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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29C7D it is the complementary color #2D6382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29C7D shade: #D79C78, #E8AE8B, #F9C09E, #FFD2B1 and #FFE4C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29C7D shade: #D29C7D, #C18A6A, #B07857, #9F6644 and #8E5431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29C7D shade: #D29C7D, #D2857D and #D27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29C7D shade: #D29C7D, #D2B37D, #D2CA7D, #C4D27D and #ADD27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29C7D shade matches the following richer shades: #D29C7D, #E0996F, #EE9561 and #FC9153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29C7D shade: #D29C7D, #C4A08B, #B6A499, #A8A8A7 and #9AABB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29C7D shade: #D27D8D, #D2847D, #D29B7D, #D2B27D and #D2C87D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29C7D shade: #BD6E40, #C8855F, #D29C7D, #DDB49C and #E7CBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29C7D shade: #D29C7D, #A4D27D and #7D82D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29C7D shade: #D29C7D, #7DD29B and #9B7DD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29C7D shade: #D29C7D, #A4D27D, #7DB5D2 and #AC7DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29C7D shade: #D29C7D, #8AD27D, #7DB5D2 and #C67DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

Complementary color

CMYK 65 / 24 / 0 / 49

HEX #2D6382

RGB 45 99 130

HSL 201.88, 0.49%, 0.34%

LAB 39.74, -7.61, -22.59

 

CMYK 0 / 27 / 44 / 16

HEX #D79C78

RGB 215 156 120

HSL 22.74, 0.54%, 0.66%

LAB 69.17, 17.63, 27.51

 

CMYK 0 / 25 / 40 / 9

HEX #E8AE8B

RGB 232 174 139

HSL 22.58, 0.67%, 0.73%

LAB 75.63, 16.77, 26.21

 

CMYK 0 / 23 / 37 / 2

HEX #F9C09E

RGB 249 192 158

HSL 22.42, 0.88%, 0.8%

LAB 82.01, 16.01, 25.01

 

CMYK 0 / 18 / 31 / 0

HEX #FFD2B1

RGB 255 210 177

HSL 25.38, 1%, 0.85%

LAB 87.25, 11.2, 22.3

 

CMYK 0 / 11 / 23 / 0

HEX #FFE4C4

RGB 255 228 196

HSL 32.54, 1%, 0.88%

LAB 92.01, 4.43, 19

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 28 / 45 / 24

HEX #C18A6A

RGB 193 138 106

HSL 22.07, 0.41%, 0.59%

LAB 62.13, 17.06, 25.44

 

CMYK 0 / 32 / 51 / 31

HEX #B07857

RGB 176 120 87

HSL 22.25, 0.36%, 0.52%

LAB 55.43, 18.09, 26.91

 

CMYK 0 / 36 / 57 / 38

HEX #9F6644

RGB 159 102 68

HSL 22.42, 0.4%, 0.45%

LAB 48.62, 19.3, 28.55

 

CMYK 0 / 41 / 65 / 44

HEX #8E5431

RGB 142 84 49

HSL 22.58, 0.49%, 0.37%

LAB 41.71, 20.73, 30.36

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 37 / 40 / 18

HEX #D2857D

RGB 210 133 125

HSL 5.65, 0.49%, 0.66%

LAB 63.31, 28.64, 16.71

 

CMYK 0 / 40 / 40 / 18

HEX #D27D7D

RGB 210 125 125

HSL 0, 0.49%, 0.66%

LAB 61.52, 32.93, 14.24

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 15 / 40 / 18

HEX #D2B37D

RGB 210 179 125

HSL 38.12, 0.49%, 0.66%

LAB 74.46, 3.79, 31.71

 

CMYK 0 / 4 / 40 / 18

HEX #D2CA7D

RGB 210 202 125

HSL 54.35, 0.49%, 0.66%

LAB 80.42, -8.23, 39.39

 

CMYK 7 / 0 / 40 / 18

HEX #C4D27D

RGB 196 210 125

HSL 69.88, 0.49%, 0.66%

LAB 81.46, -17.78, 40.49

 

CMYK 18 / 0 / 40 / 18

HEX #ADD27D

RGB 173 210 125

HSL 86.12, 0.49%, 0.66%

LAB 79.87, -26.51, 38.14

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 32 / 50 / 12

HEX #E0996F

RGB 224 153 111

HSL 22.3, 0.65%, 0.66%

LAB 69.31, 21.98, 32.75

 

CMYK 0 / 37 / 59 / 7

HEX #EE9561

RGB 238 149 97

HSL 22.13, 0.81%, 0.66%

LAB 69.85, 28.59, 41.18

 

CMYK 0 / 42 / 67 / 1

HEX #FC9153

RGB 252 145 83

HSL 22.01, 0.97%, 0.66%

LAB 70.57, 35.33, 49.6

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 18 / 29 / 23

HEX #C4A08B

RGB 196 160 139

HSL 22.11, 0.33%, 0.66%

LAB 68.56, 10.18, 15.95

 

CMYK 0 / 10 / 16 / 29

HEX #B6A499

RGB 182 164 153

HSL 22.76, 0.17%, 0.66%

LAB 68.6, 4.69, 8.08

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 15 / 6 / 0 / 29

HEX #9AABB5

RGB 154 171 181

HSL 202.22, 0.15%, 0.66%

LAB 68.99, -3.81, -7.14

 

CMYK 0 / 40 / 33 / 18

HEX #D27D8D

RGB 210 125 141

HSL 348.71, 0.49%, 0.66%

LAB 61.91, 34.85, 5.63

 

CMYK 0 / 37 / 40 / 18

HEX #D2847D

RGB 210 132 125

HSL 4.94, 0.49%, 0.66%

LAB 63.08, 29.18, 16.4

 

CMYK 0 / 26 / 40 / 18

HEX #D29B7D

RGB 210 155 125

HSL 21.18, 0.49%, 0.66%

LAB 68.48, 16.71, 23.77

 

CMYK 0 / 15 / 40 / 18

HEX #D2B27D

RGB 210 178 125

HSL 37.41, 0.49%, 0.66%

LAB 74.2, 4.32, 31.38

 

CMYK 0 / 5 / 40 / 18

HEX #D2C87D

RGB 210 200 125

HSL 52.94, 0.49%, 0.66%

LAB 79.89, -7.2, 38.72

 

CMYK 0 / 42 / 66 / 26

HEX #BD6E40

RGB 189 110 64

HSL 22.08, 0.49%, 0.5%

LAB 54.39, 27.26, 38.6

 

CMYK 0 / 34 / 53 / 22

HEX #C8855F

RGB 200 133 95

HSL 21.71, 0.49%, 0.58%

LAB 61.55, 21.61, 30.9

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 0 / 19 / 29 / 13

HEX #DDB49C

RGB 221 180 156

HSL 22.15, 0.49%, 0.74%

LAB 76.32, 11.36, 17.83

 

CMYK 0 / 12 / 19 / 9

HEX #E7CBBB

RGB 231 203 187

HSL 21.82, 0.48%, 0.82%

LAB 83.59, 7.31, 11.57

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 22 / 0 / 40 / 18

HEX #A4D27D

RGB 164 210 125

HSL 92.47, 0.49%, 0.66%

LAB 79.31, -29.8, 37.31

 

CMYK 40 / 38 / 0 / 18

HEX #7D82D2

RGB 125 130 210

HSL 236.47, 0.49%, 0.66%

LAB 57.05, 18.09, -41.85

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 40 / 0 / 26 / 18

HEX #7DD29B

RGB 125 210 155

HSL 141.18, 0.49%, 0.66%

LAB 77.77, -37.71, 19.35

 

CMYK 26 / 40 / 0 / 18

HEX #9B7DD2

RGB 155 125 210

HSL 261.18, 0.49%, 0.66%

LAB 58.31, 29.28, -39.7

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 22 / 0 / 40 / 18

HEX #A4D27D

RGB 164 210 125

HSL 92.47, 0.49%, 0.66%

LAB 79.31, -29.8, 37.31

 

CMYK 40 / 14 / 0 / 18

HEX #7DB5D2

RGB 125 181 210

HSL 200.47, 0.49%, 0.66%

LAB 70.91, -10.82, -20.4

 

CMYK 18 / 40 / 0 / 18

HEX #AC7DD2

RGB 172 125 210

HSL 273.18, 0.49%, 0.66%

LAB 59.97, 34.23, -36.98

 

CMYK 0 / 26 / 40 / 18

HEX #D29C7D

RGB 210 156 125

HSL 21.88, 0.49%, 0.66%

LAB 68.72, 16.17, 24.1

 

CMYK 34 / 0 / 40 / 18

HEX #8AD27D

RGB 138 210 125

HSL 110.82, 0.49%, 0.66%

LAB 77.86, -38.74, 35.16

 

CMYK 40 / 14 / 0 / 18

HEX #7DB5D2

RGB 125 181 210

HSL 200.47, 0.49%, 0.66%

LAB 70.91, -10.82, -20.4

 

CMYK 6 / 40 / 0 / 18

HEX #C67DD2

RGB 198 125 210

HSL 291.53, 0.49%, 0.66%

LAB 62.78, 42.03, -32.39

 

Description

Color code: HEX #D29C7D | qconv.com Color code: HEX #D29C7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 156 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 156 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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