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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C35F it is the complementary color #2D3CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C35F shade: #D7C35A, #E8D56D, #F9E780, #FFF993 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C35F shade: #D2C35F, #C1B14C, #B09F39, #9F8D26 and #8E7B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C35F shade: #D2C35F, #D2A45F, #D2855F, #D2665F and #D25F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C35F shade: #D2C35F, #C2D25F, #A3D25F, #84D25F and #65D25F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C35F shade matches the following richer shades: #D2C35F, #E2CF4F and #F3DB3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C35F shade: #D2C35F, #C1B770, #B1AA80, #A09E91 and #9092A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C35F shade: #D2855F, #D2A45F, #D2C25F, #C2D25F and #A4D25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C35F shade: #AE9D31, #C9B73F, #D2C35F, #DBCF80 and #E4DBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C35F shade: #D2C35F, #5FD267 and #955FD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C35F shade: #D2C35F, #5FD2C2 and #C25FD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C35F shade: #D2C35F, #5FD267, #5F6FD2 and #D25FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C35F shade: #D2C35F, #5FD289, #5F6FD2 and #D25FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

Complementary color

CMYK 72 / 63 / 0 / 37

HEX #2D3CA0

RGB 45 60 160

HSL 232.17, 0.56%, 0.4%

LAB 30.22, 29.02, -55.99

 

CMYK 0 / 9 / 58 / 16

HEX #D7C35A

RGB 215 195 90

HSL 50.4, 0.61%, 0.6%

LAB 78.59, -5.74, 54.27

 

CMYK 0 / 8 / 53 / 9

HEX #E8D56D

RGB 232 213 109

HSL 50.73, 0.73%, 0.67%

LAB 84.92, -6.48, 53.14

 

CMYK 0 / 7 / 49 / 2

HEX #F9E780

RGB 249 231 128

HSL 51.07, 0.91%, 0.74%

LAB 91.17, -7.11, 51.98

 

CMYK 0 / 2 / 42 / 0

HEX #FFF993

RGB 255 249 147

HSL 56.67, 1%, 0.79%

LAB 96.46, -11.9, 49.52

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 0 / 8 / 61 / 24

HEX #C1B14C

RGB 193 177 76

HSL 51.79, 0.49%, 0.53%

LAB 71.76, -6.67, 52.48

 

CMYK 0 / 10 / 68 / 31

HEX #B09F39

RGB 176 159 57

HSL 51.43, 0.51%, 0.46%

LAB 65.22, -5.75, 53.36

 

CMYK 0 / 11 / 76 / 38

HEX #9F8D26

RGB 159 141 38

HSL 51.07, 0.61%, 0.39%

LAB 58.57, -4.62, 53.8

 

CMYK 0 / 13 / 87 / 44

HEX #8E7B13

RGB 142 123 19

HSL 50.73, 0.76%, 0.32%

LAB 51.8, -3.21, 53.29

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 0 / 22 / 55 / 18

HEX #D2A45F

RGB 210 164 95

HSL 36, 0.56%, 0.6%

LAB 70.23, 8.91, 41.95

 

CMYK 0 / 37 / 55 / 18

HEX #D2855F

RGB 210 133 95

HSL 19.83, 0.56%, 0.6%

LAB 62.76, 25.69, 32.7

 

CMYK 0 / 51 / 55 / 18

HEX #D2665F

RGB 210 102 95

HSL 3.65, 0.56%, 0.6%

LAB 56.12, 41.96, 24.11

 

CMYK 0 / 55 / 55 / 18

HEX #D25F5F

RGB 210 95 95

HSL 0, 0.56%, 0.6%

LAB 54.77, 45.42, 22.33

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 8 / 0 / 55 / 18

HEX #C2D25F

RGB 194 210 95

HSL 68.35, 0.56%, 0.6%

LAB 80.95, -21.51, 54.24

 

CMYK 22 / 0 / 55 / 18

HEX #A3D25F

RGB 163 210 95

HSL 84.52, 0.56%, 0.6%

LAB 78.87, -33.56, 51.29

 

CMYK 37 / 0 / 55 / 18

HEX #84D25F

RGB 132 210 95

HSL 100.7, 0.56%, 0.6%

LAB 77.18, -44.51, 48.88

 

CMYK 52 / 0 / 55 / 18

HEX #65D25F

RGB 101 210 95

HSL 116.87, 0.56%, 0.6%

LAB 75.88, -53.78, 47.02

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 0 / 8 / 65 / 11

HEX #E2CF4F

RGB 226 207 79

HSL 52.24, 0.72%, 0.6%

LAB 82.57, -8, 63.67

 

CMYK 0 / 10 / 74 / 5

HEX #F3DB3E

RGB 243 219 62

HSL 52.04, 0.88%, 0.6%

LAB 87.03, -7.76, 74.91

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 0 / 5 / 42 / 24

HEX #C1B770

RGB 193 183 112

HSL 52.59, 0.4%, 0.6%

LAB 73.79, -6.63, 37.31

 

CMYK 0 / 4 / 28 / 31

HEX #B1AA80

RGB 177 170 128

HSL 51.43, 0.24%, 0.6%

LAB 69.22, -4.23, 22.61

 

CMYK 0 / 1 / 9 / 37

HEX #A09E91

RGB 160 158 145

HSL 52, 0.07%, 0.6%

LAB 64.94, -1.64, 7.04

 

CMYK 11 / 9 / 0 / 37

HEX #9092A1

RGB 144 146 161

HSL 232.94, 0.08%, 0.6%

LAB 60.83, 2.35, -8.14

 

CMYK 0 / 37 / 55 / 18

HEX #D2855F

RGB 210 133 95

HSL 19.83, 0.56%, 0.6%

LAB 62.76, 25.69, 32.7

 

CMYK 0 / 22 / 55 / 18

HEX #D2A45F

RGB 210 164 95

HSL 36, 0.56%, 0.6%

LAB 70.23, 8.91, 41.95

 

CMYK 0 / 8 / 55 / 18

HEX #D2C25F

RGB 210 194 95

HSL 51.65, 0.56%, 0.6%

LAB 77.94, -6.92, 51.09

 

CMYK 8 / 0 / 55 / 18

HEX #C2D25F

RGB 194 210 95

HSL 68.35, 0.56%, 0.6%

LAB 80.95, -21.51, 54.24

 

CMYK 22 / 0 / 55 / 18

HEX #A4D25F

RGB 164 210 95

HSL 84, 0.56%, 0.6%

LAB 78.93, -33.19, 51.38

 

CMYK 0 / 10 / 72 / 32

HEX #AE9D31

RGB 174 157 49

HSL 51.84, 0.56%, 0.44%

LAB 64.43, -6, 55.77

 

CMYK 0 / 9 / 69 / 21

HEX #C9B73F

RGB 201 183 63

HSL 52.17, 0.56%, 0.52%

LAB 73.96, -7.17, 60.58

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 0 / 5 / 42 / 14

HEX #DBCF80

RGB 219 207 128

HSL 52.09, 0.56%, 0.68%

LAB 82.51, -6.89, 40.69

 

CMYK 0 / 4 / 30 / 11

HEX #E4DBA0

RGB 228 219 160

HSL 52.06, 0.56%, 0.76%

LAB 86.85, -5.81, 30.19

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 55 / 0 / 51 / 18

HEX #5FD267

RGB 95 210 103

HSL 124.17, 0.56%, 0.6%

LAB 75.76, -54.3, 43.04

 

CMYK 29 / 55 / 0 / 18

HEX #955FD2

RGB 149 95 210

HSL 268.17, 0.56%, 0.6%

LAB 50.95, 44.58, -51.4

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 55 / 0 / 8 / 18

HEX #5FD2C2

RGB 95 210 194

HSL 171.65, 0.56%, 0.6%

LAB 77.53, -36.42, -1.96

 

CMYK 8 / 55 / 0 / 18

HEX #C25FD2

RGB 194 95 210

HSL 291.65, 0.56%, 0.6%

LAB 56.39, 56.21, -42.42

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 55 / 0 / 51 / 18

HEX #5FD267

RGB 95 210 103

HSL 124.17, 0.56%, 0.6%

LAB 75.76, -54.3, 43.04

 

CMYK 55 / 47 / 0 / 18

HEX #5F6FD2

RGB 95 111 210

HSL 231.65, 0.56%, 0.6%

LAB 50.04, 22.5, -53.12

 

CMYK 0 / 55 / 4 / 18

HEX #D25FCA

RGB 210 95 202

HSL 304.17, 0.56%, 0.6%

LAB 58.18, 59.07, -34.92

 

CMYK 0 / 7 / 55 / 18

HEX #D2C35F

RGB 210 195 95

HSL 52.17, 0.56%, 0.6%

LAB 78.2, -7.44, 51.4

 

CMYK 55 / 0 / 35 / 18

HEX #5FD289

RGB 95 210 137

HSL 141.91, 0.56%, 0.6%

LAB 76.27, -48.88, 26.56

 

CMYK 55 / 47 / 0 / 18

HEX #5F6FD2

RGB 95 111 210

HSL 231.65, 0.56%, 0.6%

LAB 50.04, 22.5, -53.12

 

CMYK 0 / 55 / 20 / 18

HEX #D25FA8

RGB 210 95 168

HSL 321.91, 0.56%, 0.6%

LAB 56.79, 53.72, -17.52

 

Description

Color code: HEX #D2C35F | qconv.com Color code: HEX #D2C35F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 195 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 195 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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