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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D288A0 it is the complementary color #2D775F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D288A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D288A0 shade: #D7889B, #E89AAE, #F9ACC1, #FFBED4 and #FFD0E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D288A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D288A0 shade: #D288A0, #C1768D, #B0647A, #9F5267 and #8E4054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D288A0 shade: #D288A0, #D2888C and #D28888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D288A0 shade: #D288A0, #D288B4, #D288C8, #C888D2 and #B488D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D288A0 shade matches the following richer shades: #D288A0, #DF7B9B, #EC6E97 and #F96192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D288A0 shade: #D288A0, #C495A5, #B7A3A9, #AAB0AE and #9DBDB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D288A0 shade: #D288C8, #D288B4, #D288A1, #D2888D and #D29788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D288A0 shade: #BB4C70, #C66A88, #D288A0, #DDA6B8 and #E8C4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D288A0 shade: #D288A0, #D2C888 and #88BED2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D288A0 shade: #D288A0, #A1D288 and #88A1D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D288A0 shade: #D288A0, #D2C888, #88D2B9 and #8892D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D288A0 shade: #D288A0, #C5D288, #88D2B9 and #9488D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

Complementary color

CMYK 62 / 0 / 20 / 53

HEX #2D775F

RGB 45 119 95

HSL 160.54, 0.45%, 0.32%

LAB 45.05, -29.13, 6.46

 

CMYK 0 / 37 / 28 / 16

HEX #D7889B

RGB 215 136 155

HSL 345.57, 0.5%, 0.69%

LAB 65.3, 32.66, 2.64

 

CMYK 0 / 34 / 25 / 9

HEX #E89AAE

RGB 232 154 174

HSL 344.62, 0.63%, 0.76%

LAB 71.77, 31.84, 1.65

 

CMYK 0 / 31 / 22 / 2

HEX #F9ACC1

RGB 249 172 193

HSL 343.64, 0.87%, 0.83%

LAB 78.17, 31.09, 0.76

 

CMYK 0 / 25 / 17 / 0

HEX #FFBED4

RGB 255 190 212

HSL 339.69, 1%, 0.87%

LAB 83.36, 26.55, -1.84

 

CMYK 0 / 18 / 9 / 0

HEX #FFD0E7

RGB 255 208 231

HSL 330.64, 1%, 0.91%

LAB 88.04, 20.12, -5.07

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 39 / 27 / 24

HEX #C1768D

RGB 193 118 141

HSL 341.6, 0.38%, 0.61%

LAB 58.24, 32.4, 0.06

 

CMYK 0 / 43 / 31 / 31

HEX #B0647A

RGB 176 100 122

HSL 342.63, 0.32%, 0.54%

LAB 51.55, 33.29, 1.18

 

CMYK 0 / 48 / 35 / 38

HEX #9F5267

RGB 159 82 103

HSL 343.64, 0.32%, 0.47%

LAB 44.78, 34.24, 2.5

 

CMYK 0 / 55 / 41 / 44

HEX #8E4054

RGB 142 64 84

HSL 344.62, 0.38%, 0.4%

LAB 37.95, 35.19, 4.12

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 35 / 33 / 18

HEX #D2888C

RGB 210 136 140

HSL 356.76, 0.45%, 0.68%

LAB 64.33, 28.83, 9.66

 

CMYK 0 / 35 / 35 / 18

HEX #D28888

RGB 210 136 136

HSL 0, 0.45%, 0.68%

LAB 64.23, 28.33, 11.79

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 35 / 14 / 18

HEX #D288B4

RGB 210 136 180

HSL 324.32, 0.45%, 0.68%

LAB 65.44, 34.64, -11.33

 

CMYK 0 / 35 / 5 / 18

HEX #D288C8

RGB 210 136 200

HSL 308.11, 0.45%, 0.68%

LAB 66.12, 38.05, -21.54

 

CMYK 5 / 35 / 0 / 18

HEX #C888D2

RGB 200 136 210

HSL 291.89, 0.45%, 0.68%

LAB 65.39, 36.72, -28.34

 

CMYK 14 / 35 / 0 / 18

HEX #B488D2

RGB 180 136 210

HSL 275.68, 0.45%, 0.68%

LAB 63.31, 30.5, -31.72

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 45 / 30 / 13

HEX #DF7B9B

RGB 223 123 155

HSL 340.8, 0.61%, 0.68%

LAB 63.52, 42.34, 0.19

 

CMYK 0 / 53 / 36 / 7

HEX #EC6E97

RGB 236 110 151

HSL 340.48, 0.77%, 0.68%

LAB 62.69, 52.67, 1.48

 

CMYK 0 / 61 / 41 / 2

HEX #F96192

RGB 249 97 146

HSL 340.66, 0.93%, 0.68%

LAB 62.31, 62.1, 4.05

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 24 / 16 / 23

HEX #C495A5

RGB 196 149 165

HSL 339.57, 0.28%, 0.68%

LAB 66.48, 20.13, -1.52

 

CMYK 0 / 11 / 8 / 28

HEX #B7A3A9

RGB 183 163 169

HSL 342, 0.12%, 0.68%

LAB 68.84, 8.33, -0.44

 

CMYK 3 / 0 / 1 / 31

HEX #AAB0AE

RGB 170 176 174

HSL 160, 0.04%, 0.68%

LAB 71.32, -2.48, 0.28

 

CMYK 17 / 0 / 5 / 26

HEX #9DBDB3

RGB 157 189 179

HSL 161.25, 0.2%, 0.68%

LAB 74.07, -12.81, 1.45

 

CMYK 0 / 35 / 5 / 18

HEX #D288C8

RGB 210 136 200

HSL 308.11, 0.45%, 0.68%

LAB 66.12, 38.05, -21.54

 

CMYK 0 / 35 / 14 / 18

HEX #D288B4

RGB 210 136 180

HSL 324.32, 0.45%, 0.68%

LAB 65.44, 34.64, -11.33

 

CMYK 0 / 35 / 23 / 18

HEX #D288A1

RGB 210 136 161

HSL 339.73, 0.45%, 0.68%

LAB 64.87, 31.7, -1.45

 

CMYK 0 / 35 / 33 / 18

HEX #D2888D

RGB 210 136 141

HSL 355.95, 0.45%, 0.68%

LAB 64.35, 28.95, 9.12

 

CMYK 0 / 28 / 35 / 18

HEX #D29788

RGB 210 151 136

HSL 12.16, 0.45%, 0.68%

LAB 67.73, 20.18, 16.68

 

CMYK 0 / 59 / 40 / 27

HEX #BB4C70

RGB 187 76 112

HSL 340.54, 0.45%, 0.52%

LAB 48.14, 48.13, 2.42

 

CMYK 0 / 46 / 31 / 22

HEX #C66A88

RGB 198 106 136

HSL 340.43, 0.45%, 0.6%

LAB 56.18, 39.9, 0.03

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B8

RGB 221 166 184

HSL 340.36, 0.45%, 0.76%

LAB 73.61, 22.95, -1.32

 

CMYK 0 / 16 / 10 / 9

HEX #E8C4D0

RGB 232 196 208

HSL 340, 0.44%, 0.84%

LAB 82.48, 14.68, -1.24

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 5 / 35 / 18

HEX #D2C888

RGB 210 200 136

HSL 51.89, 0.45%, 0.68%

LAB 80.06, -5.96, 33.3

 

CMYK 35 / 10 / 0 / 18

HEX #88BED2

RGB 136 190 210

HSL 196.22, 0.45%, 0.68%

LAB 74.01, -12.64, -15.66

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 23 / 0 / 35 / 18

HEX #A1D288

RGB 161 210 136

HSL 99.73, 0.45%, 0.68%

LAB 79.3, -29.36, 31.65

 

CMYK 35 / 23 / 0 / 18

HEX #88A1D2

RGB 136 161 210

HSL 219.73, 0.45%, 0.68%

LAB 66.04, 3.15, -27.79

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 0 / 5 / 35 / 18

HEX #D2C888

RGB 210 200 136

HSL 51.89, 0.45%, 0.68%

LAB 80.06, -5.96, 33.3

 

CMYK 35 / 0 / 12 / 18

HEX #88D2B9

RGB 136 210 185

HSL 159.73, 0.45%, 0.68%

LAB 78.94, -28.53, 5.12

 

CMYK 35 / 30 / 0 / 18

HEX #8892D2

RGB 136 146 210

HSL 231.89, 0.45%, 0.68%

LAB 62.04, 11.71, -33.99

 

CMYK 0 / 35 / 24 / 18

HEX #D288A0

RGB 210 136 160

HSL 340.54, 0.45%, 0.68%

LAB 64.84, 31.56, -0.92

 

CMYK 6 / 0 / 35 / 18

HEX #C5D288

RGB 197 210 136

HSL 70.54, 0.45%, 0.68%

LAB 81.7, -16.1, 35.25

 

CMYK 35 / 0 / 12 / 18

HEX #88D2B9

RGB 136 210 185

HSL 159.73, 0.45%, 0.68%

LAB 78.94, -28.53, 5.12

 

CMYK 30 / 35 / 0 / 18

HEX #9488D2

RGB 148 136 210

HSL 249.73, 0.45%, 0.68%

LAB 60.39, 20.91, -36.49

 

Description

Color code: HEX #D288A0 | qconv.com Color code: HEX #D288A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 136 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 136 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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