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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D19C it is the complementary color #2D2E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D19C shade: #D7D197, #E8E3AA, #F9F5BD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D19C shade: #D2D19C, #C1BF89, #B0AD76, #9F9B63 and #8E8950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D19C shade: #D2D19C, #D2C39C, #D2B49C, #D2A59C and #D29C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D19C shade: #D2D19C, #C5D29C, #B6D29C, #A7D29C and #9CD29F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D19C shade matches the following richer shades: #D2D19C, #DEDC90, #E9E785 and #F5F379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D19C shade: #D2D19C, #C7C6A8, #BBBBB3, #B0B0BF and #A4A5CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D19C shade: #D2B39C, #D2C29C, #D2D09C, #C6D29C and #B7D29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D19C shade: #B9B763, #C5C47F, #D2D19C, #DFDEB8 and #ECEBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D19C shade: #D2D19C, #9CD2A5 and #BB9CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D19C shade: #D2D19C, #9CD2D0 and #D09CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D19C shade: #D2D19C, #9CD2A5, #9C9ED2 and #D29CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D19C shade: #D2D19C, #9CD2B5, #9C9ED2 and #D29CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

Complementary color

CMYK 55 / 54 / 0 / 61

HEX #2D2E63

RGB 45 46 99

HSL 238.89, 0.38%, 0.28%

LAB 21.63, 16.13, -31.64

 

CMYK 0 / 3 / 30 / 16

HEX #D7D197

RGB 215 209 151

HSL 54.38, 0.44%, 0.72%

LAB 83.06, -6.81, 29.59

 

CMYK 0 / 2 / 27 / 9

HEX #E8E3AA

RGB 232 227 170

HSL 55.16, 0.57%, 0.79%

LAB 89.39, -7.07, 28.53

 

CMYK 0 / 2 / 24 / 2

HEX #F9F5BD

RGB 249 245 189

HSL 56, 0.83%, 0.86%

LAB 95.63, -7.31, 27.52

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 0 / 1 / 29 / 24

HEX #C1BF89

RGB 193 191 137

HSL 57.86, 0.31%, 0.65%

LAB 76.32, -7.82, 27.57

 

CMYK 0 / 2 / 33 / 31

HEX #B0AD76

RGB 176 173 118

HSL 56.9, 0.27%, 0.58%

LAB 69.77, -7.55, 28.7

 

CMYK 0 / 3 / 38 / 38

HEX #9F9B63

RGB 159 155 99

HSL 56, 0.24%, 0.51%

LAB 63.11, -7.21, 29.9

 

CMYK 0 / 4 / 44 / 44

HEX #8E8950

RGB 142 137 80

HSL 55.16, 0.28%, 0.44%

LAB 56.31, -6.79, 31.16

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 0 / 7 / 26 / 18

HEX #D2C39C

RGB 210 195 156

HSL 43.33, 0.38%, 0.72%

LAB 79.12, -0.8, 21.54

 

CMYK 0 / 14 / 26 / 18

HEX #D2B49C

RGB 210 180 156

HSL 26.67, 0.38%, 0.72%

LAB 75.29, 7.15, 16.24

 

CMYK 0 / 21 / 26 / 18

HEX #D2A59C

RGB 210 165 156

HSL 10, 0.38%, 0.72%

LAB 71.56, 15.23, 10.99

 

CMYK 0 / 26 / 26 / 18

HEX #D29C9C

RGB 210 156 156

HSL 0, 0.38%, 0.72%

LAB 69.38, 20.12, 7.89

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 6 / 0 / 26 / 18

HEX #C5D29C

RGB 197 210 156

HSL 74.44, 0.38%, 0.72%

LAB 82.04, -13.44, 25.36

 

CMYK 13 / 0 / 26 / 18

HEX #B6D29C

RGB 182 210 156

HSL 91.11, 0.38%, 0.72%

LAB 80.98, -18.92, 23.75

 

CMYK 20 / 0 / 26 / 18

HEX #A7D29C

RGB 167 210 156

HSL 107.78, 0.38%, 0.72%

LAB 80.02, -24.21, 22.27

 

CMYK 26 / 0 / 24 / 18

HEX #9CD29F

RGB 156 210 159

HSL 123.33, 0.38%, 0.72%

LAB 79.42, -27.42, 19.77

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 0 / 1 / 35 / 13

HEX #DEDC90

RGB 222 220 144

HSL 58.46, 0.54%, 0.72%

LAB 86.37, -10.55, 37.63

 

CMYK 0 / 1 / 43 / 9

HEX #E9E785

RGB 233 231 133

HSL 58.8, 0.69%, 0.72%

LAB 89.94, -12.94, 47.78

 

CMYK 0 / 1 / 51 / 4

HEX #F5F379

RGB 245 243 121

HSL 59.03, 0.86%, 0.72%

LAB 93.84, -15.21, 58.34

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 0 / 1 / 16 / 22

HEX #C7C6A8

RGB 199 198 168

HSL 58.06, 0.22%, 0.72%

LAB 79.25, -4.74, 15.19

 

CMYK 0 / 0 / 4 / 27

HEX #BBBBB3

RGB 187 187 179

HSL 60, 0.06%, 0.72%

LAB 75.67, -1.45, 4.04

 

CMYK 8 / 8 / 0 / 25

HEX #B0B0BF

RGB 176 176 191

HSL 240, 0.1%, 0.72%

LAB 72.26, 2.92, -7.63

 

CMYK 19 / 18 / 0 / 21

HEX #A4A5CA

RGB 164 165 202

HSL 238.42, 0.26%, 0.72%

LAB 68.8, 7.38, -18.97

 

CMYK 0 / 15 / 26 / 18

HEX #D2B39C

RGB 210 179 156

HSL 25.56, 0.38%, 0.72%

LAB 75.04, 7.68, 15.89

 

CMYK 0 / 8 / 26 / 18

HEX #D2C29C

RGB 210 194 156

HSL 42.22, 0.38%, 0.72%

LAB 78.86, -0.28, 21.18

 

CMYK 0 / 1 / 26 / 18

HEX #D2D09C

RGB 210 208 156

HSL 57.78, 0.38%, 0.72%

LAB 82.49, -7.54, 26.15

 

CMYK 6 / 0 / 26 / 18

HEX #C6D29C

RGB 198 210 156

HSL 73.33, 0.38%, 0.72%

LAB 82.11, -13.06, 25.47

 

CMYK 13 / 0 / 26 / 18

HEX #B7D29C

RGB 183 210 156

HSL 90, 0.38%, 0.72%

LAB 81.05, -18.56, 23.85

 

CMYK 0 / 1 / 46 / 27

HEX #B9B763

RGB 185 183 99

HSL 58.6, 0.38%, 0.56%

LAB 72.95, -11.23, 42.7

 

CMYK 0 / 1 / 36 / 23

HEX #C5C47F

RGB 197 196 127

HSL 59.14, 0.38%, 0.64%

LAB 77.81, -10.08, 34.81

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 0 / 0 / 17 / 13

HEX #DFDEB8

RGB 223 222 184

HSL 58.46, 0.38%, 0.8%

LAB 87.67, -5.9, 18.8

 

CMYK 0 / 0 / 10 / 7

HEX #ECEBD5

RGB 236 235 213

HSL 57.39, 0.38%, 0.88%

LAB 92.6, -3.38, 10.79

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 26 / 0 / 21 / 18

HEX #9CD2A5

RGB 156 210 165

HSL 130, 0.38%, 0.72%

LAB 79.54, -26.37, 16.77

 

CMYK 11 / 26 / 0 / 18

HEX #BB9CD2

RGB 187 156 210

HSL 274.44, 0.38%, 0.72%

LAB 68.75, 21.54, -23.3

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 26 / 0 / 1 / 18

HEX #9CD2D0

RGB 156 210 208

HSL 177.78, 0.38%, 0.72%

LAB 80.58, -17.73, -4.67

 

CMYK 1 / 26 / 0 / 18

HEX #D09CD2

RGB 208 156 210

HSL 297.78, 0.38%, 0.72%

LAB 70.76, 28.4, -20.05

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 26 / 0 / 21 / 18

HEX #9CD2A5

RGB 156 210 165

HSL 130, 0.38%, 0.72%

LAB 79.54, -26.37, 16.77

 

CMYK 26 / 25 / 0 / 18

HEX #9C9ED2

RGB 156 158 210

HSL 237.78, 0.38%, 0.72%

LAB 66.65, 10.68, -26.73

 

CMYK 0 / 26 / 4 / 18

HEX #D29CC9

RGB 210 156 201

HSL 310, 0.38%, 0.72%

LAB 70.66, 27.41, -15.21

 

CMYK 0 / 0 / 26 / 18

HEX #D2D19C

RGB 210 209 156

HSL 58.89, 0.38%, 0.72%

LAB 82.76, -8.06, 26.5

 

CMYK 26 / 0 / 14 / 18

HEX #9CD2B5

RGB 156 210 181

HSL 147.78, 0.38%, 0.72%

LAB 79.9, -23.37, 8.76

 

CMYK 26 / 25 / 0 / 18

HEX #9C9ED2

RGB 156 158 210

HSL 237.78, 0.38%, 0.72%

LAB 66.65, 10.68, -26.73

 

CMYK 0 / 26 / 12 / 18

HEX #D29CB9

RGB 210 156 185

HSL 327.78, 0.38%, 0.72%

LAB 70.16, 24.62, -7.09

 

Description

Color code: HEX #D2D19C | qconv.com Color code: HEX #D2D19C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 209 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 209 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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