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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D28AAE it is the complementary color #2D7551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D28AAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D28AAE shade: #D78AA9, #E89CBC, #F9AECF, #FFC0E2 and #FFD2F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D28AAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D28AAE shade: #D28AAE, #C1789B, #B06688, #9F5475 and #8E4262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D28AAE shade: #D189AD, #D1899A and #D18989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D28AAE shade: #D189AD, #D189C0, #CE89D1, #BB89D1 and #A789D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D28AAE shade matches the following richer shades: #D189AD, #DE7CAD, #EB6FAD and #F861AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D28AAE shade: #D189AD, #C496AD, #B6A3AD, #A9B1AD and #9CBEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D28AAE shade: #CE89D1, #D189C0, #D189AD, #D1899A and #D18B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D28AAE shade: #BA4E84, #C56B98, #D189AD, #DCA7C2 and #E8C4D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D28AAE shade: #D28AAE, #D1BB89 and #89CAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D28AAE shade: #D28AAE, #ADD189 and #89ADD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D28AAE shade: #D28AAE, #D1BB89, #89D1AD and #899FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D28AAE shade: #D28AAE, #D1D189, #89D1AD and #8989D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

Complementary color

CMYK 62 / 0 / 31 / 54

HEX #2D7551

RGB 45 117 81

HSL 150, 0.44%, 0.32%

LAB 44.05, -31.55, 13.33

 

CMYK 0 / 36 / 21 / 16

HEX #D78AA9

RGB 215 138 169

HSL 335.84, 0.49%, 0.69%

LAB 66.13, 33.59, -4.05

 

CMYK 0 / 33 / 19 / 9

HEX #E89CBC

RGB 232 156 188

HSL 334.74, 0.62%, 0.76%

LAB 72.6, 32.83, -4.88

 

CMYK 0 / 30 / 17 / 2

HEX #F9AECF

RGB 249 174 207

HSL 333.6, 0.86%, 0.83%

LAB 78.99, 32.11, -5.63

 

CMYK 0 / 25 / 11 / 0

HEX #FFC0E2

RGB 255 192 226

HSL 327.62, 1%, 0.88%

LAB 84.2, 27.7, -8.09

 

CMYK 0 / 18 / 4 / 0

HEX #FFD2F5

RGB 255 210 245

HSL 313.33, 1%, 0.91%

LAB 88.9, 21.45, -11.19

 

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

CMYK 0 / 38 / 20 / 24

HEX #C1789B

RGB 193 120 155

HSL 331.23, 0.37%, 0.61%

LAB 59.1, 33.39, -6.76

 

CMYK 0 / 42 / 23 / 31

HEX #B06688

RGB 176 102 136

HSL 332.43, 0.32%, 0.55%

LAB 52.41, 34.22, -5.85

 

CMYK 0 / 47 / 26 / 38

HEX #9F5475

RGB 159 84 117

HSL 333.6, 0.31%, 0.48%

LAB 45.63, 35.08, -4.78

 

CMYK 0 / 54 / 31 / 44

HEX #8E4262

RGB 142 66 98

HSL 334.74, 0.37%, 0.41%

LAB 38.78, 35.94, -3.48

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 34 / 26 / 18

HEX #D1899A

RGB 209 137 154

HSL 345.83, 0.44%, 0.68%

LAB 64.79, 29.79, 2.38

 

CMYK 0 / 34 / 34 / 18

HEX #D18989

RGB 209 137 137

HSL 0, 0.44%, 0.68%

LAB 64.37, 27.53, 11.39

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 34 / 8 / 18

HEX #D189C0

RGB 209 137 192

HSL 314.17, 0.44%, 0.68%

LAB 65.94, 35.78, -17.33

 

CMYK 1 / 34 / 0 / 18

HEX #CE89D1

RGB 206 137 209

HSL 297.5, 0.44%, 0.68%

LAB 66.23, 37.88, -26.44

 

CMYK 11 / 34 / 0 / 18

HEX #BB89D1

RGB 187 137 209

HSL 281.67, 0.44%, 0.68%

LAB 64.21, 31.9, -29.72

 

CMYK 20 / 34 / 0 / 18

HEX #A789D1

RGB 167 137 209

HSL 265, 0.44%, 0.68%

LAB 62.26, 25.73, -32.89

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 44 / 22 / 13

HEX #DE7CAD

RGB 222 124 173

HSL 330, 0.6%, 0.68%

LAB 64.13, 43.95, -9.18

 

CMYK 0 / 53 / 26 / 8

HEX #EB6FAD

RGB 235 111 173

HSL 330, 0.76%, 0.68%

LAB 63.38, 54.59, -10.12

 

CMYK 0 / 61 / 30 / 3

HEX #F861AD

RGB 248 97 173

HSL 329.8, 0.92%, 0.68%

LAB 62.95, 64.76, -10.57

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 23 / 12 / 23

HEX #C496AD

RGB 196 150 173

HSL 330, 0.28%, 0.68%

LAB 66.95, 20.91, -5.32

 

CMYK 0 / 10 / 5 / 29

HEX #B6A3AD

RGB 182 163 173

HSL 328.42, 0.12%, 0.68%

LAB 68.86, 8.68, -2.64

 

CMYK 5 / 0 / 2 / 31

HEX #A9B1AD

RGB 169 177 173

HSL 150, 0.05%, 0.68%

LAB 71.48, -3.56, 1.06

 

CMYK 18 / 0 / 9 / 25

HEX #9CBEAD

RGB 156 190 173

HSL 150, 0.21%, 0.68%

LAB 74.13, -14.86, 4.79

 

CMYK 1 / 34 / 0 / 18

HEX #CE89D1

RGB 206 137 209

HSL 297.5, 0.44%, 0.68%

LAB 66.23, 37.88, -26.44

 

CMYK 0 / 34 / 8 / 18

HEX #D189C0

RGB 209 137 192

HSL 314.17, 0.44%, 0.68%

LAB 65.94, 35.78, -17.33

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 34 / 26 / 18

HEX #D1899A

RGB 209 137 154

HSL 345.83, 0.44%, 0.68%

LAB 64.79, 29.79, 2.38

 

CMYK 0 / 33 / 34 / 18

HEX #D18B89

RGB 209 139 137

HSL 1.67, 0.44%, 0.68%

LAB 64.82, 26.44, 12.04

 

CMYK 0 / 58 / 29 / 27

HEX #BA4E84

RGB 186 78 132

HSL 330, 0.44%, 0.52%

LAB 48.95, 49.29, -8.47

 

CMYK 0 / 46 / 23 / 23

HEX #C56B98

RGB 197 107 152

HSL 330, 0.44%, 0.6%

LAB 56.74, 41.25, -8.49

 

CMYK 0 / 34 / 17 / 18

HEX #D189AD

RGB 209 137 173

HSL 330, 0.44%, 0.68%

LAB 65.33, 32.63, -7.57

 

CMYK 0 / 24 / 12 / 14

HEX #DCA7C2

RGB 220 167 194

HSL 329.43, 0.43%, 0.76%

LAB 74.03, 23.68, -6.22

 

CMYK 0 / 16 / 8 / 9

HEX #E8C4D6

RGB 232 196 214

HSL 330, 0.44%, 0.84%

LAB 82.64, 15.69, -4.21

 

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

CMYK 0 / 11 / 34 / 18

HEX #D1BB89

RGB 209 187 137

HSL 41.67, 0.44%, 0.68%

LAB 76.62, 0.55, 28.21

 

CMYK 34 / 3 / 0 / 18

HEX #89CAD1

RGB 137 202 209

HSL 185.83, 0.44%, 0.68%

LAB 77.38, -18.82, -10.06

 

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

CMYK 17 / 0 / 34 / 18

HEX #ADD189

RGB 173 209 137

HSL 90, 0.44%, 0.68%

LAB 79.78, -24.45, 31.91

 

CMYK 34 / 17 / 0 / 18

HEX #89ADD1

RGB 137 173 209

HSL 210, 0.44%, 0.68%

LAB 69.33, -3.5, -22.19

 

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

CMYK 0 / 11 / 34 / 18

HEX #D1BB89

RGB 209 187 137

HSL 41.67, 0.44%, 0.68%

LAB 76.62, 0.55, 28.21

 

CMYK 34 / 0 / 17 / 18

HEX #89D1AD

RGB 137 209 173

HSL 150, 0.44%, 0.68%

LAB 78.42, -30.26, 10.79

 

CMYK 34 / 24 / 0 / 18

HEX #899FD1

RGB 137 159 209

HSL 221.67, 0.44%, 0.68%

LAB 65.53, 4.3, -28.02

 

CMYK 0 / 34 / 17 / 18

HEX #D28AAE

RGB 210 138 174

HSL 330, 0.44%, 0.68%

LAB 65.7, 32.6, -7.57

 

CMYK 0 / 0 / 34 / 18

HEX #D1D189

RGB 209 209 137

HSL 60, 0.44%, 0.68%

LAB 82.36, -10.84, 35.77

 

CMYK 34 / 0 / 17 / 18

HEX #89D1AD

RGB 137 209 173

HSL 150, 0.44%, 0.68%

LAB 78.42, -30.26, 10.79

 

CMYK 34 / 34 / 0 / 18

HEX #8989D1

RGB 137 137 209

HSL 240, 0.44%, 0.68%

LAB 59.72, 16.95, -37.04

 

Description

Color code: HEX #D28AAE | qconv.com Color code: HEX #D28AAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 138 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 138 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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