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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BF7E it is the complementary color #2D4081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BF7E shade: #D7BF79, #E8D18C, #F9E39F, #FFF5B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BF7E shade: #D2BF7E, #C1AD6B, #B09B58, #9F8945 and #8E7732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BF7E shade: #D1BF7E, #D1A87E, #D1927E and #D17E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BF7E shade: #D1BF7E, #CED17E, #B7D17E, #A1D17E and #8AD17E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BF7E shade matches the following richer shades: #D1BF7E, #DFC670, #EDCE62 and #FCD654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BF7E shade: #D1BF7E, #C3B78C, #B5AF9A, #A7A8A8 and #99A0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BF7E shade: #D1927E, #D1A87E, #D1BE7E, #CFD17E and #B8D17E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BF7E shade: #BCA042, #C7AF60, #D1BF7E, #DCCE9D and #E7DDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BF7E shade: #D2BF7E, #81D17E and #9D7ED1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BF7E shade: #D2BF7E, #7ED1BE and #BE7ED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BF7E shade: #D2BF7E, #81D17E, #7E92D1 and #CF7ED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BF7E shade: #D2BF7E, #7ED194, #7E92D1 and #D17EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

Complementary color

CMYK 65 / 50 / 0 / 49

HEX #2D4081

RGB 45 64 129

HSL 226.43, 0.48%, 0.34%

LAB 28.93, 14.71, -39.05

 

CMYK 0 / 11 / 44 / 16

HEX #D7BF79

RGB 215 191 121

HSL 44.68, 0.54%, 0.66%

LAB 77.93, -0.95, 38.35

 

CMYK 0 / 10 / 40 / 9

HEX #E8D18C

RGB 232 209 140

HSL 45, 0.67%, 0.73%

LAB 84.3, -1.5, 37.14

 

CMYK 0 / 9 / 36 / 2

HEX #F9E39F

RGB 249 227 159

HSL 45.33, 0.88%, 0.8%

LAB 90.59, -1.97, 35.98

 

CMYK 0 / 4 / 30 / 0

HEX #FFF5B2

RGB 255 245 178

HSL 52.21, 1%, 0.85%

LAB 95.91, -6.5, 33.53

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

CMYK 0 / 10 / 45 / 24

HEX #C1AD6B

RGB 193 173 107

HSL 46.05, 0.41%, 0.59%

LAB 71.07, -1.88, 36.46

 

CMYK 0 / 12 / 50 / 31

HEX #B09B58

RGB 176 155 88

HSL 45.68, 0.36%, 0.52%

LAB 64.47, -1.23, 37.74

 

CMYK 0 / 14 / 57 / 38

HEX #9F8945

RGB 159 137 69

HSL 45.33, 0.39%, 0.45%

LAB 57.74, -0.44, 39.04

 

CMYK 0 / 16 / 65 / 44

HEX #8E7732

RGB 142 119 50

HSL 45, 0.48%, 0.38%

LAB 50.89, 0.54, 40.28

 

CMYK 0 / 9 / 40 / 18

HEX #D1BF7E

RGB 209 191 126

HSL 46.99, 0.47%, 0.66%

LAB 77.47, -2.83, 35.09

 

CMYK 0 / 20 / 40 / 18

HEX #D1A87E

RGB 209 168 126

HSL 30.36, 0.47%, 0.66%

LAB 71.6, 9.39, 27.39

 

CMYK 0 / 30 / 40 / 18

HEX #D1927E

RGB 209 146 126

HSL 14.46, 0.47%, 0.66%

LAB 66.23, 21.32, 20.15

 

CMYK 0 / 40 / 40 / 18

HEX #D17E7E

RGB 209 126 126

HSL 0, 0.47%, 0.66%

LAB 61.64, 32.13, 13.81

 

CMYK 0 / 9 / 40 / 18

HEX #D1BF7E

RGB 209 191 126

HSL 46.99, 0.47%, 0.66%

LAB 77.47, -2.83, 35.09

 

CMYK 1 / 0 / 40 / 18

HEX #CED17E

RGB 206 209 126

HSL 62.17, 0.47%, 0.66%

LAB 81.96, -13.26, 40.78

 

CMYK 12 / 0 / 40 / 18

HEX #B7D17E

RGB 183 209 126

HSL 78.8, 0.47%, 0.66%

LAB 80.28, -22.16, 38.29

 

CMYK 23 / 0 / 40 / 18

HEX #A1D17E

RGB 161 209 126

HSL 94.7, 0.47%, 0.66%

LAB 78.86, -30.27, 36.19

 

CMYK 34 / 0 / 40 / 18

HEX #8AD17E

RGB 138 209 126

HSL 111.33, 0.47%, 0.66%

LAB 77.59, -38.15, 34.29

 

CMYK 0 / 9 / 40 / 18

HEX #D1BF7E

RGB 209 191 126

HSL 46.99, 0.47%, 0.66%

LAB 77.47, -2.83, 35.09

 

CMYK 0 / 11 / 50 / 13

HEX #DFC670

RGB 223 198 112

HSL 46.49, 0.63%, 0.66%

LAB 80.32, -2.2, 46

 

CMYK 0 / 13 / 59 / 7

HEX #EDCE62

RGB 237 206 98

HSL 46.62, 0.79%, 0.66%

LAB 83.46, -1.69, 56.66

 

CMYK 0 / 15 / 67 / 1

HEX #FCD654

RGB 252 214 84

HSL 46.43, 0.97%, 0.66%

LAB 86.72, -0.44, 66.68

 

CMYK 0 / 9 / 40 / 18

HEX #D1BF7E

RGB 209 191 126

HSL 46.99, 0.47%, 0.66%

LAB 77.47, -2.83, 35.09

 

CMYK 0 / 6 / 28 / 24

HEX #C3B78C

RGB 195 183 140

HSL 46.91, 0.31%, 0.66%

LAB 74.42, -2.45, 23.45

 

CMYK 0 / 3 / 15 / 29

HEX #B5AF9A

RGB 181 175 154

HSL 46.67, 0.15%, 0.66%

LAB 71.43, -1.48, 11.53

 

CMYK 1 / 0 / 0 / 34

HEX #A7A8A8

RGB 167 168 168

HSL 180, 0.01%, 0.66%

LAB 68.79, -0.35, -0.13

 

CMYK 16 / 12 / 0 / 29

HEX #99A0B6

RGB 153 160 182

HSL 225.52, 0.17%, 0.66%

LAB 65.97, 2.12, -12.21

 

CMYK 0 / 30 / 40 / 18

HEX #D1927E

RGB 209 146 126

HSL 14.46, 0.47%, 0.66%

LAB 66.23, 21.32, 20.15

 

CMYK 0 / 20 / 40 / 18

HEX #D1A87E

RGB 209 168 126

HSL 30.36, 0.47%, 0.66%

LAB 71.6, 9.39, 27.39

 

CMYK 0 / 9 / 40 / 18

HEX #D1BE7E

RGB 209 190 126

HSL 46.27, 0.47%, 0.66%

LAB 77.21, -2.31, 34.76

 

CMYK 1 / 0 / 40 / 18

HEX #CFD17E

RGB 207 209 126

HSL 61.45, 0.47%, 0.66%

LAB 82.04, -12.87, 40.9

 

CMYK 12 / 0 / 40 / 18

HEX #B8D17E

RGB 184 209 126

HSL 78.07, 0.47%, 0.66%

LAB 80.35, -21.78, 38.39

 

CMYK 0 / 15 / 65 / 26

HEX #BCA042

RGB 188 160 66

HSL 46.23, 0.48%, 0.5%

LAB 66.69, -0.48, 51.33

 

CMYK 0 / 12 / 52 / 22

HEX #C7AF60

RGB 199 175 96

HSL 46.02, 0.48%, 0.58%

LAB 71.99, -1.5, 43.32

 

CMYK 0 / 9 / 40 / 18

HEX #D1BF7E

RGB 209 191 126

HSL 46.99, 0.47%, 0.66%

LAB 77.47, -2.83, 35.09

 

CMYK 0 / 6 / 29 / 14

HEX #DCCE9D

RGB 220 206 157

HSL 46.67, 0.47%, 0.74%

LAB 82.8, -2.58, 26.18

 

CMYK 0 / 4 / 19 / 9

HEX #E7DDBB

RGB 231 221 187

HSL 46.36, 0.48%, 0.82%

LAB 88.11, -2.03, 17.94

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

CMYK 38 / 0 / 40 / 18

HEX #81D17E

RGB 129 209 126

HSL 117.83, 0.47%, 0.66%

LAB 77.15, -41.01, 33.63

 

CMYK 25 / 40 / 0 / 18

HEX #9D7ED1

RGB 157 126 209

HSL 262.41, 0.47%, 0.66%

LAB 58.69, 29.04, -38.53

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

CMYK 40 / 0 / 9 / 18

HEX #7ED1BE

RGB 126 209 190

HSL 166.27, 0.47%, 0.66%

LAB 78.32, -29.68, 1.48

 

CMYK 9 / 40 / 0 / 18

HEX #BE7ED1

RGB 190 126 209

HSL 286.27, 0.47%, 0.66%

LAB 62.06, 38.87, -33.02

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

CMYK 38 / 0 / 40 / 18

HEX #81D17E

RGB 129 209 126

HSL 117.83, 0.47%, 0.66%

LAB 77.15, -41.01, 33.63

 

CMYK 40 / 30 / 0 / 18

HEX #7E92D1

RGB 126 146 209

HSL 225.54, 0.47%, 0.66%

LAB 61.3, 8.7, -34.63

 

CMYK 1 / 40 / 0 / 18

HEX #CF7ED1

RGB 207 126 209

HSL 298.55, 0.47%, 0.66%

LAB 63.99, 44.05, -29.88

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7E

RGB 210 191 126

HSL 46.43, 0.48%, 0.66%

LAB 77.56, -2.43, 35.22

 

CMYK 40 / 0 / 29 / 18

HEX #7ED194

RGB 126 209 148

HSL 135.9, 0.47%, 0.66%

LAB 77.39, -38.26, 22.52

 

CMYK 40 / 30 / 0 / 18

HEX #7E92D1

RGB 126 146 209

HSL 225.54, 0.47%, 0.66%

LAB 61.3, 8.7, -34.63

 

CMYK 0 / 40 / 11 / 18

HEX #D17EBB

RGB 209 126 187

HSL 315.9, 0.47%, 0.66%

LAB 63.4, 40.79, -18.38

 

Description

Color code: HEX #D2BF7E | qconv.com Color code: HEX #D2BF7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 191 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 191 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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