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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2EE5D it is the complementary color #2D11A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2EE5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2EE5D shade: #D7EE58, #E8FF6B, #F9FF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2EE5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2EE5D shade: #D2EE5D, #C1DC4A, #B0CA37, #9FB824 and #8EA611

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2EE5D shade: #D2EE5D, #EEE25D, #EEBB5D, #EE955D and #EE6E5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2EE5D shade: #D2EE5D, #ABEE5D, #84EE5D, #5DEE5D and #5DEE84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2EE5D shade matches the following richer shades: #D2EE5D and #DAFC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2EE5D shade: #D2EE5D, #C9DF6B, #C0D17A, #B7C288 and #AEB497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2EE5D shade: #EEBB5D, #EEE15D, #D3EE5D, #ACEE5D and #86EE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2EE5D shade: #BAE117, #C7EA38, #D2EE5D, #DCF182 and #E6F5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2EE5D shade: #D2EE5D, #5DEE94 and #CE5DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2EE5D shade: #D2EE5D, #5DD3EE and #EE5DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2EE5D shade: #D2EE5D, #5DEE94, #775DEE and #EE5DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2EE5D shade: #D2EE5D, #5DEEC0, #775DEE and #EE5D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

Complementary color

CMYK 72 / 90 / 0 / 36

HEX #2D11A2

RGB 45 17 162

HSL 251.59, 0.81%, 0.35%

LAB 22.19, 52.72, -70.46

 

CMYK 10 / 0 / 63 / 7

HEX #D7EE58

RGB 215 238 88

HSL 69.2, 0.82%, 0.64%

LAB 90, -27.12, 67.61

 

CMYK 9 / 0 / 58 / 0

HEX #E8FF6B

RGB 232 255 107

HSL 69.32, 1%, 0.71%

LAB 95.89, -27.13, 66.56

 

CMYK 2 / 0 / 51 / 0

HEX #F9FF7E

RGB 249 255 126

HSL 62.79, 1%, 0.75%

LAB 97.29, -19.04, 60.21

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 12 / 0 / 66 / 14

HEX #C1DC4A

RGB 193 220 74

HSL 71.1, 0.68%, 0.58%

LAB 83.45, -28.24, 65.78

 

CMYK 13 / 0 / 73 / 21

HEX #B0CA37

RGB 176 202 55

HSL 70.61, 0.58%, 0.5%

LAB 77.13, -27.62, 66

 

CMYK 14 / 0 / 80 / 28

HEX #9FB824

RGB 159 184 36

HSL 70.14, 0.67%, 0.43%

LAB 70.72, -26.83, 65.54

 

CMYK 14 / 0 / 90 / 35

HEX #8EA611

RGB 142 166 17

HSL 69.66, 0.81%, 0.36%

LAB 64.21, -25.84, 63.92

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 0 / 5 / 61 / 7

HEX #EEE25D

RGB 238 226 93

HSL 55.03, 0.81%, 0.65%

LAB 88.62, -11.72, 64.6

 

CMYK 0 / 21 / 61 / 7

HEX #EEBB5D

RGB 238 187 93

HSL 38.9, 0.81%, 0.65%

LAB 78.76, 8.24, 53.65

 

CMYK 0 / 37 / 61 / 7

HEX #EE955D

RGB 238 149 93

HSL 23.17, 0.81%, 0.65%

LAB 69.8, 28.31, 43.19

 

CMYK 0 / 54 / 61 / 7

HEX #EE6E5D

RGB 238 110 93

HSL 7.03, 0.81%, 0.65%

LAB 61.76, 48.12, 33.33

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 28 / 0 / 61 / 7

HEX #ABEE5D

RGB 171 238 93

HSL 87.72, 0.81%, 0.65%

LAB 87.29, -43.35, 61.83

 

CMYK 45 / 0 / 61 / 7

HEX #84EE5D

RGB 132 238 93

HSL 103.86, 0.81%, 0.65%

LAB 85.43, -56.14, 59.24

 

CMYK 61 / 0 / 61 / 7

HEX #5DEE5D

RGB 93 238 93

HSL 120, 0.81%, 0.65%

LAB 84.1, -66.19, 57.4

 

CMYK 61 / 0 / 45 / 7

HEX #5DEE84

RGB 93 238 132

HSL 136.14, 0.81%, 0.65%

LAB 84.56, -61.09, 39.94

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 13 / 0 / 69 / 1

HEX #DAFC4F

RGB 218 252 79

HSL 71.79, 0.97%, 0.65%

LAB 93.92, -32.98, 75.1

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 10 / 0 / 52 / 13

HEX #C9DF6B

RGB 201 223 107

HSL 71.38, 0.64%, 0.65%

LAB 85.13, -24.01, 53.71

 

CMYK 8 / 0 / 42 / 18

HEX #C0D17A

RGB 192 209 122

HSL 71.72, 0.49%, 0.65%

LAB 80.86, -19.17, 41.16

 

CMYK 6 / 0 / 30 / 24

HEX #B7C288

RGB 183 194 136

HSL 71.38, 0.32%, 0.65%

LAB 76.33, -13.36, 27.98

 

CMYK 3 / 0 / 16 / 29

HEX #AEB497

RGB 174 180 151

HSL 72.41, 0.16%, 0.65%

LAB 72.15, -7.24, 14.1

 

CMYK 0 / 21 / 61 / 7

HEX #EEBB5D

RGB 238 187 93

HSL 38.9, 0.81%, 0.65%

LAB 78.76, 8.24, 53.65

 

CMYK 0 / 5 / 61 / 7

HEX #EEE15D

RGB 238 225 93

HSL 54.62, 0.81%, 0.65%

LAB 88.36, -11.22, 64.32

 

CMYK 11 / 0 / 61 / 7

HEX #D3EE5D

RGB 211 238 93

HSL 71.17, 0.81%, 0.65%

LAB 89.76, -28.35, 65.25

 

CMYK 28 / 0 / 61 / 7

HEX #ACEE5D

RGB 172 238 93

HSL 87.31, 0.81%, 0.65%

LAB 87.34, -43, 61.91

 

CMYK 44 / 0 / 61 / 7

HEX #86EE5D

RGB 134 238 93

HSL 103.03, 0.81%, 0.65%

LAB 85.51, -55.55, 59.36

 

CMYK 17 / 0 / 90 / 12

HEX #BAE117

RGB 186 225 23

HSL 71.58, 0.81%, 0.49%

LAB 84.15, -35.36, 80.27

 

CMYK 15 / 0 / 76 / 8

HEX #C7EA38

RGB 199 234 56

HSL 71.8, 0.81%, 0.57%

LAB 87.62, -33.31, 76.12

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 9 / 0 / 46 / 5

HEX #DCF182

RGB 220 241 130

HSL 71.35, 0.8%, 0.73%

LAB 91.57, -23.14, 51

 

CMYK 6 / 0 / 31 / 4

HEX #E6F5A8

RGB 230 245 168

HSL 71.69, 0.79%, 0.81%

LAB 93.86, -17.01, 35.5

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 61 / 0 / 38 / 7

HEX #5DEE94

RGB 93 238 148

HSL 142.76, 0.81%, 0.65%

LAB 84.8, -58.44, 32.3

 

CMYK 13 / 61 / 0 / 7

HEX #CE5DEE

RGB 206 93 238

HSL 286.76, 0.81%, 0.65%

LAB 59.09, 65.46, -53.79

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 61 / 11 / 0 / 7

HEX #5DD3EE

RGB 93 211 238

HSL 191.17, 0.81%, 0.65%

LAB 79.09, -25.33, -23.22

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD3

RGB 238 93 211

HSL 311.17, 0.81%, 0.65%

LAB 62.26, 68.79, -33.36

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 61 / 0 / 38 / 7

HEX #5DEE94

RGB 93 238 148

HSL 142.76, 0.81%, 0.65%

LAB 84.8, -58.44, 32.3

 

CMYK 50 / 61 / 0 / 7

HEX #775DEE

RGB 119 93 238

HSL 250.76, 0.81%, 0.65%

LAB 49.4, 46.59, -69.88

 

CMYK 0 / 61 / 24 / 7

HEX #EE5DB6

RGB 238 93 182

HSL 323.17, 0.81%, 0.65%

LAB 61.12, 64.71, -18.63

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5D

RGB 210 238 93

HSL 71.59, 0.81%, 0.65%

LAB 89.69, -28.74, 65.15

 

CMYK 61 / 0 / 19 / 7

HEX #5DEEC0

RGB 93 238 192

HSL 160.97, 0.81%, 0.65%

LAB 85.65, -49.58, 10.82

 

CMYK 50 / 61 / 0 / 7

HEX #775DEE

RGB 119 93 238

HSL 250.76, 0.81%, 0.65%

LAB 49.4, 46.59, -69.88

 

CMYK 0 / 61 / 42 / 7

HEX #EE5D8B

RGB 238 93 139

HSL 340.97, 0.81%, 0.65%

LAB 59.77, 59.7, 4.23

 

Description

Color code: HEX #D2EE5D | qconv.com Color code: HEX #D2EE5D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 238 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 238 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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