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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C77B it is the complementary color #2D3884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C77B shade: #D7C776, #E8D989, #F9EB9C, #FFFDAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C77B shade: #D2C77B, #C1B568, #B0A355, #9F9142 and #8E7F2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C77B shade: #D1C67A, #D1AE7A, #D1977A, #D17F7A and #D17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C77B shade: #D1C67A, #C4D17A, #ADD17A, #95D17A and #7ED17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C77B shade matches the following richer shades: #D1C67A, #DFD16B, #EEDB5D and #FCE64E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C77B shade: #D1C67A, #C3BB88, #B4B096, #A6A6A5 and #979BB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C77B shade: #D1977A, #D1AE7A, #D1C57A, #C5D17A and #AED17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C77B shade: #B9AA3F, #C6B95B, #D1C67A, #DCD398 and #E6E0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C77B shade: #D2C77B, #7AD17F and #A27AD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C77B shade: #D2C77B, #7AD1C5 and #C57AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C77B shade: #D2C77B, #7AD17F, #7A85D1 and #D17ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C77B shade: #D2C77B, #7AD19A, #7A85D1 and #D17AB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

Complementary color

CMYK 66 / 58 / 0 / 48

HEX #2D3884

RGB 45 56 132

HSL 232.41, 0.49%, 0.35%

LAB 26.88, 21.31, -44.22

 

CMYK 0 / 7 / 45 / 16

HEX #D7C776

RGB 215 199 118

HSL 50.1, 0.55%, 0.65%

LAB 79.96, -5.4, 42.42

 

CMYK 0 / 6 / 41 / 9

HEX #E8D989

RGB 232 217 137

HSL 50.53, 0.67%, 0.72%

LAB 86.3, -5.9, 41.22

 

CMYK 0 / 6 / 37 / 2

HEX #F9EB9C

RGB 249 235 156

HSL 50.97, 0.89%, 0.79%

LAB 92.56, -6.34, 40.06

 

CMYK 0 / 1 / 31 / 0

HEX #FFFDAF

RGB 255 253 175

HSL 58.5, 1%, 0.84%

LAB 97.88, -10.82, 37.65

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

CMYK 0 / 6 / 46 / 24

HEX #C1B568

RGB 193 181 104

HSL 51.91, 0.42%, 0.58%

LAB 73.14, -6.41, 40.59

 

CMYK 0 / 7 / 52 / 31

HEX #B0A355

RGB 176 163 85

HSL 51.43, 0.37%, 0.51%

LAB 66.58, -5.81, 41.83

 

CMYK 0 / 9 / 58 / 38

HEX #9F9142

RGB 159 145 66

HSL 50.97, 0.41%, 0.44%

LAB 59.9, -5.08, 43.03

 

CMYK 0 / 11 / 67 / 44

HEX #8E7F2F

RGB 142 127 47

HSL 50.53, 0.5%, 0.37%

LAB 53.1, -4.16, 44.08

 

CMYK 0 / 5 / 42 / 18

HEX #D1C67A

RGB 209 198 122

HSL 52.41, 0.49%, 0.65%

LAB 79.24, -6.89, 39.4

 

CMYK 0 / 17 / 42 / 18

HEX #D1AE7A

RGB 209 174 122

HSL 35.86, 0.49%, 0.65%

LAB 73.04, 5.72, 31.43

 

CMYK 0 / 28 / 42 / 18

HEX #D1977A

RGB 209 151 122

HSL 20, 0.49%, 0.65%

LAB 67.35, 18.15, 23.87

 

CMYK 0 / 39 / 42 / 18

HEX #D17F7A

RGB 209 127 122

HSL 3.45, 0.49%, 0.65%

LAB 61.77, 31.15, 16.28

 

CMYK 0 / 42 / 42 / 18

HEX #D17A7A

RGB 209 122 122

HSL 0, 0.49%, 0.65%

LAB 60.68, 33.82, 14.75

 

CMYK 0 / 5 / 42 / 18

HEX #D1C67A

RGB 209 198 122

HSL 52.41, 0.49%, 0.65%

LAB 79.24, -6.89, 39.4

 

CMYK 6 / 0 / 42 / 18

HEX #C4D17A

RGB 196 209 122

HSL 68.97, 0.49%, 0.65%

LAB 81.15, -17.62, 41.59

 

CMYK 17 / 0 / 42 / 18

HEX #ADD17A

RGB 173 209 122

HSL 84.83, 0.49%, 0.65%

LAB 79.55, -26.4, 39.24

 

CMYK 29 / 0 / 42 / 18

HEX #95D17A

RGB 149 209 122

HSL 101.38, 0.49%, 0.65%

LAB 78.11, -35.02, 37.11

 

CMYK 40 / 0 / 42 / 18

HEX #7ED17A

RGB 126 209 122

HSL 117.24, 0.49%, 0.65%

LAB 76.95, -42.53, 35.38

 

CMYK 0 / 5 / 42 / 18

HEX #D1C67A

RGB 209 198 122

HSL 52.41, 0.49%, 0.65%

LAB 79.24, -6.89, 39.4

 

CMYK 0 / 6 / 52 / 13

HEX #DFD16B

RGB 223 209 107

HSL 52.76, 0.64%, 0.65%

LAB 83.1, -8.27, 51.75

 

CMYK 0 / 8 / 61 / 7

HEX #EEDB5D

RGB 238 219 93

HSL 52.14, 0.81%, 0.65%

LAB 86.82, -8.22, 62.64

 

CMYK 0 / 9 / 69 / 1

HEX #FCE64E

RGB 252 230 78

HSL 52.41, 0.97%, 0.65%

LAB 90.71, -8.8, 73.1

 

CMYK 0 / 5 / 42 / 18

HEX #D1C67A

RGB 209 198 122

HSL 52.41, 0.49%, 0.65%

LAB 79.24, -6.89, 39.4

 

CMYK 0 / 4 / 30 / 24

HEX #C3BB88

RGB 195 187 136

HSL 51.86, 0.33%, 0.65%

LAB 75.4, -5.09, 26.9

 

CMYK 0 / 2 / 17 / 29

HEX #B4B096

RGB 180 176 150

HSL 52, 0.17%, 0.65%

LAB 71.53, -3.03, 13.84

 

CMYK 0 / 0 / 1 / 35

HEX #A6A6A5

RGB 166 166 165

HSL 60, 0.01%, 0.65%

LAB 68.09, -0.19, 0.51

 

CMYK 16 / 13 / 0 / 30

HEX #979BB3

RGB 151 155 179

HSL 231.43, 0.16%, 0.65%

LAB 64.38, 3.59, -12.93

 

CMYK 0 / 28 / 42 / 18

HEX #D1977A

RGB 209 151 122

HSL 20, 0.49%, 0.65%

LAB 67.35, 18.15, 23.87

 

CMYK 0 / 17 / 42 / 18

HEX #D1AE7A

RGB 209 174 122

HSL 35.86, 0.49%, 0.65%

LAB 73.04, 5.72, 31.43

 

CMYK 0 / 6 / 42 / 18

HEX #D1C57A

RGB 209 197 122

HSL 51.72, 0.49%, 0.65%

LAB 78.98, -6.38, 39.07

 

CMYK 6 / 0 / 42 / 18

HEX #C5D17A

RGB 197 209 122

HSL 68.28, 0.49%, 0.65%

LAB 81.22, -17.23, 41.7

 

CMYK 17 / 0 / 42 / 18

HEX #AED17A

RGB 174 209 122

HSL 84.14, 0.49%, 0.65%

LAB 79.62, -26.03, 39.34

 

CMYK 0 / 8 / 66 / 27

HEX #B9AA3F

RGB 185 170 63

HSL 52.62, 0.49%, 0.49%

LAB 69.06, -7.29, 55.07

 

CMYK 0 / 7 / 54 / 22

HEX #C6B95B

RGB 198 185 91

HSL 52.71, 0.48%, 0.57%

LAB 74.48, -7.59, 48.7

 

CMYK 0 / 5 / 42 / 18

HEX #D1C67A

RGB 209 198 122

HSL 52.41, 0.49%, 0.65%

LAB 79.24, -6.89, 39.4

 

CMYK 0 / 4 / 31 / 14

HEX #DCD398

RGB 220 211 152

HSL 52.06, 0.49%, 0.73%

LAB 84, -5.79, 30.39

 

CMYK 0 / 3 / 20 / 10

HEX #E6E0B7

RGB 230 224 183

HSL 52.34, 0.48%, 0.81%

LAB 88.71, -4.51, 20.85

 

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

CMYK 42 / 0 / 39 / 18

HEX #7AD17F

RGB 122 209 127

HSL 123.45, 0.49%, 0.65%

LAB 76.84, -42.98, 32.67

 

CMYK 22 / 42 / 0 / 18

HEX #A27AD1

RGB 162 122 209

HSL 267.59, 0.49%, 0.65%

LAB 58.23, 32.77, -39.22

 

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

CMYK 42 / 0 / 6 / 18

HEX #7AD1C5

RGB 122 209 197

HSL 171.72, 0.49%, 0.65%

LAB 78.33, -29.09, -2.28

 

CMYK 6 / 42 / 0 / 18

HEX #C57AD1

RGB 197 122 209

HSL 291.72, 0.49%, 0.65%

LAB 61.99, 43.13, -33.07

 

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

CMYK 42 / 0 / 39 / 18

HEX #7AD17F

RGB 122 209 127

HSL 123.45, 0.49%, 0.65%

LAB 76.84, -42.98, 32.67

 

CMYK 42 / 36 / 0 / 18

HEX #7A85D1

RGB 122 133 209

HSL 232.41, 0.49%, 0.65%

LAB 57.57, 15.25, -40.48

 

CMYK 0 / 42 / 3 / 18

HEX #D17ACB

RGB 209 122 203

HSL 304.14, 0.49%, 0.65%

LAB 63.17, 45.66, -27.76

 

CMYK 0 / 5 / 41 / 18

HEX #D2C77B

RGB 210 199 123

HSL 52.41, 0.49%, 0.65%

LAB 79.6, -6.9, 39.37

 

CMYK 42 / 0 / 26 / 18

HEX #7AD19A

RGB 122 209 154

HSL 142.07, 0.49%, 0.65%

LAB 77.32, -38.3, 19.24

 

CMYK 42 / 36 / 0 / 18

HEX #7A85D1

RGB 122 133 209

HSL 232.41, 0.49%, 0.65%

LAB 57.57, 15.25, -40.48

 

CMYK 0 / 42 / 15 / 18

HEX #D17AB1

RGB 209 122 177

HSL 322.07, 0.49%, 0.65%

LAB 62.21, 41.26, -14.5

 

Description

Color code: HEX #D2C77B | qconv.com Color code: HEX #D2C77B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 199 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 199 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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