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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E000 it is the complementary color #2D1FFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E000 shade: #D7E000, #E8F20E, #F9FF21, #FFFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E000 shade: #D2E000, #C1CE00, #B0BC00, #9FAA00 and #8E9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E000 shade: #D2E000, #E0B100, #E07500, #E03800 and #E00000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E000 shade: #D2E000, #95E000, #59E000, #1CE000 and #00E01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E000 shade matches the following richer shades: #D2E000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E000 shade: #D2E000, #C2CE12, #B2BC24, #A2A936 and #929748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E000 shade: #E07300, #E0AF00, #D5E000, #99E000 and #5DE000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E000 shade: #858D00, #ABB700, #D2E000, #EFFF0A and #F2FF33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E000 shade: #D2E000, #00E038 and #9100E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E000 shade: #D2E000, #00D5E0 and #E000D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E000 shade: #D2E000, #00E038, #0B00E0 and #E000A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E000 shade: #D2E000, #00E07B, #0B00E0 and #E00064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

Complementary color

CMYK 82 / 88 / 0 / 0

HEX #2D1FFF

RGB 45 31 255

HSL 243.75, 1%, 0.56%

LAB 35.51, 73.47, -102.47

 

CMYK 4 / 0 / 100 / 12

HEX #D7E000

RGB 215 224 0

HSL 62.41, 1%, 0.44%

LAB 85.89, -23.31, 84.84

 

CMYK 4 / 0 / 94 / 5

HEX #E8F20E

RGB 232 242 14

HSL 62.63, 0.9%, 0.5%

LAB 91.99, -24.73, 88.84

 

CMYK 2 / 0 / 87 / 0

HEX #F9FF21

RGB 249 255 33

HSL 61.62, 1%, 0.56%

LAB 96.73, -23.64, 90.62

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 6 / 0 / 100 / 19

HEX #C1CE00

RGB 193 206 0

HSL 63.79, 1%, 0.4%

LAB 79.32, -23.87, 79.25

 

CMYK 6 / 0 / 100 / 26

HEX #B0BC00

RGB 176 188 0

HSL 63.83, 1%, 0.37%

LAB 73.02, -22.32, 74.01

 

CMYK 6 / 0 / 100 / 33

HEX #9FAA00

RGB 159 170 0

HSL 63.88, 1%, 0.33%

LAB 66.61, -20.75, 68.68

 

CMYK 7 / 0 / 100 / 40

HEX #8E9800

RGB 142 152 0

HSL 63.95, 1%, 0.3%

LAB 60.08, -19.14, 63.24

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 0 / 21 / 100 / 12

HEX #E0B100

RGB 224 177 0

HSL 47.41, 1%, 0.44%

LAB 74.38, 4.32, 76.94

 

CMYK 0 / 48 / 100 / 12

HEX #E07500

RGB 224 117 0

HSL 31.34, 1%, 0.44%

LAB 60.4, 36.11, 67.78

 

CMYK 0 / 75 / 100 / 12

HEX #E03800

RGB 224 56 0

HSL 15, 1%, 0.44%

LAB 50.31, 62.6, 62.35

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 33 / 0 / 100 / 12

HEX #95E000

RGB 149 224 0

HSL 80.09, 1%, 0.44%

LAB 81.68, -49.31, 79.81

 

CMYK 60 / 0 / 100 / 12

HEX #59E000

RGB 89 224 0

HSL 96.16, 1%, 0.44%

LAB 79.29, -67.4, 76.92

 

CMYK 88 / 0 / 100 / 12

HEX #1CE000

RGB 28 224 0

HSL 112.5, 1%, 0.44%

LAB 78.2, -76.82, 75.6

 

CMYK 100 / 0 / 86 / 12

HEX #00E01F

RGB 0 224 31

HSL 128.3, 1%, 0.44%

LAB 78.12, -77.39, 71.47

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 6 / 0 / 91 / 19

HEX #C2CE12

RGB 194 206 18

HSL 63.83, 0.84%, 0.44%

LAB 79.42, -23.24, 77.48

 

CMYK 5 / 0 / 81 / 26

HEX #B2BC24

RGB 178 188 36

HSL 63.95, 0.68%, 0.44%

LAB 73.26, -20.77, 68.31

 

CMYK 4 / 0 / 68 / 34

HEX #A2A936

RGB 162 169 54

HSL 63.65, 0.52%, 0.44%

LAB 66.77, -17.25, 55.8

 

CMYK 3 / 0 / 52 / 41

HEX #929748

RGB 146 151 72

HSL 63.8, 0.35%, 0.44%

LAB 60.53, -13.43, 40.51

 

CMYK 0 / 49 / 100 / 12

HEX #E07300

RGB 224 115 0

HSL 30.8, 1%, 0.44%

LAB 59.99, 37.13, 67.53

 

CMYK 0 / 22 / 100 / 12

HEX #E0AF00

RGB 224 175 0

HSL 46.88, 1%, 0.44%

LAB 73.87, 5.38, 76.59

 

CMYK 5 / 0 / 100 / 12

HEX #D5E000

RGB 213 224 0

HSL 62.95, 1%, 0.44%

LAB 85.73, -24.15, 84.66

 

CMYK 32 / 0 / 100 / 12

HEX #99E000

RGB 153 224 0

HSL 79.02, 1%, 0.44%

LAB 81.88, -47.87, 80.06

 

CMYK 58 / 0 / 100 / 12

HEX #5DE000

RGB 93 224 0

HSL 95.09, 1%, 0.44%

LAB 79.41, -66.44, 77.06

 

CMYK 6 / 0 / 100 / 45

HEX #858D00

RGB 133 141 0

HSL 63.4, 1%, 0.28%

LAB 56.12, -17.52, 60

 

CMYK 7 / 0 / 100 / 28

HEX #ABB700

RGB 171 183 0

HSL 63.93, 1%, 0.36%

LAB 71.23, -22.01, 72.51

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 6 / 0 / 96 / 0

HEX #EFFF0A

RGB 239 255 10

HSL 63.92, 1%, 0.52%

LAB 95.95, -28, 92.38

 

CMYK 5 / 0 / 80 / 0

HEX #F2FF33

RGB 242 255 51

HSL 63.82, 1%, 0.6%

LAB 96.26, -26.04, 86.32

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 100 / 0 / 75 / 12

HEX #00E038

RGB 0 224 56

HSL 135, 1%, 0.44%

LAB 78.23, -75.97, 64.88

 

CMYK 35 / 100 / 0 / 12

HEX #9100E0

RGB 145 0 224

HSL 278.84, 1%, 0.44%

LAB 40.25, 78.47, -76.77

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 100 / 5 / 0 / 12

HEX #00D5E0

RGB 0 213 224

HSL 182.95, 1%, 0.44%

LAB 77.86, -38.66, -17.73

 

CMYK 0 / 100 / 5 / 12

HEX #E000D5

RGB 224 0 213

HSL 302.95, 1%, 0.44%

LAB 52.57, 87.55, -49.91

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 100 / 0 / 75 / 12

HEX #00E038

RGB 0 224 56

HSL 135, 1%, 0.44%

LAB 78.23, -75.97, 64.88

 

CMYK 95 / 100 / 0 / 12

HEX #0B00E0

RGB 11 0 224

HSL 242.95, 1%, 0.44%

LAB 27.99, 71.87, -97.47

 

CMYK 0 / 100 / 25 / 12

HEX #E000A8

RGB 224 0 168

HSL 315, 1%, 0.44%

LAB 50.3, 81.93, -27.3

 

CMYK 6 / 0 / 100 / 12

HEX #D2E000

RGB 210 224 0

HSL 63.75, 1%, 0.44%

LAB 85.51, -25.4, 84.4

 

CMYK 100 / 0 / 45 / 12

HEX #00E07B

RGB 0 224 123

HSL 152.95, 1%, 0.44%

LAB 78.89, -67.71, 36.86

 

CMYK 95 / 100 / 0 / 12

HEX #0B00E0

RGB 11 0 224

HSL 242.95, 1%, 0.44%

LAB 27.99, 71.87, -97.47

 

CMYK 0 / 100 / 55 / 12

HEX #E00064

RGB 224 0 100

HSL 333.21, 1%, 0.44%

LAB 47.97, 75.85, 10.43

 

Description

Color code: HEX #D2E000 | qconv.com Color code: HEX #D2E000 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 224 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 224 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 100 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 100% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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