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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E49D it is the complementary color #2D1B62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E49D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E49D shade: #D7E498, #E8F6AB, #F9FFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E49D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E49D shade: #D2E49D, #C1D28A, #B0C077, #9FAE64 and #8E9C51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E49D shade: #D1E39A, #E3E29A, #E3CE9A, #E3BB9A and #E3A79A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E49D shade: #D1E39A, #BDE39A, #A9E39A, #9AE39F and #9AE3B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E49D shade matches the following richer shades: #D1E39A, #D6ED90 and #DBF886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E49D shade: #D1E39A, #CCD9A5, #C6CEAF, #C1C4B9 and #BCBAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E49D shade: #E3CE9A, #E3E29A, #D1E39A, #BEE39A and #AAE39A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E49D shade: #B3D15A, #C2DA7A, #D1E39A, #DFECBB and #EEF5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E49D shade: #D2E49D, #9AE3BB and #D89AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E49D shade: #D2E49D, #9AD1E3 and #E39AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E49D shade: #D2E49D, #9AE3BB, #AD9AE3 and #E39AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E49D shade: #D2E49D, #9AE3D1, #AD9AE3 and #E39AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

Complementary color

CMYK 54 / 72 / 0 / 62

HEX #2D1B62

RGB 45 27 98

HSL 255.21, 0.57%, 0.25%

LAB 16.62, 28.53, -39.09

 

CMYK 6 / 0 / 33 / 11

HEX #D7E498

RGB 215 228 152

HSL 70.26, 0.58%, 0.75%

LAB 88.07, -16.25, 35.7

 

CMYK 6 / 0 / 30 / 4

HEX #E8F6AB

RGB 232 246 171

HSL 71.2, 0.81%, 0.82%

LAB 94.32, -16.38, 34.62

 

CMYK 2 / 0 / 25 / 0

HEX #F9FFBE

RGB 249 255 190

HSL 65.54, 1%, 0.87%

LAB 98.18, -12.12, 30.49

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

CMYK 8 / 0 / 34 / 18

HEX #C1D28A

RGB 193 210 138

HSL 74.17, 0.44%, 0.68%

LAB 81.44, -17.37, 33.83

 

CMYK 8 / 0 / 38 / 25

HEX #B0C077

RGB 176 192 119

HSL 73.15, 0.37%, 0.61%

LAB 74.99, -17.24, 34.98

 

CMYK 9 / 0 / 43 / 32

HEX #9FAE64

RGB 159 174 100

HSL 72.16, 0.31%, 0.54%

LAB 68.43, -17.07, 36.16

 

CMYK 9 / 0 / 48 / 39

HEX #8E9C51

RGB 142 156 81

HSL 71.2, 0.32%, 0.46%

LAB 61.76, -16.83, 37.37

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 0 / 0 / 32 / 11

HEX #E3E29A

RGB 227 226 154

HSL 59.18, 0.57%, 0.75%

LAB 88.47, -10.47, 35.4

 

CMYK 0 / 9 / 32 / 11

HEX #E3CE9A

RGB 227 206 154

HSL 42.74, 0.57%, 0.75%

LAB 83.34, -0.27, 28.57

 

CMYK 0 / 18 / 32 / 11

HEX #E3BB9A

RGB 227 187 154

HSL 27.12, 0.57%, 0.75%

LAB 78.58, 9.69, 22.11

 

CMYK 0 / 26 / 32 / 11

HEX #E3A79A

RGB 227 167 154

HSL 10.68, 0.57%, 0.75%

LAB 73.74, 20.36, 15.41

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 17 / 0 / 32 / 11

HEX #BDE39A

RGB 189 227 154

HSL 91.23, 0.57%, 0.75%

LAB 86.05, -25.03, 31.7

 

CMYK 26 / 0 / 32 / 11

HEX #A9E39A

RGB 169 227 154

HSL 107.67, 0.57%, 0.75%

LAB 84.85, -31.96, 29.88

 

CMYK 32 / 0 / 30 / 11

HEX #9AE39F

RGB 154 227 159

HSL 124.11, 0.57%, 0.75%

LAB 84.13, -36.05, 26.2

 

CMYK 32 / 0 / 21 / 11

HEX #9AE3B3

RGB 154 227 179

HSL 140.55, 0.57%, 0.75%

LAB 84.52, -32.53, 16.35

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 10 / 0 / 39 / 7

HEX #D6ED90

RGB 214 237 144

HSL 74.84, 0.72%, 0.75%

LAB 90.27, -21.98, 42.53

 

CMYK 12 / 0 / 46 / 3

HEX #DBF886

RGB 219 248 134

HSL 75.26, 0.89%, 0.75%

LAB 93.41, -26.44, 51.36

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 6 / 0 / 24 / 15

HEX #CCD9A5

RGB 204 217 165

HSL 75, 0.41%, 0.75%

LAB 84.58, -13.09, 24.21

 

CMYK 4 / 0 / 15 / 19

HEX #C6CEAF

RGB 198 206 175

HSL 75.48, 0.24%, 0.75%

LAB 81.43, -8.14, 14.51

 

CMYK 2 / 0 / 6 / 23

HEX #C1C4B9

RGB 193 196 185

HSL 76.36, 0.09%, 0.75%

LAB 78.65, -3.03, 5.15

 

CMYK 4 / 5 / 0 / 23

HEX #BCBAC4

RGB 188 186 196

HSL 252, 0.08%, 0.75%

LAB 75.94, 2.59, -4.8

 

CMYK 0 / 9 / 32 / 11

HEX #E3CE9A

RGB 227 206 154

HSL 42.74, 0.57%, 0.75%

LAB 83.34, -0.27, 28.57

 

CMYK 0 / 0 / 32 / 11

HEX #E3E29A

RGB 227 226 154

HSL 59.18, 0.57%, 0.75%

LAB 88.47, -10.47, 35.4

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 16 / 0 / 32 / 11

HEX #BEE39A

RGB 190 227 154

HSL 90.41, 0.57%, 0.75%

LAB 86.12, -24.67, 31.8

 

CMYK 25 / 0 / 32 / 11

HEX #AAE39A

RGB 170 227 154

HSL 106.85, 0.57%, 0.75%

LAB 84.9, -31.62, 29.96

 

CMYK 14 / 0 / 57 / 18

HEX #B3D15A

RGB 179 209 90

HSL 75.13, 0.56%, 0.59%

LAB 79.57, -27.4, 54.63

 

CMYK 11 / 0 / 44 / 15

HEX #C2DA7A

RGB 194 218 122

HSL 75, 0.56%, 0.67%

LAB 83.45, -22.82, 44.44

 

CMYK 8 / 0 / 32 / 11

HEX #D1E39A

RGB 209 227 154

HSL 74.79, 0.57%, 0.75%

LAB 87.4, -17.74, 33.73

 

CMYK 6 / 0 / 21 / 7

HEX #DFECBB

RGB 223 236 187

HSL 75.92, 0.56%, 0.83%

LAB 91.35, -12.5, 22.36

 

CMYK 3 / 0 / 11 / 4

HEX #EEF5DB

RGB 238 245 219

HSL 76.15, 0.57%, 0.91%

LAB 95.41, -6.77, 11.72

 

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

CMYK 32 / 0 / 18 / 11

HEX #9AE3BB

RGB 154 227 187

HSL 147.12, 0.57%, 0.75%

LAB 84.69, -31, 12.4

 

CMYK 5 / 32 / 0 / 11

HEX #D89AE3

RGB 216 154 227

HSL 290.96, 0.57%, 0.75%

LAB 71.73, 35.31, -27.84

 

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

CMYK 32 / 8 / 0 / 11

HEX #9AD1E3

RGB 154 209 227

HSL 194.79, 0.57%, 0.75%

LAB 80.75, -13.41, -14.59

 

CMYK 0 / 32 / 8 / 11

HEX #E39AD1

RGB 227 154 209

HSL 314.79, 0.57%, 0.75%

LAB 72.26, 35.58, -17.04

 

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

CMYK 32 / 0 / 18 / 11

HEX #9AE3BB

RGB 154 227 187

HSL 147.12, 0.57%, 0.75%

LAB 84.69, -31, 12.4

 

CMYK 24 / 32 / 0 / 11

HEX #AD9AE3

RGB 173 154 227

HSL 255.62, 0.57%, 0.75%

LAB 67.68, 22.11, -34.42

 

CMYK 0 / 32 / 15 / 11

HEX #E39AC2

RGB 227 154 194

HSL 327.12, 0.57%, 0.75%

LAB 71.78, 33.09, -9.47

 

CMYK 8 / 0 / 31 / 11

HEX #D2E49D

RGB 210 228 157

HSL 75.21, 0.57%, 0.75%

LAB 87.79, -17.47, 32.73

 

CMYK 32 / 0 / 8 / 11

HEX #9AE3D1

RGB 154 227 209

HSL 165.21, 0.57%, 0.75%

LAB 85.21, -26.5, 1.56

 

CMYK 24 / 32 / 0 / 11

HEX #AD9AE3

RGB 173 154 227

HSL 255.62, 0.57%, 0.75%

LAB 67.68, 22.11, -34.42

 

CMYK 0 / 32 / 24 / 11

HEX #E39AAD

RGB 227 154 173

HSL 344.38, 0.57%, 0.75%

LAB 71.19, 29.9, 1.29

 

Description

Color code: HEX #D2E49D | qconv.com Color code: HEX #D2E49D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 228 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 228 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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