15

HEX #D80BCF

RGB 216 11 207

HSL 302.63, 0.9%, 0.45%

LAB 51.09, 84.59, -48.91

 

CMYK 0 / 88 / 3 / 9

HEX #E91DE2

RGB 233 29 226

HSL 302.06, 0.82%, 0.51%

LAB 55.78, 88.14, -52.09

 

CMYK 0 / 81 / 2 / 2

HEX #FA2FF5

RGB 250 47 245

HSL 301.48, 0.95%, 0.58%

LAB 60.74, 90.69, -54.68

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

CMYK 0 / 100 / 1 / 24

HEX #C200C1

RGB 194 0 193

HSL 300.31, 1%, 0.38%

LAB 46.07, 79.84, -49.04

 

CMYK 0 / 100 / 2 / 31

HEX #B100AE

RGB 177 0 174

HSL 301.02, 1%, 0.35%

LAB 41.85, 74.27, -44.78

 

CMYK 0 / 100 / 3 / 37

HEX #A0009B

RGB 160 0 155

HSL 301.88, 1%, 0.31%

LAB 37.55, 68.6, -40.41

 

CMYK 0 / 100 / 5 / 44

HEX #8F0088

RGB 143 0 136

HSL 302.94, 1%, 0.28%

LAB 33.17, 62.81, -35.92

 

CMYK 0 / 95 / 0 / 16

HEX #D40BD5

RGB 212 11 213

HSL 299.7, 0.9%, 0.44%

LAB 50.73, 84.79, -52.96

 

CMYK 0 / 95 / 25 / 16

HEX #D50B9F

RGB 213 11 159

HSL 316.04, 0.9%, 0.44%

LAB 48.12, 77.93, -25.5

 

CMYK 0 / 95 / 51 / 16

HEX #D50B69

RGB 213 11 105

HSL 332.08, 0.9%, 0.44%

LAB 46.18, 72.81, 4.5

 

CMYK 0 / 95 / 77 / 16

HEX #D50B32

RGB 213 11 50

HSL 348.42, 0.9%, 0.44%

LAB 45.1, 69.85, 36.95

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 0 / 16

HEX #D40BD5

RGB 212 11 213

HSL 299.7, 0.9%, 0.44%

LAB 50.73, 84.79, -52.96

 

CMYK 26 / 95 / 0 / 16

HEX #9D0BD5

RGB 157 11 213

HSL 283.37, 0.9%, 0.44%

LAB 41.55, 76.66, -68.25

 

CMYK 52 / 95 / 0 / 16

HEX #670BD5

RGB 103 11 213

HSL 267.33, 0.9%, 0.44%

LAB 33.83, 70.87, -81.22

 

CMYK 77 / 95 / 0 / 16

HEX #300BD5

RGB 48 11 213

HSL 250.99, 0.9%, 0.44%

LAB 28.57, 67.79, -90.12

 

CMYK 95 / 95 / 0 / 16

HEX #0B0BD5

RGB 11 11 213

HSL 240, 0.9%, 0.44%

LAB 27.06, 67.09, -92.67

 

CMYK 0 / 95 / 0 / 16

HEX #D40BD5

RGB 212 11 213

HSL 299.7, 0.9%, 0.44%

LAB 50.73, 84.79, -52.96

 

CMYK 0 / 95 / 0 / 16

HEX #D40BD5

RGB 212 11 213

HSL 299.7, 0.9%, 0.44%

LAB 50.73, 84.79, -52.96

 

CMYK 1 / 85 / 0 / 24

HEX #C21DC3

RGB 194 29 195

HSL 299.64, 0.74%, 0.44%

LAB 47.35, 76.71, -48.16

 

CMYK 0 / 73 / 0 / 31

HEX #B02FB0

RGB 176 47 176

HSL 300, 0.58%, 0.44%

LAB 44.8, 65.64, -41.27

 

CMYK 0 / 59 / 0 / 38

HEX #9E419E

RGB 158 65 158

HSL 300, 0.42%, 0.44%

LAB 43.53, 51.14, -32.76

 

CMYK 0 / 41 / 0 / 45

HEX #8C538C

RGB 140 83 140

HSL 300, 0.26%, 0.44%

LAB 43.73, 33.03, -21.82

 

CMYK 52 / 95 / 0 / 16

HEX #660BD5

RGB 102 11 213

HSL 267.03, 0.9%, 0.44%

LAB 33.71, 70.79, -81.43

 

CMYK 27 / 95 / 0 / 16

HEX #9B0BD5

RGB 155 11 213

HSL 282.77, 0.9%, 0.44%

LAB 41.24, 76.4, -68.78

 

CMYK 2 / 95 / 0 / 16

HEX #D10BD5

RGB 209 11 213

HSL 298.81, 0.9%, 0.44%

LAB 50.21, 84.3, -53.82

 

CMYK 0 / 95 / 24 / 16

HEX #D50BA2

RGB 213 11 162

HSL 315.15, 0.9%, 0.44%

LAB 48.25, 78.27, -27.09

 

CMYK 0 / 95 / 49 / 16

HEX #D50B6C

RGB 213 11 108

HSL 331.19, 0.9%, 0.44%

LAB 46.27, 73.04, 2.76

 

CMYK 0 / 95 / 0 / 47

HEX #860786

RGB 134 7 134

HSL 300, 0.9%, 0.28%

LAB 31.67, 59.89, -37.17

 

CMYK 0 / 95 / 0 / 32

HEX #AD09AD

RGB 173 9 173

HSL 300, 0.9%, 0.36%

LAB 41.37, 72.54, -44.99

 

CMYK 0 / 95 / 0 / 16

HEX #D40BD5

RGB 212 11 213

HSL 299.7, 0.9%, 0.44%

LAB 50.73, 84.79, -52.96

 

CMYK 0 / 91 / 0 / 5

HEX #F116F2

RGB 241 22 242

HSL 299.73, 0.89%, 0.52%

LAB 57.74, 92.65, -57.88

 

CMYK 0 / 75 / 0 / 4

HEX #F33EF4

RGB 243 62 244

HSL 299.67, 0.89%, 0.6%

LAB 60.81, 85.62, -54.07

 

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

CMYK 0 / 77 / 95 / 16

HEX #D5300B

RGB 213 48 11

HSL 10.99, 0.9%, 0.44%

LAB 47.35, 61.85, 56.85

 

CMYK 95 / 0 / 39 / 16

HEX #0BD581

RGB 11 213 129

HSL 155.05, 0.9%, 0.44%

LAB 75.6, -62.57, 29.55

 

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

CMYK 0 / 2 / 95 / 16

HEX #D5D10B

RGB 213 209 11

HSL 58.81, 0.9%, 0.44%

LAB 81.71, -16.74, 80.7

 

CMYK 95 / 0 / 2 / 16

HEX #0BD5D1

RGB 11 213 209

HSL 178.81, 0.9%, 0.44%

LAB 77.44, -42.87, -10.31

 

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

CMYK 0 / 77 / 95 / 16

HEX #D5300B

RGB 213 48 11

HSL 10.99, 0.9%, 0.44%

LAB 47.35, 61.85, 56.85

 

CMYK 93 / 0 / 95 / 16

HEX #0ED50B

RGB 14 213 11

HSL 119.11, 0.9%, 0.44%

LAB 74.64, -74.5, 71.62

 

CMYK 95 / 17 / 0 / 16

HEX #0BB0D5

RGB 11 176 213

HSL 190.99, 0.9%, 0.44%

LAB 66.46, -24.05, -29.13

 

CMYK 0 / 95 / 0 / 17

HEX #D30BD4

RGB 211 11 212

HSL 299.7, 0.9%, 0.44%

LAB 50.5, 84.48, -52.77

 

CMYK 0 / 49 / 95 / 16

HEX #D56C0B

RGB 213 108 11

HSL 28.81, 0.9%, 0.44%

LAB 56.97, 36.4, 62.9

 

CMYK 93 / 0 / 95 / 16

HEX #0ED50B

RGB 14 213 11

HSL 119.11, 0.9%, 0.44%

LAB 74.64, -74.5, 71.62

 

CMYK 95 / 46 / 0 / 16

HEX #0B73D5

RGB 11 115 213

HSL 209.11, 0.9%, 0.44%

LAB 48.43, 10.88, -57.57

 

Description

Color code: HEX #D30BD4 | qconv.com Color code: HEX #D30BD4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 11 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 11 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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