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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C340 it is the complementary color #2D3CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C340 shade: #D7C33B, #E8D54E, #F9E761, #FFF974 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C340 shade: #D2C340, #C1B12D, #B09F1A, #9F8D07 and #8E7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C340 shade: #D2C340, #D29C40, #D27540, #D24D40 and #D24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C340 shade: #D2C340, #BAD240, #92D240, #6BD240 and #44D240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C340 shade matches the following richer shades: #D2C340, #E5D22D and #F8E11B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C340 shade: #D2C340, #BFB453, #ACA566, #999679 and #86878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C340 shade: #D27340, #D29A40, #D2C140, #BCD240 and #95D240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C340 shade: #9C8F24, #BDAE2C, #D2C340, #DACD62 and #E2D883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C340 shade: #D2C340, #40D24D and #8740D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C340 shade: #D2C340, #40D2C1 and #C140D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C340 shade: #D2C340, #40D24D, #4051D2 and #D240C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C340 shade: #D2C340, #40D278, #4051D2 and #D2409A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

Complementary color

CMYK 76 / 69 / 0 / 25

HEX #2D3CBF

RGB 45 60 191

HSL 233.84, 0.62%, 0.46%

LAB 33.03, 40.2, -69.88

 

CMYK 0 / 9 / 73 / 16

HEX #D7C33B

RGB 215 195 59

HSL 52.31, 0.66%, 0.54%

LAB 78.34, -7.56, 66.84

 

CMYK 0 / 8 / 66 / 9

HEX #E8D54E

RGB 232 213 78

HSL 52.6, 0.77%, 0.61%

LAB 84.64, -8.58, 66.39

 

CMYK 0 / 7 / 61 / 2

HEX #F9E761

RGB 249 231 97

HSL 52.89, 0.93%, 0.68%

LAB 90.85, -9.46, 65.61

 

CMYK 0 / 2 / 55 / 0

HEX #FFF974

RGB 255 249 116

HSL 57.41, 1%, 0.73%

LAB 96.11, -14.58, 63.41

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 8 / 77 / 24

HEX #C1B12D

RGB 193 177 45

HSL 53.51, 0.62%, 0.47%

LAB 71.54, -8.36, 64.57

 

CMYK 0 / 10 / 85 / 31

HEX #B09F1A

RGB 176 159 26

HSL 53.2, 0.74%, 0.4%

LAB 65.04, -7.05, 63.82

 

CMYK 0 / 11 / 96 / 38

HEX #9F8D07

RGB 159 141 7

HSL 52.89, 0.92%, 0.33%

LAB 58.45, -5.48, 61.62

 

CMYK 0 / 13 / 100 / 44

HEX #8E7B00

RGB 142 123 0

HSL 51.97, 1%, 0.28%

LAB 51.74, -3.6, 57.19

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 26 / 70 / 18

HEX #D29C40

RGB 210 156 64

HSL 37.81, 0.62%, 0.54%

LAB 67.91, 11.11, 54.2

 

CMYK 0 / 44 / 70 / 18

HEX #D27540

RGB 210 117 64

HSL 21.78, 0.62%, 0.54%

LAB 58.78, 32.12, 44.35

 

CMYK 0 / 63 / 70 / 18

HEX #D24D40

RGB 210 77 64

HSL 5.34, 0.62%, 0.54%

LAB 51.13, 51.68, 35.61

 

CMYK 0 / 70 / 70 / 18

HEX #D24040

RGB 210 64 64

HSL 0, 0.62%, 0.54%

LAB 49.18, 56.97, 33.31

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 11 / 0 / 70 / 18

HEX #BAD240

RGB 186 210 64

HSL 69.86, 0.62%, 0.54%

LAB 80.12, -26.89, 66

 

CMYK 30 / 0 / 70 / 18

HEX #92D240

RGB 146 210 64

HSL 86.3, 0.62%, 0.54%

LAB 77.62, -42.37, 62.66

 

CMYK 49 / 0 / 70 / 18

HEX #6BD240

RGB 107 210 64

HSL 102.33, 0.62%, 0.54%

LAB 75.82, -55.19, 60.23

 

CMYK 68 / 0 / 70 / 18

HEX #44D240

RGB 68 210 64

HSL 118.36, 0.62%, 0.54%

LAB 74.63, -64.6, 58.63

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 8 / 80 / 10

HEX #E5D22D

RGB 229 210 45

HSL 53.8, 0.78%, 0.54%

LAB 83.41, -9.75, 76.35

 

CMYK 0 / 9 / 89 / 3

HEX #F8E11B

RGB 248 225 27

HSL 53.76, 0.94%, 0.54%

LAB 88.87, -9.63, 85.38

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 6 / 57 / 25

HEX #BFB453

RGB 191 180 83

HSL 53.89, 0.46%, 0.54%

LAB 72.46, -8.57, 49.99

 

CMYK 0 / 4 / 41 / 33

HEX #ACA566

RGB 172 165 102

HSL 54, 0.3%, 0.54%

LAB 67.01, -6.84, 33.53

 

CMYK 0 / 2 / 21 / 40

HEX #999679

RGB 153 150 121

HSL 54.38, 0.14%, 0.54%

LAB 61.62, -3.91, 15.73

 

CMYK 4 / 4 / 0 / 45

HEX #86878C

RGB 134 135 140

HSL 230, 0.03%, 0.54%

LAB 56.38, 0.64, -2.81

 

CMYK 0 / 45 / 70 / 18

HEX #D27340

RGB 210 115 64

HSL 20.96, 0.62%, 0.54%

LAB 58.35, 33.18, 43.87

 

CMYK 0 / 27 / 70 / 18

HEX #D29A40

RGB 210 154 64

HSL 36.99, 0.62%, 0.54%

LAB 67.41, 12.19, 53.68

 

CMYK 0 / 8 / 70 / 18

HEX #D2C140

RGB 210 193 64

HSL 53.01, 0.62%, 0.54%

LAB 77.41, -8.43, 63.91

 

CMYK 10 / 0 / 70 / 18

HEX #BCD240

RGB 188 210 64

HSL 69.04, 0.62%, 0.54%

LAB 80.27, -26.08, 66.18

 

CMYK 29 / 0 / 70 / 18

HEX #95D240

RGB 149 210 64

HSL 85.07, 0.62%, 0.54%

LAB 77.79, -41.27, 62.88

 

CMYK 0 / 8 / 77 / 39

HEX #9C8F24

RGB 156 143 36

HSL 53.5, 0.63%, 0.38%

LAB 58.83, -7.15, 54.67

 

CMYK 0 / 8 / 77 / 26

HEX #BDAE2C

RGB 189 174 44

HSL 53.79, 0.62%, 0.46%

LAB 70.37, -8.58, 63.69

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 0 / 6 / 55 / 15

HEX #DACD62

RGB 218 205 98

HSL 53.5, 0.62%, 0.62%

LAB 81.54, -9.01, 54.03

 

CMYK 0 / 4 / 42 / 11

HEX #E2D883

RGB 226 216 131

HSL 53.68, 0.62%, 0.7%

LAB 85.46, -8.38, 43.05

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 70 / 0 / 63 / 18

HEX #40D24D

RGB 64 210 77

HSL 125.34, 0.62%, 0.54%

LAB 74.65, -64.08, 53.37

 

CMYK 36 / 70 / 0 / 18

HEX #8740D2

RGB 135 64 210

HSL 269.18, 0.62%, 0.54%

LAB 43.46, 57.32, -63.55

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 70 / 0 / 8 / 18

HEX #40D2C1

RGB 64 210 193

HSL 173.01, 0.62%, 0.54%

LAB 76.7, -41.91, -2.74

 

CMYK 8 / 70 / 0 / 18

HEX #C140D2

RGB 193 64 210

HSL 293.01, 0.62%, 0.54%

LAB 51.45, 69.22, -50.28

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 70 / 0 / 63 / 18

HEX #40D24D

RGB 64 210 77

HSL 125.34, 0.62%, 0.54%

LAB 74.65, -64.08, 53.37

 

CMYK 70 / 61 / 0 / 18

HEX #4051D2

RGB 64 81 210

HSL 233.01, 0.62%, 0.54%

LAB 40.62, 35.94, -68.45

 

CMYK 0 / 70 / 6 / 18

HEX #D240C6

RGB 210 64 198

HSL 304.93, 0.62%, 0.54%

LAB 53.43, 71, -40.08

 

CMYK 0 / 7 / 70 / 18

HEX #D2C340

RGB 210 195 64

HSL 53.84, 0.62%, 0.54%

LAB 77.94, -9.45, 64.44

 

CMYK 70 / 0 / 43 / 18

HEX #40D278

RGB 64 210 120

HSL 143.01, 0.62%, 0.54%

LAB 75.16, -58.09, 33.68

 

CMYK 70 / 61 / 0 / 18

HEX #4051D2

RGB 64 81 210

HSL 233.01, 0.62%, 0.54%

LAB 40.62, 35.94, -68.45

 

CMYK 0 / 70 / 27 / 18

HEX #D2409A

RGB 210 64 154

HSL 323.01, 0.62%, 0.54%

LAB 51.5, 64.84, -17.38

 

Description

Color code: HEX #D2C340 | qconv.com Color code: HEX #D2C340 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 195 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 195 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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