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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E349 it is the complementary color #2D1CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E349 shade: #D7E344, #E8F557, #F9FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E349 shade: #D2E349, #C1D136, #B0BF23, #9FAD10 and #8E9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E349 shade: #D1E24A, #E2CA4A, #E2A14A, #E2784A and #E24E4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E349 shade: #D1E24A, #A8E24A, #7FE24A, #56E24A and #4AE266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E349 shade matches the following richer shades: #D1E24A and #DFF339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E349 shade: #D1E24A, #C4D15B, #B7C06B, #AAB07C and #9D9F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E349 shade: #E2A04A, #E2C94A, #D3E24A, #AAE24A and #82E24A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E349 shade: #ABBC1D, #C9DD26, #D1E24A, #DAE86D and #E3ED91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E349 shade: #D2E349, #4AE277 and #B44AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E349 shade: #D2E349, #4AD3E2 and #E24AD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E349 shade: #D2E349, #4AE277, #594AE2 and #E24AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E349 shade: #D2E349, #4AE2A5, #594AE2 and #E24A87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

Complementary color

CMYK 75 / 85 / 0 / 29

HEX #2D1CB6

RGB 45 28 182

HSL 246.62, 0.73%, 0.41%

LAB 26.06, 54.3, -76.08

 

CMYK 5 / 0 / 70 / 11

HEX #D7E344

RGB 215 227 68

HSL 64.53, 0.74%, 0.58%

LAB 86.9, -23.03, 71.96

 

CMYK 5 / 0 / 64 / 4

HEX #E8F557

RGB 232 245 87

HSL 64.94, 0.89%, 0.65%

LAB 93.08, -23.74, 71.6

 

CMYK 2 / 0 / 58 / 0

HEX #F9FF6A

RGB 249 255 106

HSL 62.42, 1%, 0.71%

LAB 97.11, -20.55, 68.67

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

CMYK 8 / 0 / 74 / 18

HEX #C1D136

RGB 193 209 54

HSL 66.19, 0.63%, 0.52%

LAB 80.29, -24.05, 69.78

 

CMYK 8 / 0 / 82 / 25

HEX #B0BF23

RGB 176 191 35

HSL 65.77, 0.69%, 0.44%

LAB 73.94, -23.13, 69.11

 

CMYK 8 / 0 / 91 / 32

HEX #9FAD10

RGB 159 173 16

HSL 65.35, 0.83%, 0.37%

LAB 67.5, -22.01, 67.26

 

CMYK 8 / 0 / 100 / 39

HEX #8E9B00

RGB 142 155 0

HSL 65.03, 1%, 0.3%

LAB 60.95, -20.67, 63.89

 

CMYK 8 / 0 / 67 / 11

HEX #D1E24A

RGB 209 226 74

HSL 66.71, 0.72%, 0.59%

LAB 86.23, -24.67, 68.97

 

CMYK 0 / 11 / 67 / 11

HEX #E2CA4A

RGB 226 202 74

HSL 50.53, 0.72%, 0.59%

LAB 81.24, -5.73, 64.32

 

CMYK 0 / 29 / 67 / 11

HEX #E2A14A

RGB 226 161 74

HSL 34.34, 0.72%, 0.59%

LAB 70.98, 15.79, 53.47

 

CMYK 0 / 47 / 67 / 11

HEX #E2784A

RGB 226 120 74

HSL 18.16, 0.72%, 0.59%

LAB 61.74, 37.47, 43.15

 

CMYK 0 / 65 / 67 / 11

HEX #E24E4A

RGB 226 78 74

HSL 1.58, 0.72%, 0.59%

LAB 54.15, 57.13, 34.19

 

CMYK 8 / 0 / 67 / 11

HEX #D1E24A

RGB 209 226 74

HSL 66.71, 0.72%, 0.59%

LAB 86.23, -24.67, 68.97

 

CMYK 26 / 0 / 67 / 11

HEX #A8E24A

RGB 168 226 74

HSL 82.89, 0.72%, 0.59%

LAB 83.55, -40.63, 65.38

 

CMYK 44 / 0 / 67 / 11

HEX #7FE24A

RGB 127 226 74

HSL 99.08, 0.72%, 0.59%

LAB 81.51, -54.61, 62.62

 

CMYK 62 / 0 / 67 / 11

HEX #56E24A

RGB 86 226 74

HSL 115.26, 0.72%, 0.59%

LAB 80.1, -65.43, 60.7

 

CMYK 67 / 0 / 55 / 11

HEX #4AE266

RGB 74 226 102

HSL 131.05, 0.72%, 0.59%

LAB 80.07, -64.76, 48.59

 

CMYK 8 / 0 / 67 / 11

HEX #D1E24A

RGB 209 226 74

HSL 66.71, 0.72%, 0.59%

LAB 86.23, -24.67, 68.97

 

CMYK 8 / 0 / 77 / 5

HEX #DFF339

RGB 223 243 57

HSL 66.45, 0.89%, 0.59%

LAB 91.72, -27.86, 80.2

 

CMYK 8 / 0 / 67 / 11

HEX #D1E24A

RGB 209 226 74

HSL 66.71, 0.72%, 0.59%

LAB 86.23, -24.67, 68.97

 

CMYK 6 / 0 / 56 / 18

HEX #C4D15B

RGB 196 209 91

HSL 66.61, 0.56%, 0.59%

LAB 80.79, -20.54, 55.89

 

CMYK 5 / 0 / 44 / 25

HEX #B7C06B

RGB 183 192 107

HSL 66.35, 0.4%, 0.59%

LAB 75.34, -15.84, 41.62

 

CMYK 3 / 0 / 30 / 31

HEX #AAB07C

RGB 170 176 124

HSL 66.92, 0.25%, 0.59%

LAB 70.21, -10.71, 26

 

CMYK 1 / 0 / 11 / 38

HEX #9D9F8D

RGB 157 159 141

HSL 66.67, 0.09%, 0.59%

LAB 64.87, -4.01, 9.15

 

CMYK 0 / 29 / 67 / 11

HEX #E2A04A

RGB 226 160 74

HSL 33.95, 0.72%, 0.59%

LAB 70.74, 16.33, 53.21

 

CMYK 0 / 11 / 67 / 11

HEX #E2C94A

RGB 226 201 74

HSL 50.13, 0.72%, 0.59%

LAB 80.98, -5.22, 64.06

 

CMYK 7 / 0 / 67 / 11

HEX #D3E24A

RGB 211 226 74

HSL 65.92, 0.72%, 0.59%

LAB 86.37, -23.86, 69.17

 

CMYK 25 / 0 / 67 / 11

HEX #AAE24A

RGB 170 226 74

HSL 82.11, 0.72%, 0.59%

LAB 83.67, -39.88, 65.54

 

CMYK 42 / 0 / 67 / 11

HEX #82E24A

RGB 130 226 74

HSL 97.89, 0.72%, 0.59%

LAB 81.64, -53.68, 62.79

 

CMYK 9 / 0 / 85 / 26

HEX #ABBC1D

RGB 171 188 29

HSL 66.42, 0.73%, 0.43%

LAB 72.7, -23.96, 69.35

 

CMYK 9 / 0 / 83 / 13

HEX #C9DD26

RGB 201 221 38

HSL 66.56, 0.73%, 0.51%

LAB 84.11, -27.08, 77.82

 

CMYK 8 / 0 / 67 / 11

HEX #D1E24A

RGB 209 226 74

HSL 66.71, 0.72%, 0.59%

LAB 86.23, -24.67, 68.97

 

CMYK 6 / 0 / 53 / 9

HEX #DAE86D

RGB 218 232 109

HSL 66.83, 0.73%, 0.67%

LAB 88.79, -21.51, 57.38

 

CMYK 4 / 0 / 39 / 7

HEX #E3ED91

RGB 227 237 145

HSL 66.52, 0.72%, 0.75%

LAB 91.21, -16.96, 43.43

 

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

CMYK 67 / 0 / 47 / 11

HEX #4AE277

RGB 74 226 119

HSL 137.76, 0.72%, 0.59%

LAB 80.28, -62.34, 40.77

 

CMYK 20 / 67 / 0 / 11

HEX #B44AE2

RGB 180 74 226

HSL 281.84, 0.72%, 0.59%

LAB 51.94, 65.53, -58.69

 

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

CMYK 67 / 7 / 0 / 11

HEX #4AD3E2

RGB 74 211 226

HSL 185.92, 0.72%, 0.59%

LAB 78.19, -31.78, -18.21

 

CMYK 0 / 67 / 7 / 11

HEX #E24AD3

RGB 226 74 211

HSL 305.92, 0.72%, 0.59%

LAB 57.82, 73.16, -40.44

 

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

CMYK 67 / 0 / 47 / 11

HEX #4AE277

RGB 74 226 119

HSL 137.76, 0.72%, 0.59%

LAB 80.28, -62.34, 40.77

 

CMYK 61 / 67 / 0 / 11

HEX #594AE2

RGB 89 74 226

HSL 245.92, 0.72%, 0.59%

LAB 42.02, 48.77, -75.25

 

CMYK 0 / 67 / 20 / 11

HEX #E24AB4

RGB 226 74 180

HSL 318.16, 0.72%, 0.59%

LAB 56.45, 68.72, -24.8

 

CMYK 7 / 0 / 68 / 11

HEX #D2E349

RGB 210 227 73

HSL 66.62, 0.73%, 0.59%

LAB 86.56, -24.8, 69.71

 

CMYK 67 / 0 / 27 / 11

HEX #4AE2A5

RGB 74 226 165

HSL 155.92, 0.72%, 0.59%

LAB 81.05, -53.86, 18.4

 

CMYK 61 / 67 / 0 / 11

HEX #594AE2

RGB 89 74 226

HSL 245.92, 0.72%, 0.59%

LAB 42.02, 48.77, -75.25

 

CMYK 0 / 67 / 40 / 11

HEX #E24A87

RGB 226 74 135

HSL 335.92, 0.72%, 0.59%

LAB 54.88, 63.42, -0.77

 

Description

Color code: HEX #D2E349 | qconv.com Color code: HEX #D2E349 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 227 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 227 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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