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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D273E1 it is the complementary color #2D8C1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D273E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D273E1 shade: #D773DC, #E885EF, #F997FF, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D273E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D273E1 shade: #D273E1, #C161CE, #B04FBB, #9F3DA8 and #8E2B95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D273E1 shade: #D274E1, #E174D2, #E174B5, #E17497 and #E1747A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D273E1 shade: #D274E1, #B574E1, #9774E1, #7A74E1 and #7474E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D273E1 shade matches the following richer shades: #D274E1, #DC66EF and #E658FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D273E1 shade: #D274E1, #C881D3, #BE8FC6, #B49CB8 and #ABAAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D273E1 shade: #9674E1, #B374E1, #D174E1, #E174D4 and #E174B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D273E1 shade: #BC30D3, #C752DA, #D274E1, #DD96E8 and #E8B8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D273E1 shade: #D273E1, #E17974 and #74E1A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D273E1 shade: #D273E1, #E1D174 and #74E1D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D273E1 shade: #D273E1, #E17974, #84E174 and #74DCE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D273E1 shade: #D273E1, #E19A74, #84E174 and #74BBE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

Complementary color

CMYK 68 / 0 / 79 / 45

HEX #2D8C1E

RGB 45 140 30

HSL 111.82, 0.65%, 0.33%

LAB 51.16, -48.1, 47.11

 

CMYK 2 / 48 / 0 / 14

HEX #D773DC

RGB 215 115 220

HSL 297.14, 0.6%, 0.66%

LAB 63.24, 54.04, -37.12

 

CMYK 3 / 44 / 0 / 6

HEX #E885EF

RGB 232 133 239

HSL 296.04, 0.77%, 0.73%

LAB 69.59, 53.35, -37.6

 

CMYK 2 / 41 / 0 / 0

HEX #F997FF

RGB 249 151 255

HSL 296.54, 1%, 0.8%

LAB 75.76, 52.09, -36.57

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

CMYK 6 / 53 / 0 / 19

HEX #C161CE

RGB 193 97 206

HSL 292.84, 0.53%, 0.59%

LAB 56.43, 54.22, -40.1

 

CMYK 6 / 58 / 0 / 27

HEX #B04FBB

RGB 176 79 187

HSL 293.89, 0.44%, 0.52%

LAB 49.99, 54.74, -39.49

 

CMYK 5 / 64 / 0 / 34

HEX #9F3DA8

RGB 159 61 168

HSL 294.95, 0.47%, 0.45%

LAB 43.56, 55.01, -38.67

 

CMYK 5 / 71 / 0 / 42

HEX #8E2B95

RGB 142 43 149

HSL 296.04, 0.55%, 0.38%

LAB 37.2, 54.82, -37.5

 

CMYK 7 / 48 / 0 / 12

HEX #D274E1

RGB 210 116 225

HSL 291.74, 0.64%, 0.67%

LAB 63.03, 53.07, -40.28

 

CMYK 0 / 48 / 7 / 12

HEX #E174D2

RGB 225 116 210

HSL 308.26, 0.64%, 0.67%

LAB 64.28, 54.68, -29.8

 

CMYK 0 / 48 / 20 / 12

HEX #E174B5

RGB 225 116 181

HSL 324.22, 0.64%, 0.67%

LAB 63.21, 50.12, -15.08

 

CMYK 0 / 48 / 33 / 12

HEX #E17497

RGB 225 116 151

HSL 340.73, 0.64%, 0.67%

LAB 62.28, 46.07, 0.69

 

CMYK 0 / 48 / 46 / 12

HEX #E1747A

RGB 225 116 122

HSL 356.7, 0.64%, 0.67%

LAB 61.57, 42.85, 16.32

 

CMYK 7 / 48 / 0 / 12

HEX #D274E1

RGB 210 116 225

HSL 291.74, 0.64%, 0.67%

LAB 63.03, 53.07, -40.28

 

CMYK 20 / 48 / 0 / 12

HEX #B574E1

RGB 181 116 225

HSL 275.78, 0.64%, 0.67%

LAB 59.66, 45.07, -45.82

 

CMYK 33 / 48 / 0 / 12

HEX #9774E1

RGB 151 116 225

HSL 259.27, 0.64%, 0.67%

LAB 56.59, 37.1, -50.88

 

CMYK 46 / 48 / 0 / 12

HEX #7A74E1

RGB 122 116 225

HSL 243.3, 0.64%, 0.67%

LAB 54.1, 30.01, -55.01

 

CMYK 48 / 48 / 0 / 12

HEX #7474E1

RGB 116 116 225

HSL 240, 0.64%, 0.67%

LAB 53.64, 28.65, -55.76

 

CMYK 7 / 48 / 0 / 12

HEX #D274E1

RGB 210 116 225

HSL 291.74, 0.64%, 0.67%

LAB 63.03, 53.07, -40.28

 

CMYK 8 / 57 / 0 / 6

HEX #DC66EF

RGB 220 102 239

HSL 291.68, 0.81%, 0.67%

LAB 62.47, 65, -48.87

 

CMYK 9 / 65 / 0 / 1

HEX #E658FC

RGB 230 88 252

HSL 291.95, 0.96%, 0.67%

LAB 62.36, 75.55, -56.14

 

CMYK 7 / 48 / 0 / 12

HEX #D274E1

RGB 210 116 225

HSL 291.74, 0.64%, 0.67%

LAB 63.03, 53.07, -40.28

 

CMYK 5 / 39 / 0 / 17

HEX #C881D3

RGB 200 129 211

HSL 291.95, 0.48%, 0.67%

LAB 63.9, 40.69, -31.2

 

CMYK 4 / 28 / 0 / 22

HEX #BE8FC6

RGB 190 143 198

HSL 291.27, 0.33%, 0.67%

LAB 65.49, 27.31, -21.57

 

CMYK 2 / 15 / 0 / 28

HEX #B49CB8

RGB 180 156 184

HSL 291.43, 0.16%, 0.67%

LAB 67.23, 13.93, -11.21

 

CMYK 0 / 1 / 0 / 33

HEX #ABAAAB

RGB 171 170 171

HSL 300, 0.01%, 0.67%

LAB 69.72, 0.55, -0.4

 

CMYK 33 / 48 / 0 / 12

HEX #9674E1

RGB 150 116 225

HSL 258.72, 0.64%, 0.67%

LAB 56.5, 36.84, -51.03

 

CMYK 20 / 48 / 0 / 12

HEX #B374E1

RGB 179 116 225

HSL 274.68, 0.64%, 0.67%

LAB 59.44, 44.52, -46.18

 

CMYK 7 / 48 / 0 / 12

HEX #D174E1

RGB 209 116 225

HSL 291.19, 0.64%, 0.67%

LAB 62.91, 52.79, -40.48

 

CMYK 0 / 48 / 6 / 12

HEX #E174D4

RGB 225 116 212

HSL 307.16, 0.64%, 0.67%

LAB 64.36, 55.01, -30.8

 

CMYK 0 / 48 / 19 / 12

HEX #E174B7

RGB 225 116 183

HSL 323.12, 0.64%, 0.67%

LAB 63.27, 50.42, -16.11

 

CMYK 11 / 77 / 0 / 17

HEX #BC30D3

RGB 188 48 211

HSL 291.53, 0.65%, 0.51%

LAB 48.89, 73.66, -54.98

 

CMYK 9 / 62 / 0 / 15

HEX #C752DA

RGB 199 82 218

HSL 291.62, 0.65%, 0.59%

LAB 55.32, 64.86, -48.62

 

CMYK 7 / 48 / 0 / 12

HEX #D274E1

RGB 210 116 225

HSL 291.74, 0.64%, 0.67%

LAB 63.03, 53.07, -40.28

 

CMYK 5 / 35 / 0 / 9

HEX #DD96E8

RGB 221 150 232

HSL 291.95, 0.64%, 0.75%

LAB 71.56, 39.96, -30.79

 

CMYK 3 / 23 / 0 / 6

HEX #E8B8EF

RGB 232 184 239

HSL 292.36, 0.63%, 0.83%

LAB 80.55, 26.58, -20.75

 

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

CMYK 0 / 46 / 48 / 12

HEX #E17974

RGB 225 121 116

HSL 2.75, 0.64%, 0.67%

LAB 62.46, 39.73, 20.96

 

CMYK 48 / 0 / 27 / 12

HEX #74E1A5

RGB 116 225 165

HSL 146.97, 0.64%, 0.67%

LAB 81.99, -44.83, 19.89

 

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

CMYK 0 / 7 / 48 / 12

HEX #E1D174

RGB 225 209 116

HSL 51.19, 0.64%, 0.67%

LAB 83.37, -6.68, 47.81

 

CMYK 48 / 0 / 7 / 12

HEX #74E1D1

RGB 116 225 209

HSL 171.19, 0.64%, 0.67%

LAB 83, -35.21, -1.85

 

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

CMYK 0 / 46 / 48 / 12

HEX #E17974

RGB 225 121 116

HSL 2.75, 0.64%, 0.67%

LAB 62.46, 39.73, 20.96

 

CMYK 41 / 0 / 48 / 12

HEX #84E174

RGB 132 225 116

HSL 111.19, 0.64%, 0.67%

LAB 81.85, -48.34, 44.59

 

CMYK 48 / 2 / 0 / 12

HEX #74DCE1

RGB 116 220 225

HSL 182.75, 0.64%, 0.67%

LAB 82.02, -28.84, -11.8

 

CMYK 7 / 49 / 0 / 12

HEX #D273E1

RGB 210 115 225

HSL 291.82, 0.65%, 0.67%

LAB 62.84, 53.57, -40.58

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 41 / 0 / 48 / 12

HEX #84E174

RGB 132 225 116

HSL 111.19, 0.64%, 0.67%

LAB 81.85, -48.34, 44.59

 

CMYK 48 / 17 / 0 / 12

HEX #74BBE1

RGB 116 187 225

HSL 200.92, 0.64%, 0.67%

LAB 72.69, -12.12, -25.91

 

Description

Color code: HEX #D273E1 | qconv.com Color code: HEX #D273E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 115 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 115 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 49 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 49% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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