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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D28D7F it is the complementary color #2D7280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D28D7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D28D7F shade: #D78D7A, #E89F8D, #F9B1A0, #FFC3B3 and #FFD5C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D28D7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D28D7F shade: #D28D7F, #C17B6C, #B06959, #9F5746 and #8E4533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D28D7F shade: #D18C7E and #D17E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D28D7F shade: #D18C7E, #D1A37E, #D1B97E, #D1D07E and #BDD17E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D28D7F shade matches the following richer shades: #D18C7E, #DF8370, #ED7A62 and #FC7054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D28D7F shade: #D18C7E, #C3968C, #B59F9A, #A7A8A8 and #99B1B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D28D7F shade: #D17E9D, #D17E87, #D18C7E, #D1A27E and #D1B87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D28D7F shade: #BC5642, #C77160, #D18C7E, #DCA79D and #E7C3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D28D7F shade: #D28D7F, #B3D17E and #7E92D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D28D7F shade: #D28D7F, #7ED18C and #8C7ED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D28D7F shade: #D28D7F, #B3D17E, #7EC4D1 and #9D7ED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D28D7F shade: #D28D7F, #9AD17E, #7EC4D1 and #B67ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

Complementary color

CMYK 65 / 11 / 0 / 50

HEX #2D7280

RGB 45 114 128

HSL 190.12, 0.48%, 0.34%

LAB 44.45, -16.92, -14.15

 

CMYK 0 / 34 / 43 / 16

HEX #D78D7A

RGB 215 141 122

HSL 12.26, 0.54%, 0.66%

LAB 65.67, 25.95, 21.73

 

CMYK 0 / 31 / 39 / 9

HEX #E89F8D

RGB 232 159 141

HSL 11.87, 0.66%, 0.73%

LAB 72.14, 24.99, 20.39

 

CMYK 0 / 29 / 36 / 2

HEX #F9B1A0

RGB 249 177 160

HSL 11.46, 0.88%, 0.8%

LAB 78.53, 24.13, 19.17

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B3

RGB 255 195 179

HSL 12.63, 1%, 0.85%

LAB 83.73, 19.27, 16.34

 

CMYK 0 / 16 / 22 / 0

HEX #FFD5C6

RGB 255 213 198

HSL 15.79, 1%, 0.89%

LAB 88.41, 12.45, 12.89

 

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

CMYK 0 / 36 / 44 / 24

HEX #C17B6C

RGB 193 123 108

HSL 10.59, 0.41%, 0.59%

LAB 58.59, 25.54, 19.56

 

CMYK 0 / 40 / 49 / 31

HEX #B06959

RGB 176 105 89

HSL 11.03, 0.36%, 0.52%

LAB 51.9, 26.66, 21.13

 

CMYK 0 / 45 / 56 / 38

HEX #9F5746

RGB 159 87 70

HSL 11.46, 0.39%, 0.45%

LAB 45.12, 27.93, 22.94

 

CMYK 0 / 51 / 64 / 44

HEX #8E4533

RGB 142 69 51

HSL 11.87, 0.47%, 0.38%

LAB 38.28, 29.34, 25.07

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 40 / 40 / 18

HEX #D17E7E

RGB 209 126 126

HSL 0, 0.47%, 0.66%

LAB 61.64, 32.13, 13.81

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 22 / 40 / 18

HEX #D1A37E

RGB 209 163 126

HSL 26.75, 0.47%, 0.66%

LAB 70.35, 12.09, 25.73

 

CMYK 0 / 11 / 40 / 18

HEX #D1B97E

RGB 209 185 126

HSL 42.65, 0.47%, 0.66%

LAB 75.92, 0.32, 33.08

 

CMYK 0 / 0 / 40 / 18

HEX #D1D07E

RGB 209 208 126

HSL 59.28, 0.47%, 0.66%

LAB 81.93, -11.57, 40.79

 

CMYK 10 / 0 / 40 / 18

HEX #BDD17E

RGB 189 209 126

HSL 74.46, 0.47%, 0.66%

LAB 80.7, -19.87, 38.91

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 41 / 50 / 13

HEX #DF8370

RGB 223 131 112

HSL 10.27, 0.63%, 0.66%

LAB 64.23, 33.4, 25.54

 

CMYK 0 / 49 / 59 / 7

HEX #ED7A62

RGB 237 122 98

HSL 10.36, 0.79%, 0.66%

LAB 64, 42.21, 33.36

 

CMYK 0 / 56 / 67 / 1

HEX #FC7054

RGB 252 112 84

HSL 10, 0.97%, 0.66%

LAB 64.1, 51.64, 41.59

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 23 / 28 / 24

HEX #C3968C

RGB 195 150 140

HSL 10.91, 0.31%, 0.66%

LAB 65.99, 15.42, 11.77

 

CMYK 0 / 12 / 15 / 29

HEX #B59F9A

RGB 181 159 154

HSL 11.11, 0.15%, 0.66%

LAB 67.24, 7.22, 5.56

 

CMYK 1 / 0 / 0 / 34

HEX #A7A8A8

RGB 167 168 168

HSL 180, 0.01%, 0.66%

LAB 68.79, -0.35, -0.13

 

CMYK 16 / 3 / 0 / 29

HEX #99B1B6

RGB 153 177 182

HSL 190.34, 0.17%, 0.66%

LAB 70.59, -7.16, -5.33

 

CMYK 0 / 40 / 25 / 18

HEX #D17E9D

RGB 209 126 157

HSL 337.59, 0.47%, 0.66%

LAB 62.43, 36.13, -2.77

 

CMYK 0 / 40 / 35 / 18

HEX #D17E87

RGB 209 126 135

HSL 353.49, 0.47%, 0.66%

LAB 61.85, 33.2, 8.97

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 22 / 40 / 18

HEX #D1A27E

RGB 209 162 126

HSL 26.02, 0.47%, 0.66%

LAB 70.11, 12.63, 25.39

 

CMYK 0 / 12 / 40 / 18

HEX #D1B87E

RGB 209 184 126

HSL 41.93, 0.47%, 0.66%

LAB 75.66, 0.85, 32.74

 

CMYK 0 / 54 / 65 / 26

HEX #BC5642

RGB 188 86 66

HSL 9.84, 0.48%, 0.5%

LAB 49.18, 39.63, 31.29

 

CMYK 0 / 43 / 52 / 22

HEX #C77160

RGB 199 113 96

HSL 9.9, 0.48%, 0.58%

LAB 56.88, 32.14, 24.25

 

CMYK 0 / 33 / 40 / 18

HEX #D18C7E

RGB 209 140 126

HSL 10.12, 0.47%, 0.66%

LAB 64.82, 24.58, 18.21

 

CMYK 0 / 24 / 29 / 14

HEX #DCA79D

RGB 220 167 157

HSL 9.52, 0.47%, 0.74%

LAB 73.08, 18.09, 12.73

 

CMYK 0 / 16 / 19 / 9

HEX #E7C3BB

RGB 231 195 187

HSL 10.91, 0.48%, 0.82%

LAB 81.62, 11.53, 8.77

 

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

CMYK 14 / 0 / 40 / 18

HEX #B3D17E

RGB 179 209 126

HSL 81.69, 0.47%, 0.66%

LAB 80.01, -23.67, 37.89

 

CMYK 40 / 30 / 0 / 18

HEX #7E92D1

RGB 126 146 209

HSL 225.54, 0.47%, 0.66%

LAB 61.3, 8.7, -34.63

 

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

CMYK 40 / 0 / 33 / 18

HEX #7ED18C

RGB 126 209 140

HSL 130.12, 0.47%, 0.66%

LAB 77.24, -39.67, 26.51

 

CMYK 33 / 40 / 0 / 18

HEX #8C7ED1

RGB 140 126 209

HSL 250.12, 0.47%, 0.66%

LAB 57.17, 24.21, -41.02

 

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

CMYK 14 / 0 / 40 / 18

HEX #B3D17E

RGB 179 209 126

HSL 81.69, 0.47%, 0.66%

LAB 80.01, -23.67, 37.89

 

CMYK 40 / 6 / 0 / 18

HEX #7EC4D1

RGB 126 196 209

HSL 189.4, 0.47%, 0.66%

LAB 75.15, -18.66, -13.45

 

CMYK 25 / 40 / 0 / 18

HEX #9D7ED1

RGB 157 126 209

HSL 262.41, 0.47%, 0.66%

LAB 58.69, 29.04, -38.53

 

CMYK 0 / 33 / 40 / 18

HEX #D28D7F

RGB 210 141 127

HSL 10.12, 0.48%, 0.66%

LAB 65.19, 24.54, 18.18

 

CMYK 26 / 0 / 40 / 18

HEX #9AD17E

RGB 154 209 126

HSL 99.76, 0.47%, 0.66%

LAB 78.45, -32.75, 35.58

 

CMYK 40 / 6 / 0 / 18

HEX #7EC4D1

RGB 126 196 209

HSL 189.4, 0.47%, 0.66%

LAB 75.15, -18.66, -13.45

 

CMYK 13 / 40 / 0 / 18

HEX #B67ED1

RGB 182 126 209

HSL 280.48, 0.47%, 0.66%

LAB 61.19, 36.45, -34.43

 

Description

Color code: HEX #D28D7F | qconv.com Color code: HEX #D28D7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 141 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 141 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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